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  1. The aesthetics of fear in German Romanticism
    Author: Mayer, Paola
    Published: [2019]; © 2019
    Publisher:  McGill-Queen’s University Press, Montreal

    Location:
    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    Signature:
    GK 2799 may 2019
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    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.314.85
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780773558892; 9780773558885
    DDC Categories: 830
    Series: McGill-Queen's studies in the history of ideas ; 77
    Subjects: Deutsch; Literatur; Romantik; Furcht <Motiv>; Angst <Motiv>
    Other subjects: Kleist, Heinrich von (1777-1811); Hoffmann, E. T. A. (1776-1822); Tieck, Ludwig (1773-1853); Eichendorff, Joseph von (1788-1857)
    Scope: xiv, 482 Seiten
    Notes:

    Literaturverzeichnis Seite [459]-476
  2. The aesthetics of fear in German romanticism
    Author: Mayer, Paola
    Published: 2019; © 2019
    Publisher:  McGill-Queen's University Press, Montreal ; Kingston ; London ; Chicago

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the... more

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann--the father of the modern fantastic--with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought."--(Provided by publisher.)

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780773558892; 9780773558885
    RVK Categories: GK 2799
    Series: McGill-Queen's studies in the history of ideas ; 77
    Subjects: German literature--19th century--History and criticism.; Romanticism--Germany.; Aesthetics in literature.; Fear in literature.; Aesthetics in literature.; Fear in literature.; German literature.; Romanticism.; Germany.; Criticism, interpretation, etc; Deutsch; Romantik; Literatur; Furcht <Motiv>
    Other subjects: Hoffmann, E. T. A. (1776-1822)
    Scope: xiv, 482 Seiten
    Notes:

    Includes bibliographical references and index

    Theoretical Discourses -- Ludwig Tieck -- Apel and Laun, Gespensterbuch -- Heinrich von Kleist -- Definitions and Theories -- Tales of Music and Musicians -- Tales of Science and Scientists -- Romanticism Re-evaluated: Joseph von Eichendorff.
  3. The aesthetics of fear in German romanticism
    Paola Mayer
    Author: Mayer, Paola
    Published: [2019]; © 2019
    Publisher:  McGill-Queen's University Press, Montreal

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the... more

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Signature:
    2020/280
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 96194
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    Staats- und Universitätsbibliothek Bremen
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Freiburg
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    GE 2022/2577
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    Universitätsbibliothek Heidelberg
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    2020 A 2535
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    Thüringer Universitäts- und Landesbibliothek
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    GER:DM:2615:May::2019
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    II D 5405/01
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
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    Deutsches Literaturarchiv Marbach, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    ger 656 DK 6827
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    Württembergische Landesbibliothek
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    72/7185
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    Herzog August Bibliothek Wolfenbüttel
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    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann--the father of the modern fantastic--with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought."--(Provided by publisher.)

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780773558885; 9780773558892
    RVK Categories: GK 2799
    Series: McGill-Queen's studies in the history of ideas ; 77
    Subjects: Deutsch; Literatur; Romantik; Furcht <Motiv>; Angst <Motiv>; Geschichte 1790-1830; ; Deutsch; Romantik; Literatur; Furcht <Motiv>; Angst;
    Scope: xiv, 482 Seiten
    Notes:

    Literaturverzeichnis: Seite 459-476

    Hier auch später erschienene, unveränderte Nachdrucke
  4. The aesthetics of fear in German romanticism
    Paola Mayer
    Author: Mayer, Paola
    Published: [2019]; © 2019
    Publisher:  McGill-Queen's University Press, Montreal

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the... more

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann--the father of the modern fantastic--with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought."--(Provided by publisher.)

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780773558885; 9780773558892
    RVK Categories: GK 2799
    Series: McGill-Queen's studies in the history of ideas ; 77
    Subjects: Deutsch; Literatur; Romantik; Furcht <Motiv>; Angst <Motiv>; Geschichte 1790-1830; ; Deutsch; Romantik; Literatur; Furcht <Motiv>; Angst;
    Scope: xiv, 482 Seiten
    Notes:

    Literaturverzeichnis: Seite 459-476

    Hier auch später erschienene, unveränderte Nachdrucke
  5. <<The>> aesthetics of fear in German romanticism
    Author: Mayer, Paola
    Published: [2019]
    Publisher:  McGill-Queen's University Press, Montreal

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the... more

     

    Zusammenfassung: "Enlightenment--both the phenomenon specific to the eighteenth century and the continuing trend in Western thought--is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann--the father of the modern fantastic--with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought."-- (Provided by publisher.)

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780773558892; 9780773558885
    Series: McGill-Queen's studies in the history of ideas ; 77
    Subjects: German literature--19th century--History and criticism; Romanticism--Germany; Aesthetics in literature; Fear in literature; Aesthetics in literature; Fear in literature; German literature; Romanticism; Germany; Criticism, interpretation, etc
    Scope: xiv, 482 Seiten
    Notes:

    Enthält Literaturverzeichnis auf Seite [459]-476

    Theoretical Discourses -- Ludwig Tieck -- Apel and Laun, Gespensterbuch -- Heinrich von Kleist -- Definitions and Theories -- Tales of Music and Musicians -- Tales of Science and Scientists -- Romanticism Re-evaluated: Joseph von Eichendorff.