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Other planes, different phases, my geometry, times, movements: becomings ongoing -- Remarks on the writings of Renée Green / Gloria Sutton -- Sites of criticism: a symposium. Practices: the problem of division of cultural labor. Statement -- Discourse on Afro-American art: the twenties -- I won't play other to your same -- What's painting got to do with it?: representing gender and sexuality in the age of post-mechanical reproduction -- From Camino Road -- Open letter #1: On influence -- Open letter #2: Another attempt -- Collectors, creators, and shoppers -- Peripatetic at "home" -- Free agent media/FAM -- Situationist text -- Introductory notes of a reader and "a contemporary moment" -- Trading on the margin -- Democracy in question -- Notes from a user: L'Informe -- Spike Lee's mix: calculated risks and assorted reckonings -- Compared to what? -- Notes on Humanist and ecological republic and Lac Mantasoa -- Other planes of there-- Archives, documents?: forms of creation, activation, and use -- On Kawara's solutions to living -- "Give me body": freaky fun, biopolitics, and contact zones -- Dropping science: art and technology revisited 2.0 -- Site-specificity unbound: considering "participatory mobility" -- Slippages -- Affection afflictions: my alien/my self, or more "reading at work" -- Survival: ruminations on archival lacunae -- Beyond -- Place -- Sites of genealogy -- VistaVision: landscape of desire -- Tracing Lusitania: excerpts from an imagined prototype -- Secret, part 1. Practiced places -- Secret, part 2. Scenes from a group show: Project unité -- Inventory of clues -- Eighteen aphoristic statements -- Collecting well is the best revenge -- The digital import/Export funk office -- Wavelinks transmitted amidst "dangerous crossings": reflections in 2006 -- Standardized octagonal units for imagined and existing systems -- Sound forest folly: intermediary units of a variable number -- Why systems?-- Relay -- Index (from oblivion): paradoxes and climates. Thought experiments: warm-up notes -- Climates and paradoxes -- Why reply? -- Now it seems like a dream -- Imagine this wherever and whoever you are -- Come closer: prelude to Endless dreams and water between -- Come closer -- Endless dreams and water between
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