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  1. Cinematic cryptonymies
    the absent body in postwar film
    Author: Eliaz, Ofer
    Published: [2018]
    Publisher:  Wayne State University Press, Detroit

    "Following the Second World War, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Following the Second World War, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present."--Back cover

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780814345627; 9780814345610
    Series: Contemporary approaches to film and media series
    Subjects: Abwesenheit <Motiv>; Film
    Other subjects: Franju, Georges / 1912-1987; Bava, Mario / 1914-1980; Godard, Jean-Luc / 1930-; Uman, Naomi; World War, 1939-1945 / Motion pictures and the war; Motion picture producers and directors / History and criticism; Holocaust, Jewish (1939-1945), in motion pictures; Motion picture industry / Europe; Symbolism in motion pictures; Bava, Mario / 1914-1980; Franju, Georges / 1912-1987; Godard, Jean-Luc / 1930-; Holocaust, Jewish (1939-1945) in motion pictures; Motion picture industry; Motion picture producers and directors; Symbolism in motion pictures; War and motion pictures; Europe; 1939-1945; Criticism, interpretation, etc
    Scope: 230 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction: a cryptic history of the cinema -- The crypt-image and the taboo body in the films of Georges Franju -- Mario Bava, the phantom-image, and transgenerational debt -- Anasemic montage and the cinematic interval in Jean-Luc Godard's late cinema -- Re-visions: Naomi Uman and cinematic decryption -- Conclusion: the body under erasure