Experiencing faces and voices -- We're all islands: seeing and hearing the country of the mind in Fear and desire -- Taking life too seriously: imposing narrative authority from Killer's kiss to Lolita -- He'll see the big board: narration and the magic of words in Dr. Strangelove -- I can feel it: sounds, intensities, and subjectivities in 2001 -- A Kubrickian look: narrating in a voiceless voice-over -- Their eyes were wide shut: Bill Harford as failed narrator -- Sensing Stanly Kubrick. - Includes bibliographical references (p. 173-178) and index. - Includes filmography: p. 155-171