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Displaying results 1 to 3 of 3.

  1. Reception of Mesopotamia on film
    Author: Fátima Rosa, Maria de
    Published: [2022]; © 2022
    Publisher:  John Wiley & Sons, Inc., Hoboken

    "Introduction: reception of Mesopotamia and the cinema lens reception studies and cinema studies on reception of antiquity are relatively recent. Charles Martindale first included reception theory in the field of Classical Studies in 1993 with... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Introduction: reception of Mesopotamia and the cinema lens reception studies and cinema studies on reception of antiquity are relatively recent. Charles Martindale first included reception theory in the field of Classical Studies in 1993 with Redeeming the Text: Latin poetry and the hermeneutics of reception. The Professor of Latin from the University of Bristol was inspired by the research line inaugurated by the Constance School, with scholars such as Wolfgang Iser and especially Hans Robert Jauss, who, in the 1960s, boosted the field named Aesthetic of Reception. Jauss postulated that the observer of a work of art should be given an active role. In broad terms, he considered that the work of art was not a static or timeless phenomenon . In his own words, "A literary work is not an object that stands by itself and that offers the same view to each reader in each period. It is not a monument that monologically reveals its timeless essence. It is much more like an orchestration that strikes ever new resonances among its readers and that frees the text from the material of the words and brings it to a contemporary existence" . Martindale thus resorted to this seminal work to introduce new conceptions in the study of Classics, claiming, like Jauss before him, that an author has no control over his work since it does not have an immutable meaning, always depending on the interpretations made about it and hence subjected to the cognitive role of the observer / reader, the "active principle" "--

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781119778646; 1119778646
    RVK Categories: NG 4000
    Subjects: Film; Mesopotamien <Motiv>
    Other subjects: Civilization, Assyro-Babylonian, in motion pictures; Iraq / In motion pictures; Iraq / Civilization / To 634; Civilization; Iraq; To 634
    Scope: x, 230 Seiten, Illustrationen
  2. Reception of Mesopotamia on film
    Author: Fátima Rosa, Maria de
    Published: [2022]; © 2022
    Publisher:  John Wiley & Sons, Inc., Hoboken

    "Introduction: reception of Mesopotamia and the cinema lens reception studies and cinema studies on reception of antiquity are relatively recent. Charles Martindale first included reception theory in the field of Classical Studies in 1993 with... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Introduction: reception of Mesopotamia and the cinema lens reception studies and cinema studies on reception of antiquity are relatively recent. Charles Martindale first included reception theory in the field of Classical Studies in 1993 with Redeeming the Text: Latin poetry and the hermeneutics of reception. The Professor of Latin from the University of Bristol was inspired by the research line inaugurated by the Constance School, with scholars such as Wolfgang Iser and especially Hans Robert Jauss, who, in the 1960s, boosted the field named Aesthetic of Reception. Jauss postulated that the observer of a work of art should be given an active role. In broad terms, he considered that the work of art was not a static or timeless phenomenon . In his own words, "A literary work is not an object that stands by itself and that offers the same view to each reader in each period. It is not a monument that monologically reveals its timeless essence. It is much more like an orchestration that strikes ever new resonances among its readers and that frees the text from the material of the words and brings it to a contemporary existence" . Martindale thus resorted to this seminal work to introduce new conceptions in the study of Classics, claiming, like Jauss before him, that an author has no control over his work since it does not have an immutable meaning, always depending on the interpretations made about it and hence subjected to the cognitive role of the observer / reader, the "active principle" "--

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781119778646; 1119778646
    RVK Categories: NG 4000
    Subjects: Film; Mesopotamien <Motiv>
    Other subjects: Civilization, Assyro-Babylonian, in motion pictures; Iraq / In motion pictures; Iraq / Civilization / To 634; Civilization; Iraq; To 634
    Scope: x, 230 Seiten, Illustrationen
  3. Reception of Mesopotamia on film
    Author: Fátima Rosa, Maria de
    Published: 2022
    Publisher:  John Wiley & Sons, Inc, Hoboken, NJ

    "Introduction: reception of Mesopotamia and the cinema lens reception studies and cinema studies on reception of antiquity are relatively recent. Charles Martindale first included reception theory in the field of Classical Studies in 1993 with... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek, Archäologische Bibliothek
    Signature:
    NG 1520 D313
    Inter-library loan:
    No inter-library loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KT:3500:Fáti::2022
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Introduction: reception of Mesopotamia and the cinema lens reception studies and cinema studies on reception of antiquity are relatively recent. Charles Martindale first included reception theory in the field of Classical Studies in 1993 with Redeeming the Text: Latin poetry and the hermeneutics of reception. The Professor of Latin from the University of Bristol was inspired by the research line inaugurated by the Constance School, with scholars such as Wolfgang Iser and especially Hans Robert Jauss, who, in the 1960s, boosted the field named Aesthetic of Reception. Jauss postulated that the observer of a work of art should be given an active role. In broad terms, he considered that the work of art was not a static or timeless phenomenon . In his own words, "A literary work is not an object that stands by itself and that offers the same view to each reader in each period. It is not a monument that monologically reveals its timeless essence. It is much more like an orchestration that strikes ever new resonances among its readers and that frees the text from the material of the words and brings it to a contemporary existence" . Martindale thus resorted to this seminal work to introduce new conceptions in the study of Classics, claiming, like Jauss before him, that an author has no control over his work since it does not have an immutable meaning, always depending on the interpretations made about it and hence subjected to the cognitive role of the observer / reader, the "active principle" "--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781119778646
    RVK Categories: NG 1520 ; AP 52600
    Subjects: Civilization, Assyro-Babylonian, in motion pictures; Iraq
    Scope: x, 230 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index