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  1. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Published: 2011
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina ; EBSCO Industries, Inc., Birmingham, AL, USA

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780807878088; 0807878081; 9781469603100; 1469603101
    RVK Categories: HT 1728 ; HU 1728
    Series: The John Hope Franklin series in African American history and culture
    Subjects: Moderne; Literatur; Schwarze; Kultur
    Scope: 1 Online-Ressource (x, 252 pages)
    Notes:

    Includes bibliographical references (pages 231-245) and index

  2. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Published: 2011
    Publisher:  University of North Carolina Press, Chapel Hill

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780807878088
    RVK Categories: HT 1728 ; HU 1728
    Series: The John Hope Franklin series in African American history and culture
    Subjects: Schwarze. USA; African Americans; African Americans; African Americans; American literature; Modernism (Literature); Segregation in literature; Moderne; Kultur; Schwarze; Literatur
    Scope: 1 Online-Ressource (X, 252 S.)
    Notes:

    Includes bibliographical references and index

  3. The African American Roots of Modernism
    From Reconstruction to the Harlem Renaissance
    Published: 2011; ©2011.
    Publisher:  University of North Carolina Press, Chapel Hill

    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound... more

    Access:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Unlimited inter-library loan, copies and loan

     

    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, black performance of popular culture forms, and more. Smethurst introduces a whole cast of characters, including understudied figures such as William Stanley Braithwaite and Fenton Johnson, and more familiar authors such as Charles Chesnutt, Pauline Hopkins, and James Weldon Johnson. By considering the legacy of writers and artists active between the end of Reconstruction and the rise of the Harlem Renaissance, Smethurst illuminates their influence on the black and white U.S. modernists who followed. Cover -- Contents -- Acknowledgments -- Introduction: New Forms and Captive Knights in the Age of Jim Crow and Mechanical Reproduction -- One: Dueling Banjos: African American Dualism and Strategies for Black Representation at the Turn of the Century -- Two: Remembering "Those Noble Sons of Ham": Poetry, Soldiers, and Citizens at the End of Reconstruction -- Three: The Black City: The Early Jim Crow Migration Narrative and the New Territory of Race -- Four: Somebody Else's Civilization: African American Writers, Bohemia, and the New Poetry -- Five: A Familiar and Warm Relationship: Race, Sexual Freedom, and U.S. Literary Modernism -- Conclusion: "Our Beautiful White. . . -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780807878088
    Series: The John Hope Franklin Series in African American History and Culture Ser
    Subjects: Modernism (Literature); Segregation in literature; African Americans; African Americans; American literature; African Americans; African Americans ; Intellectual life ; 19th century; African Americans ; Intellectual life ; 20th century; African Americans ; Segregation; American literature ; African American authors ; History and criticism; Modernism (Literature) ; United States; Segregation in literature; Electronic books
    Scope: 1 online resource (265 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  4. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Published: [2011]
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0807834637; 0807871850; 0807878081; 1469603101; 9780807834633; 9780807871850; 9780807878088; 9781469603100
    Series: John Hope Franklin series in African American history and culture
    Subjects: LITERARY CRITICISM / American / General; SOCIAL SCIENCE / Ethnic Studies / African American Studies; Schwarze. USA; American literature; Segregation in literature; African Americans; African Americans; African Americans; Modernism (Literature); Kultur; Moderne; Schwarze; Literatur
    Scope: 1 online resource (x, 252 pages)
    Notes:

    Description based on print version record

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more

  5. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Published: 2011
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration... more

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan

     

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0807834637; 0807871850; 0807878081; 1469603101; 9780807834633; 9780807871850; 9780807878088; 9781469603100
    Series: The John Hope Franklin series in African American history and culture
    Subjects: African Americans; African Americans; African Americans; Modernism (Literature); American literature; Segregation in literature; Ségrégation dans la littérature; Noirs américains - Ségrégation; Noirs américains - Vie intellectuelle - 19e siècle; Noirs américains - Vie intellectuelle - 20e siècle; Modernisme (Littérature) - États-Unis; LITERARY CRITICISM - American - General; SOCIAL SCIENCE - Ethnic Studies - African American Studies; African Americans - Intellectual life; African Americans - Segregation; American literature - African American authors; Modernism (Literature); Segregation in literature; Literatur; Amerikanisches Englisch; Schwarze; Rassentrennung; Geistesleben; Moderne; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (x, 252 pages)
    Notes:

    Includes bibliographical references (pages 231-245) and index

    Introduction : new forms and captive knights in the age of Jim Crow and mechanical reproduction -- Dueling banjos : African American dualism and strategies for black representation at the turn of the century -- Remembering "those noble sons of Ham" : poetry, soldiers, and citizens at the end of reconstruction -- The black city : the early Jim Crow migration narrative and the new territory of race -- Somebody else's civilization : African American writers, Bohemia, and the new poetry -- A familiar and warm relationship : race, sexual freedom, and U.S. literary modernism.

  6. The African American Roots of Modernism
    From Reconstruction to the Harlem Renaissance
    Published: 2011; ©2011.
    Publisher:  University of North Carolina Press, Chapel Hill

    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound... more

    Access:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    No inter-library loan
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, black performance of popular culture forms, and more. Smethurst introduces a whole cast of characters, including understudied figures such as William Stanley Braithwaite and Fenton Johnson, and more familiar authors such as Charles Chesnutt, Pauline Hopkins, and James Weldon Johnson. By considering the legacy of writers and artists active between the end of Reconstruction and the rise of the Harlem Renaissance, Smethurst illuminates their influence on the black and white U.S. modernists who followed. Cover -- Contents -- Acknowledgments -- Introduction: New Forms and Captive Knights in the Age of Jim Crow and Mechanical Reproduction -- One: Dueling Banjos: African American Dualism and Strategies for Black Representation at the Turn of the Century -- Two: Remembering "Those Noble Sons of Ham": Poetry, Soldiers, and Citizens at the End of Reconstruction -- Three: The Black City: The Early Jim Crow Migration Narrative and the New Territory of Race -- Four: Somebody Else's Civilization: African American Writers, Bohemia, and the New Poetry -- Five: A Familiar and Warm Relationship: Race, Sexual Freedom, and U.S. Literary Modernism -- Conclusion: "Our Beautiful White. . . -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780807878088
    Series: The John Hope Franklin Series in African American History and Culture Ser
    Subjects: Modernism (Literature); Segregation in literature; African Americans; African Americans; American literature; African Americans; African Americans ; Intellectual life ; 19th century; African Americans ; Intellectual life ; 20th century; African Americans ; Segregation; American literature ; African American authors ; History and criticism; Modernism (Literature) ; United States; Segregation in literature; Electronic books
    Scope: 1 online resource (265 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  7. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Published: 2011
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina

    Introduction : new forms and captive knights in the age of Jim Crow and mechanical reproduction --Dueling banjos : African American dualism and strategies for black representation at the turn of the century --Remembering "those noble sons of Ham" :... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Introduction : new forms and captive knights in the age of Jim Crow and mechanical reproduction --Dueling banjos : African American dualism and strategies for black representation at the turn of the century --Remembering "those noble sons of Ham" : poetry, soldiers, and citizens at the end of reconstruction --The black city : the early Jim Crow migration narrative and the new territory of race --Somebody else's civilization : African American writers, Bohemia, and the new poetry --A familiar and warm relationship : race, sexual freedom, and U.S. literary modernism. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more

     

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