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  1. Caterpillage
    reflections on seventeenth-century Dutch still-life painting
    Published: 2011
    Publisher:  Fordham University Press, New York, NY

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2011:2779:
    No inter-library loan
    Herzog August Bibliothek Wolfenbüttel
    61.3956
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0823233138; 9780823233137
    Edition: 1st ed
    Subjects: Still-life painting, Dutch; Death in art
    Scope: XIV, 116 S., [4] Bl, Ill, 24 cm
    Notes:

    Includes bibliographical references and index

    PrologueHyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.

  2. Caterpillage
    reflections on seventeenth-century Dutch still-life painting
    Published: 2011
    Publisher:  Fordham Univ. Pr., New York, NY

    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    03/LO 34320 B496 C3
    No inter-library loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0823233138; 9780823233137
    RVK Categories: LO 34320 ; LO 34230
    Edition: 1. Aufl.
    Subjects: Stillleben; Malerei; Vanitas; Raupe <Motiv>; Insekten <Motiv>
    Scope: XIV, 116 S., [4] Bl., Ill., 24 cm
    Notes:

    Includes bibliographical references and index

  3. Caterpillage
    reflections on seventeenth-century Dutch still-life painting
    Published: 2011
    Publisher:  Fordham University Press, New York, NY

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0823233138; 9780823233137
    Edition: 1st ed
    Subjects: Still-life painting, Dutch; Death in art
    Scope: XIV, 116 S., [4] Bl, Ill, 24 cm
    Notes:

    Includes bibliographical references and index

    PrologueHyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.

  4. Caterpillage
    reflections on seventeenth century Dutch still life painting
    Published: 2011
    Publisher:  Fordham University Press, New York, NY

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion :... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2011:2779:
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2011 C 1565
    Unlimited inter-library loan, copies and loan
    Staatliche Kunsthalle Karlsruhe, Bibliothek
    2.0: H Nie/4 Ae, 019
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    8° Ks NIE 030/116
    No loan of volumes, only paper copies will be sent
    Herzog August Bibliothek Wolfenbüttel
    61.3956
    Unlimited inter-library loan, copies and loan

     

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823233137; 0823233138
    Other identifier:
    9780823233137
    9780823233137
    Edition: 1. ed.
    Subjects: Still-life painting, Dutch; Death in art; Still-life painting, Dutch; Death in art
    Scope: XIV, 116 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index

    PrologueHyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.

  5. Caterpillage
    reflections on seventeenth century Dutch still life painting
    Published: 2011
    Publisher:  Fordham University Press, New York, NY

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion :... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823233137; 0823233138
    Other identifier:
    9780823233137
    9780823233137
    Edition: 1. ed.
    Subjects: Still-life painting, Dutch; Death in art; Still-life painting, Dutch; Death in art
    Scope: XIV, 116 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index

    PrologueHyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.

    Prologue -- Hyperreality and truthiness -- Reading Blake's "The Sick rose" -- Ethics versus technics in seventeenth-century Dutch still life -- Vanitas : the McGuffin of still life -- Still life, trade, and truthiness -- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615 -- Nature mourant : the fictiveness of Dutch realism -- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617 -- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars -- "Small-scale violence" -- The darker spirit : Van Huysum's heaps -- Posies : the bouquet as pretext of occasion -- Joris Hoefnagel and the roots of Dutch flower painting -- Conclusion. Allegorical capture and interpretive release.