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  1. Modernism and naturalism in British and Irish fiction, 1880 - 1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge Univ. Press, New York

    "This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed... more

    Universitäts- und Landesbibliothek Düsseldorf
    angg540.j89
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    43A321
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    Universitätsbibliothek Paderborn
    DTG1485
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    "This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107445741; 9781107083882
    Subjects: Modernism (Literature); English fiction; English fiction; Naturalism in literature
    Scope: VIII, 216 S.
    Notes:

    Includes bibliographical references and index

  2. Modernism and naturalism in British and Irish fiction, 1880-1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    /HM 1331 J89
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    Universität Mainz, Zentralbibliothek
    280.139
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107083882; 9781107445741
    RVK Categories: HG 290 ; HM 1004 ; HM 1130 ; HM 1331
    Subjects: Englisch; Roman; Moderne; Naturalismus
    Scope: VIII, 216 S.
    Notes:

    Includes bibliographical references and index.

  3. Modernism and naturalism in British and Irish Fiction
    1880 - 1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107083882; 9781107445741
    RVK Categories: HG 290 ; HM 1004 ; HM 1130 ; HM 1139 ; HM 1331
    Edition: 1. publ.
    Subjects: Moderne; Prosa; Naturalismus; Englisch; Determinismus <Motiv>
    Other subjects: Grand, Sarah (1854-1943); Moore, George (1852-1933); Joyce, James (1882-1941); Zola, Émile (1840-1902); Woolf, Virginia (1882-1941)
    Scope: VIII, 216 S.
  4. Modernism and naturalism in British and Irish fiction, 1880 - 1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge Univ. Press, New York

    "This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed... more

    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Paderborn
    Unlimited inter-library loan, copies and loan

     

    "This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton"--

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107445741; 9781107083882
    Subjects: Modernism (Literature); English fiction; English fiction; Naturalism in literature
    Scope: VIII, 216 S.
    Notes:

    Includes bibliographical references and index

  5. Modernism and naturalism in British and Irish Fiction
    1880 - 1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781107083882; 9781107445741
    RVK Categories: HG 290 ; HM 1004 ; HM 1130 ; HM 1139 ; HM 1331
    Edition: 1. publ.
    Subjects: Moderne; Prosa; Naturalismus; Englisch; Determinismus <Motiv>
    Other subjects: Grand, Sarah (1854-1943); Moore, George (1852-1933); Joyce, James (1882-1941); Zola, Émile (1840-1902); Woolf, Virginia (1882-1941)
    Scope: VIII, 216 S.
  6. Modernism and naturalism in British and Irish fiction, 1880 - 1930
    Author: Joyce, Simon
    Published: 2015
    Publisher:  Cambridge Univ. Press, New York, NY

    "This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed... more

    Staats- und Universitätsbibliothek Bremen
    a ang 609.3/370
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    HM 1331 J89
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    310/HM 1331 J89
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2014 A 18627
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    A 2014/8679
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    Universitätsbibliothek Heidelberg
    2015 A 738
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    Thüringer Universitäts- und Landesbibliothek
    ANG:HH:813:Joy::2015
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    storniert 2016/01
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    Universitätsbibliothek Mannheim
    500 HM 1130 J89
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 602.1 mod DC 7180
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    Württembergische Landesbibliothek
    64/21448
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    Brechtbau-Bibliothek
    NJ 562.114
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    "This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Emile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton"--

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1107083885; 9781107445741; 9781107083882
    Other identifier:
    9781107083882
    RVK Categories: HM 1331 ; HG 290 ; HM 1004 ; HM 1139 ; HM 1130
    Edition: 1. publ.
    Subjects: Modernism (Literature); English fiction; English fiction; Naturalism in literature
    Scope: VIII, 216 S.
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: 1. How Zola crossed (and didn't cross) the English Channel; 2. Portraits and artists: impressionism and naturalism; 3. A naturalism for Ireland; 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel; 5. The voice of witlessness: Virginia Woolf and the poor.