Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art
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Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art
Is modernity multiple? -- Do we still need a Renaissance? -- Contemporaneity's heterochronicity -- Visual studies and the iconic turn -- Bruegel's crows -- Mimesis and iconoclasm -- Impossible distance
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Is modernity multiple? -- Do we still need a Renaissance? -- Contemporaneity's heterochronicity -- Visual studies and the iconic turn -- Bruegel's crows -- Mimesis and iconoclasm -- Impossible distance