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  1. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Author: Eggert, Katherine
    Published: [2015]; © 2000
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: Geschichte; English literature; Feminism and literature; Feminism and literature; Literature, Experimental
    Other subjects: Elisabeth England, Königin (1533-1603); Spenser, Edmund (1552-1599); Shakespeare, William (1564-1616); Milton, John (1608-1674)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Oct. 27, 2016)
  2. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Author: Eggert, Katherine
    Published: [2015]; ©2000.
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature.; Feminism and literature.; Feminism and literature.; Literature, Experimental.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Note on Texts and Editions -- -- 1. Forms of Queenship: Female Rule and Literary Structure in the English Renaissance -- -- 2. Genre and the Repeal of Queenship in Spenser's Faerie Queene -- -- 3. Leading Ladies: Feminine Authority and Theatrical Effect in Shakespeare's History Plays -- -- 4. Exclaiming Against Their Own Succession: Queenship, Genre, and What Happens in Hamlet -- -- 5. The Late Queen of Famous Memory: Nostalgic Form in Antony and Cleopatra and The Winter's Tale -- -- 6. Milton's Queenly Paradise -- -- Afterword: Queenship and New Feminine Genres -- -- Notes -- -- Bibliography -- -- Acknowledgments -- -- Index
  3. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Author: Eggert, Katherine
    Published: [2000]
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa. ; Walter de Gruyter GmbH, Berlin

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

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    Universitätsbibliothek Gießen
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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: English literature; Feminism and literature; Feminism and literature; Literature, Experimental
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Oct. 27, 2016)
  4. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Author: Eggert, Katherine
    Published: [2015]; © 2000
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
    Other identifier:
    Subjects: Geschichte; English literature; Feminism and literature; Feminism and literature; Literature, Experimental
    Other subjects: Elisabeth England, Königin (1533-1603); Spenser, Edmund (1552-1599); Shakespeare, William (1564-1616); Milton, John (1608-1674)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Oct. 27, 2016)