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  1. Print and performance in the 1820s
    improvisation, speculation, identity
    Author: Esterhammer, Angela
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism... more

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    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108656832
    Other identifier:
    RVK Categories: HL 1071
    Series: Cambridge studies in romanticism
    127
    Subjects: English literature / 19th century / History and criticism; Literature publishing / Great Britain / History / 19th century; Authors and publishers / Great Britain / History / 19th century; Authors and readers / Great Britain / History / 19th century; Literature and society / Great Britain / History / 19th century; Literary form / History / 19th century; Literatur; Verlag; Englisch; Presse; Drama
    Scope: 1 Online-Ressource (ix, 264 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Mar 2020)
  2. Print and performance in the 1820s
    improvisation, speculation, identity
    Author: Esterhammer, Angela
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism... more

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    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108656832
    Series: Cambridge studies in romanticism ; 127
    Scope: 1 Online-Ressource (ix, 264 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Mar 2020)
  3. Print and performance in the 1820s
    improvisation, speculation, identity
    Author: Esterhammer, Angela
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived.

     
    Export to reference management software   RIS file
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  4. Print and performance in the 1820s
    improvisation, speculation, identity
    Author: Esterhammer, Angela
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism... more

     

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108656832
    Other identifier:
    Series: Cambridge studies in romanticism
    127
    Subjects: English literature / 19th century / History and criticism; Literature publishing / Great Britain / History / 19th century; Authors and publishers / Great Britain / History / 19th century; Authors and readers / Great Britain / History / 19th century; Literature and society / Great Britain / History / 19th century; Literary form / History / 19th century
    Scope: 1 Online-Ressource (ix, 264 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Mar 2020)
  5. Print and performance in the 1820s
    improvisation, speculation, identity
    Author: Esterhammer, Angela
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived.

     
    Export to reference management software   RIS file
      BibTeX file