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  1. The art of alibi: English law courts and the novel
    Published: 2002
    Publisher:  Johns Hopkins University Press, Baltimore ; EBSCO Industries, Inc., Birmingham, AL, USA

    "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states,... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, theses scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel." "Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dicknens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s."--Jacket.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801877873; 9780801877872; 080186755X; 9780801867552
    Scope: 1 Online-Ressource (xii, 202 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 175-196) and index

  2. The Art of Alibi
    English Law Courts and the Novel
    Published: 2003
    Publisher:  Johns Hopkins University Press, Baltimore ; ProQuest, Ann Arbor, Michigan

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801877872
    Scope: 1 Online-Ressource (216 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  3. The art of alibi: English law courts and the novel
    Published: 2010
    Publisher:  Johns Hopkins University Press, Baltimore

    "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states,... more

    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, theses scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel." "Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dicknens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s."--Jacket

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801877873; 9780801877872; 080186755X; 9780801867552
    Subjects: Legal stories, English; English fiction; Roman judiciaire anglais; Roman anglais; Tribunaux dans la littérature; Droit et littérature; Droit dans la littérature; Genres littéraires; Courts in literature; Law and literature; Law in literature; Literary form; Legal stories, English; English fiction; Courts in literature; Droit dans la littérature; Droit et littérature; English fiction; Genres littéraires; Law and literature; Law in literature; Legal stories, English; Literary form; Roman anglais; Roman judiciaire anglais; Tribunaux dans la littérature
    Scope: Online Ressource (xii, 202 pages), illustrations
    Notes:

    Includes bibliographical references (pages 175-196) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  4. The art of alibi: English law courts and the novel
    Published: 2002
    Publisher:  Johns Hopkins University Press, Baltimore

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801877873; 9780801877872
    RVK Categories: HL 1331
    Subjects: Roman judiciaire anglais / Histoire et critique; Roman anglais / Histoire et critique; Tribunaux dans la littérature; Droit et littérature; Droit dans la littérature; Genres littéraires; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Legal stories, English; English fiction; Courts in literature; Law and literature; Law in literature; Literary form; Gericht; Englisch; Rechtsprechung; Roman
    Scope: 1 Online-Ressource (xii, 202 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 175-196) and index

    Introduction -- 1. From scaffold to law court, from criminal broadsheet and biography to newspaper and novel -- 2. Caleb williams and the novel's forensic form -- 3. Mary Shelley's legal frankenstein -- 4. Victorian courthouse structures, the Pickwick papers -- 5. Mary Barton's tell-tale evidence -- 6. The Newgate novel and the advent of detective fiction -- Conclusion

    "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, theses scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel." "Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dicknens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s."--Jacket

  5. The art of alibi: English law courts and the novel
    Published: 2002
    Publisher:  Johns Hopkins University Press, Baltimore

    "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states,... more

    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, theses scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel." "Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dicknens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s."--Jacket

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801877873; 9780801877872
    Subjects: Law and literature; Law in literature; Literary form; Courts in literature; English fiction; Legal stories, English
    Scope: Online-Ressource (xii, 202 p), ill
    Notes:

    Includes bibliographical references (p. [175]-196) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    Introduction1. From scaffold to law court, from criminal broadsheet and biography to newspaper and novel -- 2. Caleb williams and the novel's forensic form -- 3. Mary Shelley's legal frankenstein -- 4. Victorian courthouse structures, the Pickwick papers -- 5. Mary Barton's tell-tale evidence -- 6. The Newgate novel and the advent of detective fiction -- Conclusion.