Narrow Search
Last searches

Results for *

Displaying results 1 to 7 of 7.

  1. Smoke signals
    native cinema rising
    Published: 2012
    Publisher:  University of Nebraska Press, Lincoln, Neb.

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780803219274; 080321927X
    Series: Indigenous films
    Subjects: Smoke signals (Motion picture); Indians in motion pictures.; Indigenous films--United States.
    Scope: XXXIV, 242 S., Ill., 23 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references and index

    Literaturverz. S. 215 - 229

  2. Smoke signals
    native cinema rising
    Published: 2012
    Publisher:  Univ. of Nebraska Press, Lincoln, Neb. [u.a.]

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans.... more

    Bibliotheken im Fürstenberghaus 1
    Ok 828,128
    Unlimited inter-library loan, copies and loan

     

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "-- Provided by publisher. -- "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"-- Provided by publisher.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780803219274
    RVK Categories: AP 59781
    Series: Indigenous films
    Subjects: Indians in motion pictures; Indianer <Motiv>
    Scope: XXXIV, 242 S., Ill.
    Notes:

    Includes bibliographical references and index

  3. Smoke signals
    native cinema rising
    Published: 2012
    Publisher:  Univ. of Nebraska Press, Lincoln [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    89.916.62
    Unlimited inter-library loan, copies and loan
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    R/N H 84 1
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780803219274; 080321927X
    Series: Indigenous films
    Subjects: Film; Indianer <Motiv>
    Scope: XXXIV, 242 S., Ill., cm
    Notes:

    Literaturverz. S. 215 - 229

  4. Smoke signals
    native cinema rising
    Published: 2012
    Publisher:  University of Nebraska Press, Lincoln

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 080321927X; 0803244622; 9780803219274; 9780803244627
    Series: Indigenous films
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; SOCIAL SCIENCE / Ethnic Studies / Native American Studies; Smoke signals (Motion picture); Indians; Indigenous films; Motion pictures; Smoke signals (Motion picture); Film; Indians in motion pictures; Indigenous films; Indianer <Motiv>
    Scope: 1 Online-Ressource
    Notes:

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "--

    "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"--

    Includes bibliographical references and index

  5. Smoke signals
    native cinema rising
    Published: 2012
    Publisher:  Univ. of Nebraska Press, Lincoln, Neb. [u.a.]

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans.... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Eichstätt-Ingolstadt
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "-- Provided by publisher. -- "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"-- Provided by publisher.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780803219274
    RVK Categories: AP 59781
    Series: Indigenous films
    Subjects: Indians in motion pictures; Indigenous films; PERFORMING ARTS / Film & Video / History & Criticism; SOCIAL SCIENCE / Ethnic Studies / Native American Studies; Indianer <Motiv>
    Scope: XXXIV, 242 S., Ill.
    Notes:

    Includes bibliographical references and index

  6. Smoke signals
    native cinema rising
    Published: 2012
    Publisher:  Univ. of Nebraska Press, Lincoln, Neb. [u.a.]

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans.... more

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "-- Provided by publisher. -- "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"-- Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780803219274
    RVK Categories: AP 59781
    Series: Indigenous films
    Subjects: Indians in motion pictures
    Scope: XXXIV, 242 S. : Ill.
    Notes:

    Includes bibliographical references and index

  7. Smoke signals
    native cinema rising
    Published: 2012
    Publisher:  Univ. of Nebraska Press, Lincoln, Neb. [u.a.]

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans.... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "-- Provided by publisher. -- "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"-- Provided by publisher.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780803219274
    RVK Categories: AP 59781
    Series: Indigenous films
    Subjects: Indians in motion pictures; Indigenous films; PERFORMING ARTS / Film & Video / History & Criticism; SOCIAL SCIENCE / Ethnic Studies / Native American Studies; Indianer <Motiv>
    Scope: XXXIV, 242 S., Ill.
    Notes:

    Includes bibliographical references and index