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  1. Fragmentation of the photographic image in the digital age
    Contributor: Rubinstein, Daniel (HerausgeberIn)
    Published: 2020
    Publisher:  Routledge, London

    <P>Chapter One: The New Paradigm – Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism,&nbsp;Chapter Two: Images Without Worlds – Claire Colebrook; Chapter Three: Undoing Imperial Modernity – Ariella Azoulay; Chapter Four:... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Chapter One: The New Paradigm – Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism, Chapter Two: Images Without Worlds – Claire Colebrook; Chapter Three: Undoing Imperial Modernity – Ariella Azoulay; Chapter Four: Between Topography and Topology – Susan Trangmar; Chapter Five: Creating London’s Image – Pat Naldi; Chapter Six: Drone Alliances – Sarah Tuck; Psrt II: The Image Between Representation and Automation, Chapter Seven: From Photographic Representation to the ‘Photographic Genotype’ – Yael Eylat Van Essen; Chapter Eight: Graven Images: Photography after Heidegger, Lyotard and Deleuze – Daniel Rubinstein; Chapter Nine: Refuse to Let the Syntaxes of (a) History Direct Our Futures – Rosa Menkman; Chapter Ten: Atoms and Worms (Ontologies of Fragments) – Jamie Brassett; Chapter Eleven: Photographic Futures – Armen Avanessian and Anke Hennig; Part III: The Materialism of Networked Intelligence, Chapter Twelve: Empathy and Gesture: Aby Warburg in La cappella Sassetti – Andrew Benjamin; Chapter Thirteen: Post-Photographic Frenzy – Joseph Nechvatal; Chapter Fourteen: The Defragmenting Image: Stories in Cinematic Time-Travel – John Ó Maoilearca; Chapter Fifteen: Introduction to Natural Language Processing – Anamarija Ami Podrebarac; Chapter Sixteen: The Photograph of Thought – Johnny Golding

     
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  2. Fragmentation of the photographic image in the digital age
    Contributor: Rubinstein, Daniel (HerausgeberIn)
    Published: 2020
    Publisher:  Routledge, London

    <P>Chapter One: The New Paradigm – Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism,&nbsp;Chapter Two: Images Without Worlds – Claire Colebrook; Chapter Three: Undoing Imperial Modernity – Ariella Azoulay; Chapter Four:... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signature:
    eBook TaylorFrancis
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Chapter One: The New Paradigm – Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism, Chapter Two: Images Without Worlds – Claire Colebrook; Chapter Three: Undoing Imperial Modernity – Ariella Azoulay; Chapter Four: Between Topography and Topology – Susan Trangmar; Chapter Five: Creating London’s Image – Pat Naldi; Chapter Six: Drone Alliances – Sarah Tuck; Psrt II: The Image Between Representation and Automation, Chapter Seven: From Photographic Representation to the ‘Photographic Genotype’ – Yael Eylat Van Essen; Chapter Eight: Graven Images: Photography after Heidegger, Lyotard and Deleuze – Daniel Rubinstein; Chapter Nine: Refuse to Let the Syntaxes of (a) History Direct Our Futures – Rosa Menkman; Chapter Ten: Atoms and Worms (Ontologies of Fragments) – Jamie Brassett; Chapter Eleven: Photographic Futures – Armen Avanessian and Anke Hennig; Part III: The Materialism of Networked Intelligence, Chapter Twelve: Empathy and Gesture: Aby Warburg in La cappella Sassetti – Andrew Benjamin; Chapter Thirteen: Post-Photographic Frenzy – Joseph Nechvatal; Chapter Fourteen: The Defragmenting Image: Stories in Cinematic Time-Travel – John Ó Maoilearca; Chapter Fifteen: Introduction to Natural Language Processing – Anamarija Ami Podrebarac; Chapter Sixteen: The Photograph of Thought – Johnny Golding

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Contributor: Rubinstein, Daniel (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000699685; 9781000699203; 9781000699449; 9781351027946
    Other identifier:
    RVK Categories: AP 94200 ; AP 97850
    Series: Routledge history of photography
    Subjects: Images, Photographic; Digital media; Art and photography; Images, Photographic; Digital media ; Social aspects; Art and photography; ART / History / Contemporary (1945-); ART / Digital & Video; PHOTOGRAPHY / Techniques / Digital (see also COMPUTERS / Computer Graphics / Image Processing)
    Scope: 1 Online-Ressource (238 pages), illustrations (black and white, and colour)