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  1. The Aesthetics of Antichrist
    From Christian Drama to Christopher Marlowe
    Author: Parker, John
    Published: [2018]; © 2011
    Publisher:  Cornell University Press, Ithaca, NY

    In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that,... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater.The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801463549
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    Subjects: LITERARY CRITICISM / Drama; Antichrist in literature; Christian drama, English; Christianity and literature; English drama; Antichrist; Englisch; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  2. Aesthetics of Antichrist
    From Christian Drama to Christopher Marlowe
    Author: Parker, John
    Published: 2007
    Publisher:  Cornell University Press, Ithaca ; ProQuest, Ann Arbor, Michigan

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801463549
    RVK Categories: HI 2715
    Subjects: Englisch; Geistliches Drama; Antichrist <Motiv>
    Other subjects: Marlowe, Christopher (1564-1593)
    Scope: 1 Online-Ressource (272 pages)
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  3. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Author: Parker, John
    Published: 2007
    Publisher:  Cornell Univ. Press, Ithaca ; JSTOR, New York, NY

    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama. more

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    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801463549; 0801463548
    RVK Categories: HG 620 ; HI 2715
    DDC Categories: 820
    Subjects: Englisch; Geistliches Drama; Antichrist <Motiv>; English drama; Christian drama, English; Christianity and literature; Antichrist in literature
    Other subjects: Marlowe, Christopher (1564-1593)
    Scope: 1 Online-Ressource (XVIII, 252 Seiten)
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    Literaturangaben
  4. The Aesthetics of Antichrist
    From Christian Drama to Christopher Marlowe
    Author: Parker, John
    Published: [2018]; © 2011
    Publisher:  Cornell University Press, Ithaca, NY

    In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that,... more

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    In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater.The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801463549
    Other identifier:
    Subjects: LITERARY CRITICISM / Drama; Antichrist in literature; Christian drama, English; Christianity and literature; English drama; Antichrist; Englisch; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  5. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Author: Parker, John
    Published: c2007
    Publisher:  Cornell University Press, Ithaca

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Language: English
    Media type: Ebook
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    ISBN: 9780801463549
    RVK Categories: HG 620
    Subjects: Geschichte; English drama; Christian drama, English; Christianity and literature; Antichrist in literature; Antichrist; Englisch; Drama
    Other subjects: Marlowe, Christopher (1564-1593)
    Scope: xviii, 252 p
    Notes:

    Includes bibliographical references and index
  6. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Author: Parker, John
    Published: 2010
    Publisher:  Cornell University Press, Ithaca

    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama more

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    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama

     
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  7. The Aesthetics of Antichrist
    From Christian Drama to Christopher Marlowe
    Author: Parker, John
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Preface -- Acknowledgments -- Note on Texts and Translations -- Abbreviations -- INTRODUCTION. After Strange Gods: The Making of Christ and His Doubles -- CHAPTER 1. Lying Likenesses: Typology and the Medieval Miracula --... more

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    Frontmatter -- Contents -- Preface -- Acknowledgments -- Note on Texts and Translations -- Abbreviations -- INTRODUCTION. After Strange Gods: The Making of Christ and His Doubles -- CHAPTER 1. Lying Likenesses: Typology and the Medieval Miracula -- CHAPTER 2. Blood Money: Antichristian Economics and the Drama of the Sacraments -- CHAPTER 3. Vicarious Criminal: Christ as Representative -- CHAPTER 4. The Curious Sovereignty of Art: Marlowe's Sacred Counterfeits -- Index In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater.The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801463549
    Other identifier:
    Subjects: Antichrist in literature; Christian drama, English; Christianity and literature; English drama; LITERARY CRITICISM / Drama
    Scope: 1 Online-Ressource
  8. The Aesthetics of Antichrist
    From Christian Drama to Christopher Marlowe
    Author: Parker, John
    Published: [2011]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that,... more

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    In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater.The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801463549
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    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  9. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Author: Parker, John
    Published: 2010
    Publisher:  Cornell University Press, Ithaca

    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama Introduction: After... more

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    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama Introduction: After Strange Gods: the Making of Christ and his Doubles -- The Orthodoxy of Heresy -- From Script to Scripture-- The Gospel Truth -- Christ as Antichrist -- The Sign of Jonah -- Salvation through Antichrist -- Lying Likenesses: Typology and the Medieval Miracula -- Imago in Evangelio --The Typological Image -- Ad Imaginem in the York Cycle -- Miracula -- Salvaging the Audience, or Christ as Antichrist Redux -- Antichrist and Antitheatricalism -- The Chester Antichrist -- The Anagogical Promise of Art -- Blood Money: Antichristian Economics and the Drama of the Sacraments -- The Root of All Evil -- Blinde Reckeninge (Everyman) -- Judas Superstar -- The Offertory as Price of Admission -- The Miracle at Croxton -- Coda: the Blood Money of Mankind -- Vicarious Criminal: Christ as Representative -- Antigraphy (the Making of the Septuagint -- Christ and Vicarious Substitution -- Christian Appropriation -- The Deceiver Deceived and the Cycles' Descent -- Virgin Birth, or the Septuagint Redux -- The Curious Sovereignty of Art: Marlowe's Sacred Counterfeits -- Marlowe the Antichrist -- Jesus Barabbas, Son of God -- Apostolic Conquest (Tamburlaine and Paul) -- Faustus Magus

     
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