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  1. The Politics of Irony in American Modernism
    Author: Stratton, Matthew
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    Shortlisted for the 2015 Modernist Studies Association Book PrizeThis book shows how American literary culture in the first half of the twentieth century saw "irony" emerge as a term to describe intersections between aesthetic and political... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Shortlisted for the 2015 Modernist Studies Association Book PrizeThis book shows how American literary culture in the first half of the twentieth century saw "irony" emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing.It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of "irony" inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823255474
    Other identifier:
    Subjects: Aesthetics; American literature; culture; irony; modernism; novel; politics; LITERARY CRITICISM / American / General; American literature; Irony in literature; Literature and society; Modernism (Literature); Politics and culture; Politics and literature; Politics in literature; Satire
    Scope: 1 online resource (304 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  2. The Politics of Irony in American Modernism
    Author: Stratton, Matthew
    Published: [2013]
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Shortlisted for the 2015 Modernist Studies Association Book PrizeThis book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political... more

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    Shortlisted for the 2015 Modernist Studies Association Book PrizeThis book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing.It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of “irony” inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823255474
    Other identifier:
    Scope: 1 Online-Ressource (304 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. The Politics of Irony in American Modernism
    Author: Stratton, Matthew
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    Shortlisted for the 2015 Modernist Studies Association Book PrizeThis book shows how American literary culture in the first half of the twentieth century saw "irony" emerge as a term to describe intersections between aesthetic and political... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Shortlisted for the 2015 Modernist Studies Association Book PrizeThis book shows how American literary culture in the first half of the twentieth century saw "irony" emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing.It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of "irony" inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823255474
    Other identifier:
    Subjects: Aesthetics; American literature; culture; irony; modernism; novel; politics; LITERARY CRITICISM / American / General; American literature; Irony in literature; Literature and society; Modernism (Literature); Politics and culture; Politics and literature; Politics in literature; Satire
    Scope: 1 online resource (304 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. The Politics of Irony in American Modernism
    Author: Stratton, Matthew
    Published: [2013]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Acknowledgments -- Irony and How It Got That Way: An Introduction -- 1. The Eye in Irony: New York, Nietzsche, and the 1910s -- 2. Gendering Irony and Its History: Ellen Glasgow and the Lost 1920s -- 3. The Focus of Satire:... more

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    Frontmatter -- Contents -- Acknowledgments -- Irony and How It Got That Way: An Introduction -- 1. The Eye in Irony: New York, Nietzsche, and the 1910s -- 2. Gendering Irony and Its History: Ellen Glasgow and the Lost 1920s -- 3. The Focus of Satire: Public Opinions of Propaganda in the U.S.A. of John Dos Passos -- 4. Visible Decisions: Irony, Law, and the Political Constitution of Ralph Ellison -- Beyond Hope and Memory: A Conclusion -- Notes -- Bibliography -- Index Shortlisted for the 2015 Modernist Studies Association Book PrizeThis book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing.It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of “irony” inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823255474
    Other identifier:
    Subjects: Satire; Politics and literature; American literature; Irony in literature; Literature and society; Modernism (Literature); Politics and culture; Politics in literature; LITERARY CRITICISM / American / General
    Scope: 1 Online-Ressource (304 p)