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  1. Death Makes the News
    How the Media Censor and Display the Dead
    Published: [2017]; © 2017
    Publisher:  New York University Press, New York, NY

    Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social InteractionWinner of the Eastern Communication Association's Everett Lee Hunt AwardA behind-the-scenes account of how death is... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social InteractionWinner of the Eastern Communication Association's Everett Lee Hunt AwardA behind-the-scenes account of how death is presented in the mediaDeath is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death.Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society.In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them—even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814785911
    Other identifier:
    Subjects: SOCIAL SCIENCE / Sociology / General; Death; Journalism; Bildpublizistik; Tod <Motiv>; Ethik; Journalismus; Zensur
    Scope: 1 online resource, 67 black and white illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)

  2. Death Makes the News
    How the Media Censor and Display the Dead
    Published: [2017]; © 2017
    Publisher:  New York University Press, New York, NY

    Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social InteractionWinner of the Eastern Communication Association's Everett Lee Hunt AwardA behind-the-scenes account of how death is... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social InteractionWinner of the Eastern Communication Association's Everett Lee Hunt AwardA behind-the-scenes account of how death is presented in the mediaDeath is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death.Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society.In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them—even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814785911
    Other identifier:
    Subjects: SOCIAL SCIENCE / Sociology / General; Death; Journalism; Bildpublizistik; Tod <Motiv>; Ethik; Journalismus; Zensur
    Scope: 1 online resource, 67 black and white illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)

  3. Death makes the news
    how the media censor and display the dead
    Published: [2017]; 2017
    Publisher:  New York University Press, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814785911
    Subjects: Death; Journalism; Bildpublizistik; Tod <Motiv>; Ethik; Journalismus; Zensur
    Scope: 1 Online-Ressource (210 pages), illustrations
    Notes:

    Description based on print version record

    Acknowledgments -- Introduction -- Death concealed: the picture problem -- "Cold bodies are hot stuff" -- Alternative images -- The industry's ample access -- Intentionally ambiguous images -- Layers of resistance -- Word versus image -- Death revealed: exceptions to the rule -- Pictures in the popular and patrician press -- Nationality and the "newsworthy" image -- Innocence and the "newsworthy" victim -- Mass tragedy and the biggest disasters -- The fantastic feats of some photos -- Victims seeking visibility -- In the end -- Appendix: defining a postmortem picture -- Notes -- Index -- About the author