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  1. Chinese shadow theatre
    history, popular religion, and women warriors
    Published: 2007 (2010)
    Publisher:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773531971; 0773575995; 9780773531970; 9780773575998
    Subjects: Théâtre d'ombres / Chine / Histoire; Théâtre de marionnettes chinois / Histoire; Femmes dans la culture populaire / Chine / Histoire; Femmes au combat dans la culture populaire / Chine / Histoire; Théâtre chinois / Traductions anglaises; CRAFTS & HOBBIES / Puppets & Puppetry; PERFORMING ARTS / Puppets & Puppetry; PERFORMING ARTS / Theater / History & Criticism; Chinese drama; Literature; Popular culture; Puppet plays, Chinese; Religion; Shadow shows; Women; Women in combat; Frau; Geschichte; Literatur; Shadow shows; Puppet plays, Chinese; Religion in literature; Women in popular culture; Women in combat in popular culture; Chinese drama; Schattenspiel; Soldatin
    Scope: 1 Online-Ressource (1 online resource (xii, 343 p.)
    Notes:

    Includes bibliographical references and index

    pt. 1. The history and culture of Chinese shadow theatre -- 1. An introduction to shadow theatre -- 2. History and myths -- 3. The role of religion -- 4. Women warriors in shadow plays -- pt. 2. Three Chinese shadow scripts -- "Three opening blessings" -- The eighteen levels of hell -- The Yellow River magic formation -- App 1. Suzi : non-standard orthography -- App 2. Collections of shadow playscripts -- App 3. Main plays of the various Chinese shadow traditions -- App 4. Shadow plays featuring women warriors

    In her study of Chinese shadow theatre Fan Pen Li Chen documents and corrects misconceptions about this once-popular art form. Drawing on extensive research and fieldwork, she argues that these plays served a mainly religious function during the Qing dynasty and that the appeal of women warrior characters reflected the lower classes' high tolerance for the unorthodox and subversive