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  1. A history of American crime fiction
    Contributor: Raczkowski, Chris (Herausgeber, Verfasser)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Universitätsbibliothek Bielefeld
    WR652 H6A5C
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    Universitäts- und Landesbibliothek Münster
    3K 77225
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    Universitätsbibliothek Trier
    SN/np50378
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    Source: Union catalogues
    Contributor: Raczkowski, Chris (Herausgeber, Verfasser)
    Language: English
    Media type: Book
    ISBN: 9781107131019
    Subjects: Detective and mystery stories, American; Kriminalliteratur
    Scope: x, 363 Seiten, 23 cm
  2. A history of American crime fiction
    Contributor: Raczkowski, Chris (Herausgeber)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.031.49
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    Universität Mainz, Zentralbibliothek
    288.886
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    Content information
    Source: Union catalogues
    Contributor: Raczkowski, Chris (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1107131014; 9781107131019
    RVK Categories: HR 1801
    Edition: First published
    Subjects: Kriminalroman; Kriminalliteratur
    Scope: X, 363 Seiten
    Notes:

    Literaturangaben

  3. A history of American crime fiction
    Contributor: Raczkowski, Chris (Publisher)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided... more

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    "A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both"...

     

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    Source: Union catalogues
    Contributor: Raczkowski, Chris (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781107131019
    RVK Categories: HR 1801
    Subjects: Detective and mystery stories, American; Crime in literature; Detectives in literature; Detective and mystery films; Detective and mystery television programs; Kriminalliteratur; Kriminalroman
    Scope: x, 363 Seiten
    Notes:

    Includes bibliographical references and index

  4. <<A>> history of American crime fiction
    Contributor: Raczkowski, Chris (Verfasser, Herausgeber)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Universitätsbibliothek Bielefeld
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Universitätsbibliothek Trier
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    Content information
    Source: Union catalogues
    Contributor: Raczkowski, Chris (Verfasser, Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107131019
    Subjects: Detective and mystery stories, American
    Scope: x, 363 Seiten, 23 cm
  5. A history of American crime fiction
    Contributor: Raczkowski, Chris (HerausgeberIn)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    "A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both"-- Machine generated contents note: Introduction Chris Raczkowski; Part I. Early American Era: 1. From sermon to story: early American crime literature Jodi Schorb and Daniel E. Williams; 2. The theft of authorship: crime narrative in post-revolutionary early American literature Jodi Schorb and Daniel E. Williams; Part II. Romantic Era: 3. Crime journalism and the urban Gothic novel Matthew Warner Osborn; 4. Crime and American romanticism Timothy Helwig; 5. The Dark transactions of a Black? Slave narratives in the crime literature tradition Jeannine Marie DeLombard; 6. Edgar Allan Poe and the emergence of the literary detective Paul Grimstad; Part III. Realist Era: 7. The rise of the professional detective and the dime detective Pamela Bedore; 8. Home and away: reinvestigating domestic detective fiction Jon Blandford; 9. The rise of the American woman detective: gender and the detective genre in Green, Doyle, and Rinehart Ellen Burton Harrington; 10. Crime, science, realism John Dudley; Part IV. Modernist Era: 11. Criminal modernism Chris Raczkowski; 12. American golden age crime fiction Malcah Effron; 13. Red Harvest: hard-boiled crime fiction and the fate of left populism Justus Nieland; 14. Stateless mothers/motherless states: the femme fatale on the threshold of American citizenship Paula Rabinowitz; 15. One of us: the emergence of the psychopathological protagonist Frederick Whiting; Part V. Postmodernist Era: 16. Unusual suspects: American crimes, metaphysical detectives, postmodernist genres Susan Elizabeth Sweeney; 17. Identity politics and crime fiction Michael Millner; 18. American detective fiction and settler colonialism James H. Cox; 19. African American crime and detective fiction Justin Gifford; 20. Criminal family drama before and after The Sopranos Dean DeFino; 21. Making murderers: the evolution of true crime Jean Murley; 22. Spy narratives in post 9/11 American culture Andrew Pepper; 23. Film noir and neo-noir Will Scheibel; 24. Crime fiction television David Bianculli; 25. Dead reckonings: theoretical and critical approaches to detective fiction Christopher Breu

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Raczkowski, Chris (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107131019
    Other identifier:
    9781107131019
    RVK Categories: HR 1822 ; HR 1801
    Subjects: Detective and mystery stories, American; Crime in literature; Detectives in literature; Detective and mystery films; Detective and mystery television programs
    Scope: x, 363 Seiten
    Notes:

    Includes bibliographical references and index

    Chris Raczkowski: Introduction

    Part I - Early American era

    Jodi Schorb, Daniel E. Williams: 1 From sermon to story: Early American crime literature

    Part II - Romantic era

    Matthew Warner Osborn: 3 Crime journalism and the urban gothic novel

    Part III - Realist era

    Pamela Bedore: 7 The rise of the professional detective and the dime detective

    Part IV - Modernist era

    Chris Raczkowski: 11 Criminal modernism

    Part V - Postmodernist era

    Susan Elizabeth Sweeney: 16 Unusual suspects: American crimes, metaphysical detectives, postmodernist genres

    Jodi Schorb, Daniel E. Williams: 2 The theft of authorship: Crime narrative in post-revolutionary early American literature

    Timothy Helwig: 4 Crime and American romanticism

    Jeannine Marie DeLombard: 5 The 'dark' transactions of a 'black'? Slave narratives in the crime literature tradition

    Paul Grimstad: 6 Edgar Allan Poe and the emergence of the literary detective

    Jon Blanford: 8 Home and away: Reinvestigating domestic detective fiction

    Ellen Burton Harrington: 9 The rise of the American woman detective: Gender and the detective genre in Green, Doyle, and Rinehart

    John Dudley: 10 Crime, science, realism

    Malcah Effron: 12 American golden age crime fiction

    Justus Nieland: 13 Red harvest: Hard-boiled crime fiction and the fate of left populism

    Paula Rabinowitz: 14 Stateless mothers/motherless states: The femme fatale on the threshold of American citizenship

    Frederick Whiting: 15 One of us: The emergence of the psychopathological protagonist

    Michael Millner: 17 Identity politics and crime fiction

    James H. Cox: 18 Native American detective fiction and settler colonialism

    Justin Gifford: 19 African-American crime and detective fiction

    Dean DeFino: 20 Criminal family drama before and after 'The Sopranos'

    Jean Murley: 21 Making murderers: The evolution of true crime

    Andrew Pepper: 22 Spy narratives in post-9/11 American culture

    Will Scheibel: 23 Film noir and neo-noir

    David Bianculli: 24 Crime fiction television

    Christopher Breu: 25 Dead reckonings: Theoretical and critical approaches to detective fiction

  6. A history of American crime fiction
    Contributor: Raczkowski, Chris (HerausgeberIn)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    "A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 22145
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    HR 1801 K92 R123
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    HR 1822 101
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EV/690/1511
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    Universitätsbibliothek Heidelberg
    2018 A 6701
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    Universitätsbibliothek Mannheim
    500 HR 1801 R123
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    Württembergische Landesbibliothek
    68/2626
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    Brechtbau-Bibliothek
    PC 624.112
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    "A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both"-- Machine generated contents note: Introduction Chris Raczkowski; Part I. Early American Era: 1. From sermon to story: early American crime literature Jodi Schorb and Daniel E. Williams; 2. The theft of authorship: crime narrative in post-revolutionary early American literature Jodi Schorb and Daniel E. Williams; Part II. Romantic Era: 3. Crime journalism and the urban Gothic novel Matthew Warner Osborn; 4. Crime and American romanticism Timothy Helwig; 5. The Dark transactions of a Black? Slave narratives in the crime literature tradition Jeannine Marie DeLombard; 6. Edgar Allan Poe and the emergence of the literary detective Paul Grimstad; Part III. Realist Era: 7. The rise of the professional detective and the dime detective Pamela Bedore; 8. Home and away: reinvestigating domestic detective fiction Jon Blandford; 9. The rise of the American woman detective: gender and the detective genre in Green, Doyle, and Rinehart Ellen Burton Harrington; 10. Crime, science, realism John Dudley; Part IV. Modernist Era: 11. Criminal modernism Chris Raczkowski; 12. American golden age crime fiction Malcah Effron; 13. Red Harvest: hard-boiled crime fiction and the fate of left populism Justus Nieland; 14. Stateless mothers/motherless states: the femme fatale on the threshold of American citizenship Paula Rabinowitz; 15. One of us: the emergence of the psychopathological protagonist Frederick Whiting; Part V. Postmodernist Era: 16. Unusual suspects: American crimes, metaphysical detectives, postmodernist genres Susan Elizabeth Sweeney; 17. Identity politics and crime fiction Michael Millner; 18. American detective fiction and settler colonialism James H. Cox; 19. African American crime and detective fiction Justin Gifford; 20. Criminal family drama before and after The Sopranos Dean DeFino; 21. Making murderers: the evolution of true crime Jean Murley; 22. Spy narratives in post 9/11 American culture Andrew Pepper; 23. Film noir and neo-noir Will Scheibel; 24. Crime fiction television David Bianculli; 25. Dead reckonings: theoretical and critical approaches to detective fiction Christopher Breu

     

    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Raczkowski, Chris (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107131019
    Other identifier:
    9781107131019
    RVK Categories: HR 1822 ; HR 1801
    Subjects: Detective and mystery stories, American; Crime in literature; Detectives in literature; Detective and mystery films; Detective and mystery television programs
    Scope: x, 363 Seiten
    Notes:

    Includes bibliographical references and index

    Chris Raczkowski: Introduction

    Part I - Early American era

    Jodi Schorb, Daniel E. Williams: 1 From sermon to story: Early American crime literature

    Part II - Romantic era

    Matthew Warner Osborn: 3 Crime journalism and the urban gothic novel

    Part III - Realist era

    Pamela Bedore: 7 The rise of the professional detective and the dime detective

    Part IV - Modernist era

    Chris Raczkowski: 11 Criminal modernism

    Part V - Postmodernist era

    Susan Elizabeth Sweeney: 16 Unusual suspects: American crimes, metaphysical detectives, postmodernist genres

    Jodi Schorb, Daniel E. Williams: 2 The theft of authorship: Crime narrative in post-revolutionary early American literature

    Timothy Helwig: 4 Crime and American romanticism

    Jeannine Marie DeLombard: 5 The 'dark' transactions of a 'black'? Slave narratives in the crime literature tradition

    Paul Grimstad: 6 Edgar Allan Poe and the emergence of the literary detective

    Jon Blanford: 8 Home and away: Reinvestigating domestic detective fiction

    Ellen Burton Harrington: 9 The rise of the American woman detective: Gender and the detective genre in Green, Doyle, and Rinehart

    John Dudley: 10 Crime, science, realism

    Malcah Effron: 12 American golden age crime fiction

    Justus Nieland: 13 Red harvest: Hard-boiled crime fiction and the fate of left populism

    Paula Rabinowitz: 14 Stateless mothers/motherless states: The femme fatale on the threshold of American citizenship

    Frederick Whiting: 15 One of us: The emergence of the psychopathological protagonist

    Michael Millner: 17 Identity politics and crime fiction

    James H. Cox: 18 Native American detective fiction and settler colonialism

    Justin Gifford: 19 African-American crime and detective fiction

    Dean DeFino: 20 Criminal family drama before and after 'The Sopranos'

    Jean Murley: 21 Making murderers: The evolution of true crime

    Andrew Pepper: 22 Spy narratives in post-9/11 American culture

    Will Scheibel: 23 Film noir and neo-noir

    David Bianculli: 24 Crime fiction television

    Christopher Breu: 25 Dead reckonings: Theoretical and critical approaches to detective fiction