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Displaying results 1 to 5 of 5.

  1. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Author: Ryan-Scheutz, Colleen
    Published: 2007
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    13.531.42
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780802092854
    RVK Categories: IV 39361 ; AP 51265
    Series: Toronto Italian studies
    Subjects: Film; Frau <Motiv>
    Other subjects: Pasolini, Pier Paolo (1922-1975)
    Scope: 297 S.
  2. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Author: Ryan-Scheutz, Colleen
    Published: 2007
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - was becoming endangered, and he used his films to denounce the social and ideological forces he felt were responsible for its decline. Rather than protest with overtly political films, however, Pasolini vested ideological impetus in his principal film characters, many of whom were women." "Drawing upon Italy's distinct sociocultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about the corruption of modern society. She demonstrates how Pasolini used his female protagonists to challenge dominant social values and to propose a range of alternatives to the increasingly sterile and capitalistic world of Italy and the West."--BOOK JACKET.

     
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  3. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Author: Ryan-Scheutz, Colleen
    Published: 2007
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - was becoming endangered, and he used his films to denounce the social and ideological forces he felt were responsible for its decline. Rather than protest with overtly political films, however, Pasolini vested ideological impetus in his principal film characters, many of whom were women." "Drawing upon Italy's distinct sociocultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about the corruption of modern society. She demonstrates how Pasolini used his female protagonists to challenge dominant social values and to propose a range of alternatives to the increasingly sterile and capitalistic world of Italy and the West."--BOOK JACKET.

     
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  4. Sex, the self and the sacred
    women in the cinema of Pier Paolo Pasolini
    Author: Ryan-Scheuz, Colleen
    Published: 2007
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802092853; 9780802092854
    RVK Categories: IV 39361
    Series: Toronto Italian studies
    Subjects: Sex in motion pictures; Feminism and motion pictures; Women in motion pictures
    Other subjects: Pasolini, Pier Paolo (1922-1975)
    Scope: X, 297 S., [4] Bl, Ill, 24cm
    Notes:

    Includes bibliographical references and index
  5. Sex, the self and the sacred
    women in the cinema of Pier Paolo Pasolini
    Author: Ryan-Scheuz, Colleen
    Published: 2007
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Location:
    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    Signature:
    PN1998.3.P367 R93 2007
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 674014
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802092853; 9780802092854
    RVK Categories: IV 39361
    Series: Toronto Italian studies
    Subjects: Sex in motion pictures; Feminism and motion pictures; Women in motion pictures
    Other subjects: Pasolini, Pier Paolo (1922-1975)
    Scope: X, 297 S., [4] Bl, Ill, 24cm
    Notes:

    Includes bibliographical references and index