1. Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. A treyf autocritique of autobiography -- 4. Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography
Publisher:
University of Minnesota Press, Minneapolis ; London
Examining more than a dozen films from Jewish artists, this book reveals how the postmodern impulse to turn the lens inward intersects provocatively with historical tropes and stereotypes of the Jew. It focuses on Jewish filmmakers working on the...
more
No loan of volumes, only paper copies will be sent
Examining more than a dozen films from Jewish artists, this book reveals how the postmodern impulse to turn the lens inward intersects provocatively with historical tropes and stereotypes of the Jew. It focuses on Jewish filmmakers working on the margins and examines the work of Jonathan Caouette, Chantal Akerman and many more.
Publisher:
University of Minnesota Press, Minneapolis ; London
Examining more than a dozen films from Jewish artists, this book reveals how the postmodern impulse to turn the lens inward intersects provocatively with historical tropes and stereotypes of the Jew. It focuses on Jewish filmmakers working on the...
more
Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
Inter-library loan:
Unlimited inter-library loan, copies and loan
Examining more than a dozen films from Jewish artists, this book reveals how the postmodern impulse to turn the lens inward intersects provocatively with historical tropes and stereotypes of the Jew. It focuses on Jewish filmmakers working on the margins and examines the work of Jonathan Caouette, Chantal Akerman and many more.
