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Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction: “Do You Want to Be Well?” / Colbert, Soyica Diggs -- 1. 12 Years a What? Slavery, Representation, and Black Cultural Politics in 12 Years a Slave / Patterson, Robert J. -- 2. The Fruit of Abolition: Discontinuity and Difference in Terrance Hayes’s “The Avocado” / Jones, Douglas A. -- 3. Black Time: Slavery, Metaphysics, and the Logic of Wellness / Warren, Calvin -- 4. The Inside-Turned-Out Architecture of the Post-Neo-Slave Narrative / Crawford, Margo Natalie -- 5. Memwa se paswa: Sifting the Slave Past in Haiti / Jean-Charles, Régine Michelle -- 6. Staging Social Death: Alienation and Embodiment in Aishah Rahman’s Unfi nished Women / Avilez, Gershun -- 7. Dancing with Death: Spike Lee’s Bamboozled / Colbert, Soyica Diggs -- 8. Laughing to Keep from Crying: Dave Chappelle’s Self-Exploration with “The Nigger Pixie” / Manning, Brandon J. -- 9. The Cartoonal Slave / Chaney, Michael -- 10. Trauma and the Historical Turn in Black Literary Discourse / Levy-Hussen, Aida -- Conclusion: Black Lives Matter, Except When They Don’t: Why Slavery’s Psychic Hold Matters / Patterson, Robert J. -- SELECTED BIBLIOGRAPHY -- NOTES ON CONTRIBUTORS -- INDEX What would it mean to “get over slavery”? Is such a thing possible? Is it even desirable? Should we perceive the psychic hold of slavery as a set of mental manacles that hold us back from imagining a postracist America? Or could the psychic hold of slavery be understood as a tool, helping us get a grip on the systemic racial inequalities and restricted liberties that persist in the present day? Featuring original essays from an array of established and emerging scholars in the interdisciplinary field of African American studies, The Psychic Hold of Slavery offers a nuanced dialogue upon these questions. With a painful awareness that our understanding of the past informs our understanding of the present—and vice versa—the contributors place slavery’s historical legacies in conversation with twenty-first-century manifestations of antiblack violence, dehumanization, and social death. Through an exploration of film, drama, fiction, performance art, graphic novels, and philosophical discourse, this volume considers how artists grapple with questions of representation, as they ask whether slavery can ever be accurately depicted, trace the scars that slavery has left on a traumatized body politic, or debate how to best convey that black lives matter. The Psychic Hold of Slavery thus raises provocative questions about how we behold the historically distinct event of African diasporic enslavement and how we might hold off the transhistorical force of antiblack domination
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