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  1. Cultural Institutions of the Novel
    Contributor: Bridget, Orr (Publisher); Clifford, Siskin (Publisher); Dane, Johnson (Publisher); Deidre, Lynch (Publisher); Dorothea von, Mucke (Publisher); Homer, Brown (Publisher); James A., Fujii (Publisher); Jann, Matlock (Publisher); Katie, Trumpener (Publisher); Lauren, Berlant (Publisher); Lisa, Lowe (Publisher); Lynch, Deidre (Publisher); Michelle, Burnham (Publisher); Nancy, Glazener (Publisher); Susan Z., Andrade (Publisher); Warner, William B. (Publisher); William B., Warner (Publisher)
    Published: [1996]; © 1996
    Publisher:  Duke University Press, Durham

    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In a far-reaching blend of comparative literature and transnational cultural studies, this collection shifts the study of the novel away from a consideration of what makes a particular narrative a novel to a consideration of how novels function and what cultural work they perform-from what novels are, to what they do.The essays in Cultural Institutions of the Novel find new ways to analyze how a genre notorious for its aesthetic unruliness has become institutionalized-defined, legitimated, and equipped with a canon. With a particular focus on the status of novels as commodities, their mediation of national cultures, and their role in transnational exchange, these pieces range from the seventeenth century to the present and examine the forms and histories of the novel in England, Nigeria, Japan, France, New Zealand, Canada, and the United States. Works by Jane Austen, Natsume Sôseki, Gabriel García Márquez, Buchi Emecheta, and Toni Morrison are among those explored as Cultural Institutions of the Novel investigates how theories of "the" novel and disputes about which narratives count as novels shape social struggles and are implicated in contests over cultural identity and authority.Contributors. Susan Z. Andrade, Lauren Berlant, Homer Brown, Michelle Burnham, James A. Fujii, Nancy Glazener, Dane Johnson, Lisa Lowe, Deidre Lynch, Jann Matlock, Dorothea von Mücke, Bridget Orr, Clifford Siskin, Katie Trumpener, William B. Warner

     

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    Source: Union catalogues
    Contributor: Bridget, Orr (Publisher); Clifford, Siskin (Publisher); Dane, Johnson (Publisher); Deidre, Lynch (Publisher); Dorothea von, Mucke (Publisher); Homer, Brown (Publisher); James A., Fujii (Publisher); Jann, Matlock (Publisher); Katie, Trumpener (Publisher); Lauren, Berlant (Publisher); Lisa, Lowe (Publisher); Lynch, Deidre (Publisher); Michelle, Burnham (Publisher); Nancy, Glazener (Publisher); Susan Z., Andrade (Publisher); Warner, William B. (Publisher); William B., Warner (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822396505
    Other identifier:
    Subjects: LITERARY CRITICISM / General
    Scope: 1 online resource (496 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  2. Cultural Institutions of the Novel
    Contributor: Bridget, Orr (Publisher); Clifford, Siskin (Publisher); Dane, Johnson (Publisher); Deidre, Lynch (Publisher); Dorothea von, Mucke (Publisher); Homer, Brown (Publisher); James A., Fujii (Publisher); Jann, Matlock (Publisher); Katie, Trumpener (Publisher); Lauren, Berlant (Publisher); Lisa, Lowe (Publisher); Lynch, Deidre (Publisher); Michelle, Burnham (Publisher); Nancy, Glazener (Publisher); Susan Z., Andrade (Publisher); Warner, William B. (Publisher); William B., Warner (Publisher)
    Published: [1996]; © 1996
    Publisher:  Duke University Press, Durham

    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In a far-reaching blend of comparative literature and transnational cultural studies, this collection shifts the study of the novel away from a consideration of what makes a particular narrative a novel to a consideration of how novels function and what cultural work they perform-from what novels are, to what they do.The essays in Cultural Institutions of the Novel find new ways to analyze how a genre notorious for its aesthetic unruliness has become institutionalized-defined, legitimated, and equipped with a canon. With a particular focus on the status of novels as commodities, their mediation of national cultures, and their role in transnational exchange, these pieces range from the seventeenth century to the present and examine the forms and histories of the novel in England, Nigeria, Japan, France, New Zealand, Canada, and the United States. Works by Jane Austen, Natsume Sôseki, Gabriel García Márquez, Buchi Emecheta, and Toni Morrison are among those explored as Cultural Institutions of the Novel investigates how theories of "the" novel and disputes about which narratives count as novels shape social struggles and are implicated in contests over cultural identity and authority.Contributors. Susan Z. Andrade, Lauren Berlant, Homer Brown, Michelle Burnham, James A. Fujii, Nancy Glazener, Dane Johnson, Lisa Lowe, Deidre Lynch, Jann Matlock, Dorothea von Mücke, Bridget Orr, Clifford Siskin, Katie Trumpener, William B. Warner

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Bridget, Orr (Publisher); Clifford, Siskin (Publisher); Dane, Johnson (Publisher); Deidre, Lynch (Publisher); Dorothea von, Mucke (Publisher); Homer, Brown (Publisher); James A., Fujii (Publisher); Jann, Matlock (Publisher); Katie, Trumpener (Publisher); Lauren, Berlant (Publisher); Lisa, Lowe (Publisher); Lynch, Deidre (Publisher); Michelle, Burnham (Publisher); Nancy, Glazener (Publisher); Susan Z., Andrade (Publisher); Warner, William B. (Publisher); William B., Warner (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822396505
    Other identifier:
    Subjects: LITERARY CRITICISM / General
    Scope: 1 online resource (496 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  3. Cultural Institutions of the Novel
    Contributor: Bridget, Orr (MitwirkendeR); Clifford, Siskin (MitwirkendeR); Dane, Johnson (MitwirkendeR); Deidre, Lynch (MitwirkendeR); Dorothea von, Mucke (MitwirkendeR); Homer, Brown (MitwirkendeR); James A., Fujii (MitwirkendeR); Jann, Matlock (MitwirkendeR); Katie, Trumpener (MitwirkendeR); Lauren, Berlant (MitwirkendeR); Lisa, Lowe (MitwirkendeR); Lynch, Deidre (HerausgeberIn); Michelle, Burnham (MitwirkendeR); Nancy, Glazener (MitwirkendeR); Susan Z., Andrade (MitwirkendeR); Warner, William B (HerausgeberIn); William B., Warner (MitwirkendeR)
    Published: [1996]
    Publisher:  Duke University Press, Durham

    Frontmatter -- Contents -- Introduction. The Transport of the Novel -- Prologue: Why the Story of the Origin of the (English) Novel Is an American Romance (If Not the Great American Novel) -- I. The Contact Zone -- 1 Between England and America:... more

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    Frontmatter -- Contents -- Introduction. The Transport of the Novel -- Prologue: Why the Story of the Origin of the (English) Novel Is an American Romance (If Not the Great American Novel) -- I. The Contact Zone -- 1 Between England and America: Captivity, Sympathy, and the Sentimental Novel -- 2 The Maori House of Fiction -- 3 Decolonization, Displacement, Disidentification: Asian American "Novels" and the Qyestion of History -- 4 The Rise of Gabriel Garcia Marquez and Toni Morrison -- II. (Trans)National Canons -- 5 At Home with Jane Austen -- 6 The Abbotsford Guide to India: Romantic Fictions of Empire and the Narratives of Canadian Literature -- 7 Writing Out Asia: Modernity, Canon, and Natsume Soseki's Kokoro -- 8 The Joys of Daughterhood: Gender, Nationalism, and the Making of Literary Tradition(s) -- III. The Romance of Consumption -- 9 Formulating Fiction: Romancing the General Reader in Early Modern Britain -- 10 "To Love a Murderer" -Fantasy, Sexuality, and the Political Novel: The Case of Caleb Williams -- 11 The Limits of Reformism: The Novel, Censorship, and the Politics of Adultery in Nineteenth-Century France -- 12 Romances for "Big and Little Boys": The U.S. Romantic Revival of the 1890S and James's The Turn of the Screw -- 13 Pax Americana: The Case of Show Boat -- Epilogue: The Rise of Novelism -- Works Cited -- Index -- Contributors The story of the development of the novel—its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites—is familiar and, according to the contributors to this volume, severely limited. In a far-reaching blend of comparative literature and transnational cultural studies, this collection shifts the study of the novel away from a consideration of what makes a particular narrative a novel to a consideration of how novels function and what cultural work they perform—from what novels are, to what they do.The essays in Cultural Institutions of the Novel find new ways to analyze how a genre notorious for its aesthetic unruliness has become institutionalized—defined, legitimated, and equipped with a canon. With a particular focus on the status of novels as commodities, their mediation of national cultures, and their role in transnational exchange, these pieces range from the seventeenth century to the present and examine the forms and histories of the novel in England, Nigeria, Japan, France, New Zealand, Canada, and the United States. Works by Jane Austen, Natsume Sôseki, Gabriel García Márquez, Buchi Emecheta, and Toni Morrison are among those explored as Cultural Institutions of the Novel investigates how theories of “the” novel and disputes about which narratives count as novels shape social struggles and are implicated in contests over cultural identity and authority.Contributors. Susan Z. Andrade, Lauren Berlant, Homer Brown, Michelle Burnham, James A. Fujii, Nancy Glazener, Dane Johnson, Lisa Lowe, Deidre Lynch, Jann Matlock, Dorothea von Mücke, Bridget Orr, Clifford Siskin, Katie Trumpener, William B. Warner

     

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    Source: Union catalogues
    Contributor: Bridget, Orr (MitwirkendeR); Clifford, Siskin (MitwirkendeR); Dane, Johnson (MitwirkendeR); Deidre, Lynch (MitwirkendeR); Dorothea von, Mucke (MitwirkendeR); Homer, Brown (MitwirkendeR); James A., Fujii (MitwirkendeR); Jann, Matlock (MitwirkendeR); Katie, Trumpener (MitwirkendeR); Lauren, Berlant (MitwirkendeR); Lisa, Lowe (MitwirkendeR); Lynch, Deidre (HerausgeberIn); Michelle, Burnham (MitwirkendeR); Nancy, Glazener (MitwirkendeR); Susan Z., Andrade (MitwirkendeR); Warner, William B (HerausgeberIn); William B., Warner (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822396505
    Other identifier:
    Subjects: LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (496 p)
  4. Cultural Institutions of the Novel
    Contributor: Orr, Bridget (Mitwirkender); Siskin, Clifford (Mitwirkender); Johnson, Dane (Mitwirkender); Lynch, Deidre (Mitwirkender); Mucke, Dorothea von (Mitwirkender); Brown, Homer (Mitwirkender); Fujii, James A. (Mitwirkender); Matlock, Jann (Mitwirkender); Trumpener, Katie (Mitwirkender); Berlant, Lauren (Mitwirkender); Lowe, Lisa (Mitwirkender); Burnham, Michelle (Mitwirkender); Glazener, Nancy (Mitwirkender); Andrade, Susan Z. (Mitwirkender); Warner, William B. (Herausgeber)
    Published: 1996; ©1996
    Publisher:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In... more

    Universitätsbibliothek Gießen
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    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In a far-reaching blend of comparative literature and transnational cultural studies, this collection shifts the study of the novel away from a consideration of what makes a particular narrative a novel to a consideration of how novels function and what cultural work they perform-from what novels are, to what they do.The essays in Cultural Institutions of the Novel find new ways to analyze how a genre notorious for its aesthetic unruliness has become institutionalized-defined, legitimated, and equipped with a canon. With a particular focus on the status of novels as commodities, their mediation of national cultures, and their role in transnational exchange, these pieces range from the seventeenth century to the present and examine the forms and histories of the novel in England, Nigeria, Japan, France, New Zealand, Canada, and the United States. Works by Jane Austen, Natsume Sôseki, Gabriel García Márquez, Buchi Emecheta, and Toni Morrison are among those explored as Cultural Institutions of the Novel investigates how theories of "the" novel and disputes about which narratives count as novels shape social struggles and are implicated in contests over cultural identity and authority.Contributors. Susan Z. Andrade, Lauren Berlant, Homer Brown, Michelle Burnham, James A. Fujii, Nancy Glazener, Dane Johnson, Lisa Lowe, Deidre Lynch, Jann Matlock, Dorothea von Mücke, Bridget Orr, Clifford Siskin, Katie Trumpener, William B. Warner...

     

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    Source: Union catalogues
    Contributor: Orr, Bridget (Mitwirkender); Siskin, Clifford (Mitwirkender); Johnson, Dane (Mitwirkender); Lynch, Deidre (Mitwirkender); Mucke, Dorothea von (Mitwirkender); Brown, Homer (Mitwirkender); Fujii, James A. (Mitwirkender); Matlock, Jann (Mitwirkender); Trumpener, Katie (Mitwirkender); Berlant, Lauren (Mitwirkender); Lowe, Lisa (Mitwirkender); Burnham, Michelle (Mitwirkender); Glazener, Nancy (Mitwirkender); Andrade, Susan Z. (Mitwirkender); Warner, William B. (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822396505
    Other identifier:
    Scope: 1 Online-Ressource (496 p.)
  5. Cultural institutions of the novel
    Contributor: Lynch, Deidre (Publisher); Warner, William Beatty (Publisher)
    Published: 1996
    Publisher:  Duke University Press, Durham

    Prologue / Homer Brown -- Between England and America : captivity, sympathy, and the sentimental novel / Michelle Burnham -- The Maori house of fiction / Bridget Orr -- Decolonization, displacement, disidentification : Asian American "novels" and the... more

     

    Prologue / Homer Brown -- Between England and America : captivity, sympathy, and the sentimental novel / Michelle Burnham -- The Maori house of fiction / Bridget Orr -- Decolonization, displacement, disidentification : Asian American "novels" and the question of history / Lisa Lowe -- The rise of Gabriel García Márquez and Toni Morrison / Dane Johnson -- At home with Jane Austen / Deidre Lynch -- The Abbotsford guide to India : romantic fictions of empire and the narratives of Canadian literature / Katie Trumpener -- Writing out Asia : Modernity, canon, and Natsume Sōseki's Kokoro / James A. Fujii -- The joys of daughterhood : gender, nationalism, and the making of literary tradition(s) / Susan Z. Andrade -- Formulating fiction : romancing the general reader in early modern Britain / William B. Warner -- "To love a murderer"-fantasy, sexuality, and the political novel : the case of Caleb Williams / Dorothea von Mücke -- The limits of reformism : the novel, censorship, and the politics of adultery in nineteenth-century France / Jann Matlock -- Romance for "big and little boys" : the U.S. romantic revival of the 1890s and James's The Turn of the Screw / Nancy Glazener -- Pax Americana : the case of Show Boat / Lauren Berlant -- Epilogue / Clifford Siskin

     

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    Source: Union catalogues
    Contributor: Lynch, Deidre (Publisher); Warner, William Beatty (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822396505; 0822396505
    Other identifier:
    RVK Categories: EC 6661 ; HG 650 ; HG 660 ; HG 680
    Subjects: Fiction / History and criticism; Englisch; Roman; Romantheorie
    Scope: 1 Online-Ressource (vi, 488 pages)
    Notes:

    Includes bibliographical references (pages [441]-475) and index. - Description based on print version record