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  1. Uneven Modernity
    Literature, Film, and Intellectual Discourse in Postsocialist China
    Author: Gong, Haomin
    Published: [2011]; © 2012
    Publisher:  University of Hawaii Press, Honolulu

    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of "uneven modernity" in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the "uneven developmentalism" that most manifestly characterizes the postsocialist period.Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li's neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai's filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age.Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824860400
    Other identifier:
    Series: Critical Interventions
    Subjects: LITERARY CRITICISM / Asian / Chinese; Chinese literature; Motion pictures
    Scope: 1 online resource (224 pages), 4 b&w images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
  2. Uneven Modernity
    Literature, Film, and Intellectual Discourse in Postsocialist China
    Author: Gong, Haomin
    Published: 2011; ©2012
    Publisher:  University of Hawaii Press, Honolulu

    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or “unevenness,” provides a unique and seminal approach to contemporary China. Reading unevenness... more

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or “unevenness,” provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of “uneven modernity” in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the “uneven developmentalism” that most manifestly characterizes the postsocialist period.Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li’s neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai’s filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age.Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824860400
    Other identifier:
    Series: Critical Interventions
    Subjects: Chinese literature; Motion pictures; Chinese literature; Motion pictures; Chinese literature.; Motion pictures.
    Scope: 1 Online-Ressource, 4 b&w images
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction: China, Uneven Development, and Global Modernity -- -- Chapter 1. Uneven Modernity in Postsocialist China: A Critical Inquiry -- -- Chapter 2. Popularization of Traditional Culture in Postsocialist China: A Study of the Yu Qiuyu Phenomenon -- -- Chapter 3. Constructing a Neorealist Reality: Petty Urbanites, Mundaneness, and Chi Li’s Fiction -- -- Chapter 4. Commerce and the Critical Edge: The Politics of Postsocialist Film and the Case of Feng Xiaogang -- -- Chapter 5. Geopolitics in Postsocialist Art Film and Beyond: Reading Wang Xiaoshuai’s Films -- -- Postscript: Is an “Even Modernity” Possible in China? -- -- Notes -- -- Bibliography -- -- Index
  3. Uneven modernity
    literature, film, and intellectual discourse in postsocialist China
    Author: Gong, Haomin
    Published: [2012]; © 2012
    Publisher:  University of Hawaiʻi Press, Honolulu

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824835316; 9780824860400
    Series: Critical interventions
    Subjects: Film; Chinese literature; Motion pictures; Film; Literatur
    Other subjects: Yu, Qiuyu; Chi, Li (1957-); Feng, Xiaogang; Wang, Xiaoshuai
    Scope: 1 online resource (202 pages), illustrations, maps
    Notes:

    Description based on print version record
  4. Uneven Modernity
    Literature, Film, and Intellectual Discourse in Postsocialist China
    Author: Gong, Haomin
    Published: [2011]; © 2012
    Publisher:  University of Hawaii Press, Honolulu

    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of "uneven modernity" in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the "uneven developmentalism" that most manifestly characterizes the postsocialist period.Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li’s neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai’s filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age.Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824860400
    Other identifier:
    Series: Critical Interventions
    Subjects: Chinese literature; Motion pictures; Film; Literatur
    Scope: 1 online resource, 4 b&w images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018)
  5. Uneven modernity
    literature, film, and intellectual discourse in postsocialist China
    Author: Gong, Haomin
    Published: [2012]
    Publisher:  University of Hawaiʻi Press, Honolulu

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824835316; 9780824860400
    Series: Critical interventions (Honolulu, Hawaii)
    Subjects: Film; Chinese literature / 20th century / History and criticism; Motion pictures / China; Film; Literatur
    Other subjects: Yu, Qiuyu / Criticism and interpretation; Chi, Li / 1957- / Criticism and interpretation; Feng, Xiaogang / Criticism and interpretation; Wang, Xiaoshuai / Criticism and interpretation; Electronic books
    Scope: 1 Online-Ressource (202 pages)
    Notes:

    Includes bibliographical references (pages 173-186) and index

    Uneven modernity in postsocialist China -- Popularization of traditional culture in postsocialist China -- Constructing a neorealist reality -- Commerce and the critical edge -- Geopolitics in postsocialist art film and beyond
  6. Uneven Modernity
    Literature, Film, and Intellectual Discourse in Postsocialist China
    Author: Gong, Haomin
    Published: [2011]
    Publisher:  University of Hawaii Press, Honolulu ; Walter de Gruyter GmbH, Berlin

    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or “unevenness,” provides a unique and seminal approach to contemporary China. Reading unevenness... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or “unevenness,” provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of “uneven modernity” in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the “uneven developmentalism” that most manifestly characterizes the postsocialist period.Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li’s neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai’s filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age.Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824860400
    Other identifier:
    Series: Critical Interventions
    Scope: 1 Online-Ressource, 4 b&w images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018)
  7. Uneven modernity
    literature, film, and intellectual discourse in postsocialist China
    Author: Gong, Haomin
    Published: c2012
    Publisher:  University of Hawaiʻi Press, Honolulu

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0824860403; 9780824860400
    Series: Critical interventions (Honolulu, Hawaii)
    Subjects: LITERARY CRITICISM / Asian / General; SOCIAL SCIENCE / Media Studies; Film; Motion pictures; Chinese literature; Film; Literatur
    Other subjects: Wang, Xiaoshuai; Feng, Xiaogang; Chi, Li / 1957-; Yu, Qiuyu; Wang, Xiaoshuai; Feng, Xiaogang; Chi, Li (1957-); Yu, Qiuyu
    Scope: 1 Online-Ressource (192 p. :)
    Notes:

    Uneven modernity in postsocialist China -- Popularization of traditional culture in postsocialist China -- Constructing a neorealist reality -- Commerce and the critical edge -- Geopolitics in postsocialist art film and beyond

    "Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of "uneven modernity" in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the "uneven developmentalism" that most manifestly characterizes the postsocialist period. Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li's neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai's filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age. Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible."--Project Muse

    Includes bibliographical references (p. 173-186) and index
  8. Uneven Modernity
    Literature, Film, and Intellectual Discourse in Postsocialist China
    Author: Gong, Haomin
    Published: [2011]; © 2012
    Publisher:  University of Hawaii Press, Honolulu

    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Location:
    Universitätsbibliothek Passau
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    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of "uneven modernity" in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the "uneven developmentalism" that most manifestly characterizes the postsocialist period.Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li's neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai's filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age.Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824860400
    Other identifier:
    Series: Critical Interventions
    Subjects: LITERARY CRITICISM / Asian / Chinese; Chinese literature; Motion pictures
    Scope: 1 online resource (224 pages), 4 b&w images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
  9. Uneven modernity
    literature, film, and intellectual discourse in postsocialist China
    Author: Gong, Haomin
    Published: 2012
    Publisher:  University of Hawaiʻi Press, Honolulu

    "Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    "Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of "uneven modernity" in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the "uneven developmentalism" that most manifestly characterizes the postsocialist period. Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li's neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai's filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age. Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible."--Project Muse Uneven modernity in postsocialist China -- Popularization of traditional culture in postsocialist China -- Constructing a neorealist reality -- Commerce and the critical edge -- Geopolitics in postsocialist art film and beyond

     
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