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  1. The social circulation of poetry in the mid-Northern Song
    emotional energy and literati self-cultivation
    Author: Hawes, Colin
    Published: 2005
    Publisher:  State University of New York Press, Albany ; [ProQuest], [Ann Arbor, Michigan]

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
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    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780791483183
    Series: SUNY series in Chinese philosophy and culture
    Scope: x, 213 p.
    Notes:

    Includes bibliographical references (p. 203-209) and index
  2. The social circulation of poetry in the mid-Northern Song
    emotional energy and literati self-cultivation
    Author: Hawes, Colin S. C.
    Published: c2005
    Publisher:  State University of New York Press, Albany

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0791464717; 9780791464717; 9780791483183
    Series: SUNY series in Chinese philosophy and culture
    Subjects: Chinese poetry; Friendship; Social interaction; Lyrik; Soziale Funktion; Chinesisch; Songdynastie <960-1279>; Freundeskreis
    Scope: x, 213 p
    Notes:

    Includes bibliographical references (p. 203-209) and index
  3. The social circulation of poetry in the mid-Northern Song
    emotional energy and literati self-cultivation
    Author: Hawes, Colin S. C.
    Published: 2005
    Publisher:  State University of New York Press, Albany ; EBSCO Industries, Inc., Birmingham, AL, USA

    Observing that the vast majority of surviving Northern Song poems are directly addressed to other people, Colin S.C. Hawes explores how literati of China's mid-Northern Song period developed a social and therapeutic tradition in poetry. These social... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    Observing that the vast majority of surviving Northern Song poems are directly addressed to other people, Colin S.C. Hawes explores how literati of China's mid-Northern Song period developed a social and therapeutic tradition in poetry. These social poems, produced in group settings and exchanged with friends and acquaintances, are often lighthearted in tone and full of witty banter and wordplay. Hawes challenges previous scholars' dismissal of these poems as trivial and insignificant because they lacked serious political and moral content by arguing that the central function of poetry at the time was to release pent-up emotions and share them with others in a socially acceptable manner--what Hawes views as circulating emotional energy or qi. Focusing on the circle of poets around Ouyang Xiu (1007-72 CE) and Mei Yaochen (1002-60 CE), the most influential literary figures of the mid-Northern Song period and the creators of a distinctive Song poetic style, Hawes provides a number of translations of poems of the period. Several major functions of poetic composition are discussed, including poetry as a game, as therapy, as a means of building relationships, and as a way of finding solace in history and in the natural world. Ultimately, the Northern Song attitude toward poetic composition spread throughout Chinese society.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423748697; 9781423748694; 0791464717; 9780791464717; 9780791483183; 0791483185
    Series: SUNY series in Chinese philosophy and culture
    Scope: 1 Online-Ressource (x, 213 pages)
    Notes:

    Includes bibliographical references (pages 203-209) and index