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  1. European civil war films
    memory, conflict, and nostalgia
    Published: 2013
    Publisher:  Routledge, New York

    Universität Frankfurt, Elektronische Ressourcen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203104699; 9781136250651; 9781283643276
    RVK Categories: AP 50300
    Series: Routledge advances in film studies ; 18
    Subjects: Kriegsfilm; Film; Bürgerkrieg <Motiv>
    Scope: X, 196 S.
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  2. European Civil War Films
    Memory, Conflict, and Nostalgia
    Published: 2012; ©2012
    Publisher:  Routledge, London

    This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and... more

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    This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory. Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojević, and Angelopoulos. Front Cover -- European Civil War Films -- Copyright Page -- Contents -- 1 Introduction -- 2 Collective and Cultural Memory and their Limitations: Postmemory and Cinematic Modes of Representations -- 3 The Spanish Civil War: Cinematic Postmemoriesm of the 'Last Great Cause' -- 4 Cinematic Representations of the Irish Civil War: Michael Collins and the Wind That Shakes The Barley -- 5 Cinematic Representations of the Former Yugoslavian Civil War: Underground and No Man's Land -- 6 Representation of the Greek Civil War in Theo Angelopoulos's: The Travelling PlayersThe Uses of Intertextuality -- 7 Conclusion -- Appendix I -- Notes -- Filmography -- Bibliography -- Index.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781136250651
    RVK Categories: AP 50300
    Edition: 1st ed.
    Series: Routledge Advances in Film Studies
    Subjects: Civil war in motion pictures; Collective memory; Historical films; Civil war in motion pictures; Collective memory ; Europe; Historical films ; Europe ; History and criticism; Electronic books
    Scope: 1 online resource (207 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality.