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  1. Indians playing Indian
    multiculturalism and contemporary indigenous art in North America
    Published: [2015]
    Publisher:  The University of Alabama Press, Tuscaloosa

    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    704.0397 SIE
    Unlimited inter-library loan, copies and loan
    Universität Marburg, Universitätsbibliothek
    001 LC 90600 S571
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0817318550; 9780817318550
    RVK Categories: LC 90600
    Subjects: Indianer; Indianerbild; Kunst; Multikulturelle Gesellschaft; Postkolonialismus; Selbstbestimmung; Stereotyp
    Scope: xiii, 221 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis Seite 207-216

  2. Indians playing Indian
    multiculturalism and contemporary indigenous art in North America
    Published: 2015
    Publisher:  University of Alabama Press, Tuscaloosa

    Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic... more

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as " Native Americans" complete the broader narrative of America as a refuge to the world' s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose Americ...

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780817318550; 9780817387983 (Sekundärausgabe)
    RVK Categories: LC 90600
    Subjects: Indianer; Indianerbild; Kunst; Multikulturelle Gesellschaft; Postkolonialismus; Selbstbestimmung; Stereotyp
    Scope: XIII, 221 S.
    Notes:

    Description based upon print version of record

    Online-Ausg.:

  3. Indians playing Indian
    multiculturalism and contemporary indigenous art in North America
    Published: 2015
    Publisher:  Univ. of Alabama Press, Tuscaloosa

    "In Indians Playing Indian, Monika Siebert explores the appropriation, or misappropriation, of Native American cultural heritage for political and commercial ends, and the innovative ways in which indigenous artists in a range of media have responded... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    MS 1235 S571
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A/666572
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Osnabrück
    4763-136 4
    Unlimited inter-library loan, copies and loan

     

    "In Indians Playing Indian, Monika Siebert explores the appropriation, or misappropriation, of Native American cultural heritage for political and commercial ends, and the innovative ways in which indigenous artists in a range of media have responded to these developments. Contemporary indigenous people in North America confront a unique predicament. As legal and diplomatic practice in the early twenty first century returns to the recognition of their status as citizens of historic sovereign nations, popular culture continues to depict them as cultural minorities on the par with other ethnic Americans. This popular misperception of indigeneity as culture rather than as a historically developed political status sustains the myth of America as a refuge to the world's immigrants and a home to successful multicultural democracies. But it fundamentally misrepresents indigenous people who have experienced a history of colonization rather than a tradition of immigration on the continent. Contemporary indigenous cultural production is caught up in this phenomenon of multicultural misrecognition as well. The current flowering of indigenous literature, cinema, and visual arts is typically taken as evidence that Canada and the United States have successfully broken with their colonial pasts to become thriving nations of many cultures, where Native Americans, along other minorities, enjoy full freedom to represent their cultural difference"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780817318550
    Subjects: Indian arts; Arts and society; Arts and society; Indians of North America; Indians of North America; Multiculturalism; Multiculturalism; Recognition (Philosophy); ART; Arts and society; Native American; Gesellschaft; Indian arts; Indianer; Indians of North America; LITERARY CRITICISM; Multiculturalism; Native American; Recognition (Philosophy); SOCIAL SCIENCE; Ethnic Studies; Native American Studies
    Scope: XIII, 221 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index

    Introduction: Indigeneity and Multicultural MisrecognitionIndigeneity and the Dialectics of Recognition at the National Museum of the American Indian -- Atanarjuat and the Ideological Work of Indigenous Filmmaking -- Palimpsestic Images : Contemporary American Indian Digital Fine Art and the Ethnographic Photo Archive -- Of Turtles, Snakes, Bones, and Precious Stones : Jimmie Durham's Indices of Indigeneity -- Fictions of the Gruesome Authentic in LeAnne Howe's Shell Shaker -- Conclusion: Unsettling Misrecognition.