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  1. Concerning the spiritual and the concrete in Kandinsky's art
    Published: 2014
    Publisher:  Stanford Univ. Press, Stanford, Calif.

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Städtische Galerie im Lenbachhaus und Kunstbau München, Bibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780804784832; 0804784833; 9780804784849; 0804784841; 9780804789233
    RVK Categories: LI 45250
    Subjects: Painting, Abstract; Painting, Modern / 20th century; Art / Philosophy; Aesthetics; Kunst; Philosophie; Ästhetik; Malerei; Ästhetik
    Other subjects: Kandinsky, Wassily / 1866-1944 / Criticism and interpretation; Hegel, Georg Wilhelm Friedrich / 1770-1831 / Ästhetik; Kandinsky, Wassily (1866-1944)
    Scope: XVII, 236 S., [12] Bl., zahlr. Ill., 27 cm
    Notes:

    Contains an English translation of "Les Peintures concrètes de Kandinsky" by Alexandre Kojève

  2. Concerning the spiritual and the concrete in Kandinsky's art
    Published: 2014; © 2014
    Publisher:  Stanford University Press, Stanford, California

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Contributor: Lundquist, Bruce
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780804784832; 9780804784849; 9780804789233
    Subjects: Kunst; Philosophie; Ästhetik; Painting, Abstract; Painting, Modern; Art; Aesthetics; Malerei; Ästhetik
    Other subjects: Kandinsky, Wassily (1866-1944); Hegel, Georg Wilhelm Friedrich (1770-1831): Ästhetik; Kandinsky, Wassily (1866-1944)
    Scope: 1 online resource (281 pages, 24 pages of plates), illustrations (some color)
    Notes:

    Includes index

    Description based on print version record

  3. Concerning the spiritual and the concrete in Kandinsky's art
    Published: 2014
    Publisher:  Stanford Univ. Press, Stanford, Calif.

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780804784832; 0804784833; 9780804784849; 0804784841; 9780804789233
    RVK Categories: LI 45250
    Subjects: Painting, Abstract; Painting, Modern / 20th century; Art / Philosophy; Aesthetics; Kunst; Philosophie; Ästhetik; Malerei; Ästhetik
    Other subjects: Kandinsky, Wassily / 1866-1944 / Criticism and interpretation; Hegel, Georg Wilhelm Friedrich / 1770-1831 / Ästhetik; Kandinsky, Wassily (1866-1944)
    Scope: XVII, 236 S., [12] Bl., zahlr. Ill., 27 cm
    Notes:

    Contains an English translation of "Les Peintures concrètes de Kandinsky" by Alexandre Kojève

  4. Concerning the spiritual and the concrete in Kandinsky's art
    Published: [2014]; © 2014
    Publisher:  Stanford University Press, Stanford, California

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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  5. Concerning the spiritual and the concrete in Kandinsky's art
    Published: 2014
    Publisher:  Stanford University Press, Stanford, California

    Machine generated contents note:pt. IPAINTING IN THEORY --First Moment --Hegel's Aesthetics --Second Moment --pt. 1Kandinsky's Uber das Geistige in der Kunst --pt. 2Kandinsky's Punkt und Linie zu Flache and Related Essays --Third Moment --Kojeve's... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Machine generated contents note:pt. IPAINTING IN THEORY --First Moment --Hegel's Aesthetics --Second Moment --pt. 1Kandinsky's Uber das Geistige in der Kunst --pt. 2Kandinsky's Punkt und Linie zu Flache and Related Essays --Third Moment --Kojeve's "Les Peintures concretes de Kandinsky" --pt. IIPAINTING IN PRACTICE --The Development Of Kandinsky's Oeuvre. This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to ""spirit"" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spiri

     

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  6. Concerning the spiritual and the concrete in Kandinsky's art
    Published: [2014]
    Publisher:  Stanford University Press, Stanford, California

    This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to ""spirit"" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spiri

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)