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  1. Cross gendered literary voices
    appropriating, resisting, embracing
    Contributor: Kim, Rina (Hrsg.)
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

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    Location:
    Universitätsbibliothek Bielefeld
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
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  2. Cross-gendered literary voices
    appropriating, resisting, embracing
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found... more

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts"--

     
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  3. Cross gendered literary voices
    appropriating, resisting, embracing
    Contributor: Kim, Rina (Herausgeber)
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Access:

    Location:
    Universitätsbibliothek Bielefeld
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    No inter-library loan
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  4. Cross gendered literary voices
    appropriating, resisting, embracing
    Contributor: Kim, Rina (Hrsg.)
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found... more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts

     
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    Content information
    Source: Union catalogues
    Contributor: Kim, Rina (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137020758
    Scope: X, 243 S.
    Notes:

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Acknowledgements; Notes on Contributors; Introduction: Cross-Gendered Literary Voices; Part I: Empowering or Effacing The Victorian Other?; 1 Female Narrative Energy in the Writings of Dead White Males: Dickens, Collins and Freud; 2 'Everything depend[s] on the fashion of narration': Women Writing Women Writers in Short Stories of the Fin-de-Siècle; Part II: Resisting and Embracing the Other via the Abject Entity; 3 'These heavy sands are language tide and wind have silted here': Tidal Voicing and the Poetics of Home in James Joyce's Ulysses

    4 What Happens When a Transvestite Gynaecologist Usurps the Narrator?: Cross-Gendered Ventriloquism in Djuna Barnes's Nightwood5 'Her speech a purely buccal phenomenon': Voice as a Lost Object in Samuel Beckett's Works; 6 The Engendered and Dis-engendered Other in Iris Murdoch's Early Fiction; Part III: Gender as Performance and the Vocalization of Transgendered Bodies; 7 'His almost vanished voice': Gendering and Transgendering Bodily Signification and the Voice in Angela Carter's The Passion of New Eve

    8 No Man's Land: the Transgendered Voice in Jeffrey Eugenides's Middlesex and Rose Tremain's Sacred Country9 Transvestic Voices and Gendered Performance in Patrick McCabe's Breakfast on Pluto; Part IV: Authority and Anxieties of Appropriation in Historical Narratives; 10 Authenticity, Authority and the Author: the Sugared Voice of the Neo-Victorian Prostitute in The Crimson Petal and the White; 11 'Queering' the Speaking Subject in Sarah Waters's The Little Stranger; Conclusion: Crossings and Re-crossings; Bibliography; Index;