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  1. Barbarous dissonance and images of voice in Milton's epics
    Published: 1996
    Publisher:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773514287; 0773566147; 9780773514287; 9780773566149
    Subjects: Narration; POETRY / English, Irish, Scottish, Welsh; Paradise regained; Paradise lost; Stimme <Motiv>; Rhetorik; Erzähler; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Paradise lost (Milton, John); Paradise regained (Milton, John); Narration (Rhetoric); Narration (Rhetoric); Erzähltechnik
    Other subjects: Milton, John / 1608-1674; Milton, John / 1608-1674 / Paradise lost; Milton, John / 1608-1674 / Paradise regained; Milton, John; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674): Paradise regained
    Scope: 1 Online-Ressource (x, 213 p.)
    Notes:

    Includes bibliographical references and index

    1. The Voices and Politics of Nimrod -- 2. Critical Interventions -- 3. "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4. The Gendered Hierarchy of Discourse -- 5. "Learning to Curse": Colonialism and Censorship in Paradise -- 6. The Voices of Nebuchadnezzar in Paradise Regained

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Sauer investigates the texts' discursive practices and the politics of their orchestration of voice, exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach

    By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours

  2. Barbarous Dissonance and Images of Voice in Milton's Epics
    Author: Sauer, E.
    Published: 2014
    Publisher:  McGill-Queen's University Press, Montreal

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety... more

    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    Elizabeth Sauer brings a new perspective to Milton scholarship through her examination of the relative status and authority of the multiple narrative voices in Paradise Lost and Paradise Regained. She argues that Milton's epics accommodate a variety of interpretive voices, episodes, and dramatic and discursive exchanges that resist the monological containment of the poems' dominant narratives. Intro -- Contents -- Acknowledgments -- Introduction -- 1 The Voices and Politics of Nimrod -- 2 Critical Interventions -- 3 "I now must change / Those notes to Tragic": The Sad Task of Raphael, Satan, and the Poet-Narrator -- 4 The Gendered Hierarchy of Discourse -- 5 "Learning to Curse": Colonialism and Censorship in Paradise -- 6 The Voices of Nebuchadnezzar in Paradise Regained -- Conclusion -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780773514287
    Subjects: Milton, John ; 1608-1674 ; Criticism and interpretation; Milton, John ; 1608-1674 ; Paradise lost; Milton, John ; 1608-1674 ; Paradise regained; Narration (Rhetoric); Electronic books
    Scope: Online-Ressource (224 p)
    Notes:

    Description based upon print version of record

    ""Contents""; ""Acknowledgments""; ""Introduction""; ""1 The Voices and Politics of Nimrod""; ""2 Critical Interventions""; ""3 ""I now must change / Those notes to Tragic"": The Sad Task of Raphael, Satan, and the Poet-Narrator""; ""4 The Gendered Hierarchy of Discourse""; ""5 ""Learning to Curse"": Colonialism and Censorship in Paradise""; ""6 The Voices of Nebuchadnezzar in Paradise Regained""; ""Conclusion""; ""Notes""; ""Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""

    ""U""""V""; ""W""