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  1. Political Allegory in Late Medieval England
    Author: Astell, Ann W.
    Published: [2002]; © 2002
    Publisher:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801474651
    Other identifier:
    Subjects: LITERARY CRITICISM / Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; Rhetoric, Medieval; Mittelenglisch; Politik; Allegorie; Geschichte; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  2. Political Allegory in Late Medieval England
    Author: Astell, Ann W
    Published: [2002]
    Publisher:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... more

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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory Frontmatter -- Contents -- Preface -- Abbreviations -- Introduction -- 1. The Materia of Allegorical Invention -- 2. "Full of Enigmas":John Ball's Letters and Piers Plowman -- 3· Gower's Arian and "Cithero" -- 4. Chaucer's Ricardian Allegories -- 5· Penitential Politics in Sir Gawain and the Green Knight: Richard II, Richard of Arundel, and Robert de Vere -- 6. Joan of Are, Margaret of Anjou, and Malory's Guenevere at the Stake -- Conclusion -- Notes -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801474651
    Other identifier:
    Subjects: Rhetoric, Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; LITERARY CRITICISM / Medieval
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    restricted access online access with authorization star
  3. Political Allegory in Late Medieval England
    Author: Astell, Ann W.
    Published: [2002]; © 2002
    Publisher:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... more

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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801474651
    Other identifier:
    Subjects: LITERARY CRITICISM / Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; Rhetoric, Medieval; Mittelenglisch; Politik; Allegorie; Geschichte; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  4. Political Allegory in Late Medieval England
    Author: Astell, Ann W
    Published: [2002]
    Publisher:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... more

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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory Frontmatter -- Contents -- Preface -- Abbreviations -- Introduction -- 1. The Materia of Allegorical Invention -- 2. "Full of Enigmas":John Ball's Letters and Piers Plowman -- 3· Gower's Arian and "Cithero" -- 4. Chaucer's Ricardian Allegories -- 5· Penitential Politics in Sir Gawain and the Green Knight: Richard II, Richard of Arundel, and Robert de Vere -- 6. Joan of Are, Margaret of Anjou, and Malory's Guenevere at the Stake -- Conclusion -- Notes -- Bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801474651
    Other identifier:
    Subjects: Rhetoric, Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; LITERARY CRITICISM / Medieval
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    restricted access online access with authorization star
  5. Political Allegory in Late Medieval England
    Author: Astell, Ann W.
    Published: [2002]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... more

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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801474651
    Other identifier:
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)