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  1. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge

    Universität Mainz, Zentralbibliothek
    301.974
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108492355; 9781108729277
    RVK Categories: HM 1071 ; HU 1745
    Subjects: Literaturbeziehungen; Moderne; Literatur; Englisch; Schriftsteller; Weltliteratur
    Scope: ix, 318 Seiten
  2. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound --... more

    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek Regensburg
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    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound -- "The insolence of empire" : the fall of the House of Europe and emerging American ascendancy in The golden bowl and The waste land -- Contesting wills : Joyce, Yeats, Goethe, Shakespeare and mimetic rivalries in Ulysses -- "That huge incoherent failure of a house" : antinomies of American literature in The great Gatsby and Long day's journey into night -- "Cities that open like The world's classics" : Omeros and epic impasse in the neolberal world literary system "After World War I, American, Irish and then Caribbean writers boldly remade the literary world system long dominated by Paris and London. Responding to literary "renaissances" and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based modernists produced dazzling new works that challenged London's or Paris's authority to determine literary value and propounded their own notions of critical merit, these later codified as "Modernism." However, after World War II, an assertive American literary establishment repurposed the literature that had once challenged English and French literary authority to boost the cultural prestige of the United States in the cold war and to contest Soviet conceptions of "world literature." Here, in strong readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires and disputed histories of "world literature.""--

     

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  3. Modernism, empire, world literature
  4. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound --... more

    Universitäts- und Landesbibliothek Bonn
    2021/2761
    Loan of volumes, no copies

     

    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound -- "The insolence of empire" : the fall of the House of Europe and emerging American ascendancy in The golden bowl and The waste land -- Contesting wills : Joyce, Yeats, Goethe, Shakespeare and mimetic rivalries in Ulysses -- "That huge incoherent failure of a house" : antinomies of American literature in The great Gatsby and Long day's journey into night -- "Cities that open like The world's classics" : Omeros and epic impasse in the neolberal world literary system "After World War I, American, Irish and then Caribbean writers boldly remade the literary world system long dominated by Paris and London. Responding to literary "renaissances" and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based modernists produced dazzling new works that challenged London's or Paris's authority to determine literary value and propounded their own notions of critical merit, these later codified as "Modernism." However, after World War II, an assertive American literary establishment repurposed the literature that had once challenged English and French literary authority to boost the cultural prestige of the United States in the cold war and to contest Soviet conceptions of "world literature." Here, in strong readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires and disputed histories of "world literature.""--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108492355; 9781108729277
    RVK Categories: HU 1745
    Subjects: Literatur; Weltliteratur; Schriftsteller; Englisch
    Scope: ix, 318 Seiten
    Notes:

    Includes bibliographical references and index

  5. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based writers produced dazzling new works that challenged London's or Paris's authority to fix and determine literary value. In so doing, they propounded new conceptions of aesthetic accomplishment that were later codified as 'modernism'. However, after World War II, an assertive American literary establishment repurposed literary modernism to boost the cultural prestige of the United States in the Cold War and to contest Soviet conceptions of 'world literature'. Here, in accomplished readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires, changing world literary systems, and disputed histories of 'world literature'.

     

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  6. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound --... more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan

     

    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound -- "The insolence of empire" : the fall of the House of Europe and emerging American ascendancy in The golden bowl and The waste land -- Contesting wills : Joyce, Yeats, Goethe, Shakespeare and mimetic rivalries in Ulysses -- "That huge incoherent failure of a house" : antinomies of American literature in The great Gatsby and Long day's journey into night -- "Cities that open like The world's classics" : Omeros and epic impasse in the neolberal world literary system "After World War I, American, Irish and then Caribbean writers boldly remade the literary world system long dominated by Paris and London. Responding to literary "renaissances" and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based modernists produced dazzling new works that challenged London's or Paris's authority to determine literary value and propounded their own notions of critical merit, these later codified as "Modernism." However, after World War II, an assertive American literary establishment repurposed the literature that had once challenged English and French literary authority to boost the cultural prestige of the United States in the cold war and to contest Soviet conceptions of "world literature." Here, in strong readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires and disputed histories of "world literature.""--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108492355; 9781108729277
    RVK Categories: HU 1745
    Subjects: Englisch; Literatur; Geschichte 1918-1939; USA; Schriftsteller; Sowjetunion; Weltliteratur; Geschichte 1945-1989
    Scope: ix, 318 Seiten
    Notes:

    Includes bibliographical references and index

  7. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge

    "After World War I, American, Irish and then Caribbean writers boldly remade the literary world system long dominated by Paris and London. Responding to literary "renaissances" and social upheavals in their own countries and to the decline of... more

    Universitätsbibliothek Braunschweig
    2965-4424
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    Universitätsbibliothek Freiburg
    GE 2022/6033
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 1153
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EL/400/713
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Lit 1926.021
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    Universitätsbibliothek Mannheim
    500 HM 1071 C623
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    Württembergische Landesbibliothek
    71/7776
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    Universitätsbibliothek der Eberhard Karls Universität
    62 A 3905
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    319639 - A
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    "After World War I, American, Irish and then Caribbean writers boldly remade the literary world system long dominated by Paris and London. Responding to literary "renaissances" and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based modernists produced dazzling new works that challenged London's or Paris's authority to determine literary value and propounded their own notions of critical merit, these later codified as "Modernism." However, after World War II, an assertive American literary establishment repurposed the literature that had once challenged English and French literary authority to boost the cultural prestige of the United States in the cold war and to contest Soviet conceptions of "world literature." Here, in strong readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires and disputed histories of "world literature.""--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108492355; 9781108729277
    Other identifier:
    9781108492355
    RVK Categories: HU 1745 ; HM 1071 ; HM 1080
    Subjects: Literature, Modern; American literature; English literature; English literature; Modernism (Literature); Modernism (Literature); American literature; English literature; English literature ; Irish authors; Literature, Modern; Modernism (Literature); Criticism, interpretation, etc
    Scope: ix, 318 Seiten
    Notes:

    Includes bibliographical references and index

  8. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of... more

    Access:
    Resolving-System (lizenzpflichtig)
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent

     

    After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based writers produced dazzling new works that challenged London's or Paris's authority to fix and determine literary value. In so doing, they propounded new conceptions of aesthetic accomplishment that were later codified as 'modernism'. However, after World War II, an assertive American literary establishment repurposed literary modernism to boost the cultural prestige of the United States in the Cold War and to contest Soviet conceptions of 'world literature'. Here, in accomplished readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires, changing world literary systems, and disputed histories of 'world literature'.

     

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