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  1. Music and myth in modern literature
    Author: Torabi, Josh
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland's Nobel Prize winning novel... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland's Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce's modernist epic Ulysses (1922) and Thomas Mann's late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche's conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche's early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland's status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003091882; 9781000294620
    Other identifier:
    Series: Among the Victorians and modernists
    Subjects: Musik <Motiv>; Literatur; Mythos <Motiv>
    Other subjects: Joyce, James (1882-1941): Ulysses; Mann, Thomas (1875-1955): Doktor Faustus; Rolland, Romain (1866-1944): Jean-Christophe; Nietzsche, Friedrich (1844-1900); Nietzsche, Friedrich Wilhelm / 1844-1900 / Criticism and interpretation; Rolland, Romain / 1866-1944 / Jean-Christophe; Mann, Thomas / 1875-1955 / Doktor Faustus; Joyce, James / 1882-1941 / Ulysses; Modernism (Literature) / History; Music and mythology; Music in literature; Mythology in literature; Nietzsche, Friedrich Wilhelm / 1844-1900; Doktor Faustus (Mann, Thomas); Jean-Christophe (Rolland, Romain); Ulysses (Joyce, James); Modernism (Literature); Music and mythology; Music in literature; Mythology in literature; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (x, 225 Seiten)
    Notes:

    Prelude: Chasing the Ineffable 1. Schopenhauer, Wagner and Nietzsche : the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy -- Musico-Mythic Beginnings Schopenhauer's Metaphysics of Music in The World as Will and Representation Wagner : Musicalizing Nation and Myth in Beethoven Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy Towards a Nietzschean Configuration in the Modern Novel 2. Jean-Christophe : The Silent Music of the Soul The Genesis of Jean-Christophe A Born Musician : Jean-Christophe's Early Years The Roots of Artistic Creation : Jean-Christophe the Creator Music Fictionalized : Jean-Christophe's Compositions Divisions : Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe Jean-Christophe's Final Voyage : Improvisation, Italy and Late Music 3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses Approaching Music and Myth in Ulysses Stephen Dedalus-Dionysus : A Portrait of the Artist's Aesthetic Theory in "Proteus" From Apollo to Bloom : Resisting Songs in the "Sirens" And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian, Side by Side in "Eumaeus" Home at Last : Stephen Speaks the Language of Bloom; and Bloom, Finally the Language of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained. Myth Updating in Ulysses 4. The Pact : Music and Myth in Thomas Mann's Doctor Faustus Demonic Origins Mann and Myth Part I: Adrian Leverkühn's Education Kretzschmar's Lectures Part II: Why Adrian Leverkühn Writes Such Good Music The Early Works Apocalypse Now! The Great Lament : Adrian Leverkühn's Masterpiece and Faust's Redemption Reprise: Myth and Music as Motifs in the Modern Novel
  2. MUSIC AND MYTH IN MODERN LITERATURE
    Author: TORABI, JOSH.
    Published: 2020
    Publisher:  ROUTLEDGE, [S.l.]

    <P><STRONG>Prelude</STRONG>: Chasing the Ineffable </P><P></P><B><P>1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in <I>The Birth of Tragedy</I> </P></B><P>Musico-Mythic Beginnings... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
    Inter-library loan:
    No inter-library loan

     

    Prelude: Chasing the Ineffable

    1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy

    Musico-Mythic Beginnings

    Schopenhauer's Metaphysics of Music in The World as Will and Representation

    Wagner: Musicalizing Nation and Myth in Beethoven

    Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy

    Towards a Nietzschean Configuration in the Modern Novel

    2. Jean-Christophe: The Silent Music of the Soul

    The Genesis of Jean-Christophe

    A Born Musician: Jean-Christophe's Early Years

    The Roots of Artistic Creation: Jean-Christophe the Creator

    Music Fictionalized: Jean-Christophe's Compositions

    Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe

    Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music

    3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses

    Approaching Music and Myth in Ulysses

    Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in "Proteus"

    From Apollo to Bloom: Resisting Songs in the "Sirens"

    And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian,

    Side by Side in "Eumaeus"

    Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the Language

    of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.

    Myth Updating in Ulysses

    4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus

    Demonic Origins

    Mann and Myth

    Part I: Adrian Leverkühn's Education

    Kretzschmar's Lectures

    Part II: Why Adrian Leverkühn Writes Such Good Music

    The Early Works

    Apocalypse Now!

    The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption

    Reprise:

    Myth and Music as Motifs in the Modern Novel

     
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  3. Music and Myth in Modern Literature
    Author: TORABI, JOSH
    Published: 2020
    Publisher:  ROUTLEDGE, [Erscheinungsort nicht ermittelbar] ; Taylor & Francis Group, London

    This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland's Nobel Prize winning novel... more

    Access:

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

     

    This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland's Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce's modernist epic Ulysses (1922), and Thomas Mann's late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche's conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche's early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland's status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers

     
    Export to reference management software   RIS file
      BibTeX file
  4. MUSIC AND MYTH IN MODERN LITERATURE
    Author: TORABI, JOSH.
    Published: 2020
    Publisher:  ROUTLEDGE, [S.l.]

    <P><STRONG>Prelude</STRONG>: Chasing the Ineffable </P><P></P><B><P>1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in <I>The Birth of Tragedy</I> </P></B><P>Musico-Mythic Beginnings... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Prelude: Chasing the Ineffable

    1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy

    Musico-Mythic Beginnings

    Schopenhauer's Metaphysics of Music in The World as Will and Representation

    Wagner: Musicalizing Nation and Myth in Beethoven

    Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy

    Towards a Nietzschean Configuration in the Modern Novel

    2. Jean-Christophe: The Silent Music of the Soul

    The Genesis of Jean-Christophe

    A Born Musician: Jean-Christophe's Early Years

    The Roots of Artistic Creation: Jean-Christophe the Creator

    Music Fictionalized: Jean-Christophe's Compositions

    Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe

    Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music

    3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses

    Approaching Music and Myth in Ulysses

    Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in "Proteus"

    From Apollo to Bloom: Resisting Songs in the "Sirens"

    And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian,

    Side by Side in "Eumaeus"

    Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the Language

    of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained.

    Myth Updating in Ulysses

    4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus

    Demonic Origins

    Mann and Myth

    Part I: Adrian Leverkühn's Education

    Kretzschmar's Lectures

    Part II: Why Adrian Leverkühn Writes Such Good Music

    The Early Works

    Apocalypse Now!

    The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption

    Reprise:

    Myth and Music as Motifs in the Modern Novel

     
    Export to reference management software   RIS file
      BibTeX file