Posits social class as the American political unconscious, showing (in an analysis of 19th and 20th century novels) how class exerts pressure on the American cultural imagination, and claiming that what is desired is ultimately the liberation from...
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Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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Posits social class as the American political unconscious, showing (in an analysis of 19th and 20th century novels) how class exerts pressure on the American cultural imagination, and claiming that what is desired is ultimately the liberation from work
Includes bibliographical references (p. [189]-200) and index
Electronic reproduction; Available via World Wide Web
Contents; Acknowledgments; ONE Class, Middle Class, and the Modalities of Labor; TWO The Burden of Toil: Sister Carrie as Urban Pastoral; THREE Willa Cather and the Ambivalence of Hierarchy; FOUR New Frontiers in Hollywood: Mobility and Desire in The Day of the Locust; FIVE Into the 1950s: Fiction in the Age of Consensus; POSTSCRIPT The Insistence of Class and the Framing of Culture in the American Scene; Notes; Bibliography; Index