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  1. The Early Modern Corpse and Shakespeare's Theatre
    Author: Humm, Maggie
    Published: 2005
    Publisher:  Edinburgh University Press, Edinburgh ; ProQuest, Ann Arbor, Michigan

    The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre. more

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    Universität Frankfurt, Elektronische Ressourcen
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    The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748680764
    RVK Categories: HI 1250 ; HI 2795 ; HI 3325 ; HI 3385 ; HI 3895
    Subjects: Zeitgenossen; Leiche <Motiv>; Tod <Motiv>; Shakespeare, William,-1564-1616
    Other subjects: Massinger, Philip (1583-1640); Webster, John (1580-1625); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (226 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  2. The Early Modern Corpse and Shakespeare's Theatre
    Author: Zimmerman, Susan
    Published: [2022]; ©2005
    Publisher:  Edinburgh University Press, Edinburgh

    Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early... more

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    Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency.Key FeaturesOriginal in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England. The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre. Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748680764
    Other identifier:
    Subjects: Dead in literature; English drama, 1500-1600; LITERARY CRITICISM / Shakespeare
    Scope: 1 Online-Ressource (288 p.)
  3. The early modern corpse and Shakespeare's theatre
    Author: Zimmerman, Susan
    Published: [2005]; 2005
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748680764
    RVK Categories: HI 1250 ; HI 3385 ; HI 3560
    Subjects: Tod <Motiv>; Englisch; Drama; Leiche <Motiv>
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (226 pages)
    Notes:

    Description based on print version record
  4. The Early Modern Corpse and Shakespeare's Theatre
    Author: Zimmerman, Susan
    Published: [2005]; ©2005
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early... more

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    Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency.Key FeaturesOriginal in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England. The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre. Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748680764
    Other identifier:
    RVK Categories: HI 1250 ; HI 2795 ; HI 3325 ; HI 3385 ; HI 3895
    Subjects: Zeitgenossen; Leiche <Motiv>; Tod <Motiv>
    Other subjects: Massinger, Philip (1583-1640); Webster, John (1580-1625); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (288 p.)
  5. The Early Modern Corpse and Shakespeare's Theatre
    Author: Humm, Maggie
    Published: 2005; ©2005
    Publisher:  Edinburgh University Press, Edinburgh

    The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre. Intro -- Contents -- Recognitions -- Copyright... more

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    The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre. Intro -- Contents -- Recognitions -- Copyright Permissions -- 1 Dead Bodies -- 2 Body Imaging and Religious Reform: The Corpse as Idol -- 3 Animating Matter: The Copse as Idol in The Second Maiden's Tragedy and The Duke of Milan -- 4 Invading the Grave: Shadow Lives in The Revenger's Tragedy and The Duchess of Malfi -- 5 Killing the Dead: Duncan's Corpse and Hamlet's Ghost -- Epilogue: Last Words -- Works Cited -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748680764
    Subjects: Electronic books; Shakespeare, William ; 1564-1616
    Scope: 1 online resource (226 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  6. The Early Modern Corpse and Shakespeare's Theatre
    Author: Zimmerman
    Publisher:  Edinburgh University Press, Edinburgh, Scotland, United Kingdom of Great Britain & Northern Ireland

    Intro -- Contents -- Recognitions -- Copyright Permissions -- 1 Dead Bodies -- 2 Body Imaging and Religious Reform: The Corpse as Idol -- 3 Animating Matter: The Copse as Idol in The Second Maiden's Tragedy and The Duke of Milan -- 4 Invading the... more

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    Intro -- Contents -- Recognitions -- Copyright Permissions -- 1 Dead Bodies -- 2 Body Imaging and Religious Reform: The Corpse as Idol -- 3 Animating Matter: The Copse as Idol in The Second Maiden's Tragedy and The Duke of Milan -- 4 Invading the Grave: Shadow Lives in The Revenger's Tragedy and The Duchess of Malfi -- 5 Killing the Dead: Duncan's Corpse and Hamlet's Ghost -- Epilogue: Last Words -- Works Cited -- Index Within a theoretical framework that makes use of history psychoanalysis, and anthropology, 'The Early Modern Corpse and Shakespeare's Theatre' explores the relationship of public theatre to the questions of what constituted the 'dead' in early modern English culture

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748680764; 9780748680764
    Subjects: English drama, 1500-1600; Dead in literature; Dead in literature; Criticism and interpretation; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 Online-Ressource (1 online resource)
  7. The Early Modern Corpse and Shakespeare's Theatre
    Author: Zimmerman, Susan
    Published: [2022]; © 2005
    Publisher:  Edinburgh University Press, Edinburgh

    Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency.Key FeaturesOriginal in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England. The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre. Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748680764
    Other identifier:
    RVK Categories: HI 1250 ; HI 3385 ; HI 3560
    Subjects: Literary Studies; LITERARY CRITICISM / Shakespeare; Dead in literature; English drama, 1500-1600; Tod <Motiv>; Englisch; Drama; Leiche <Motiv>
    Scope: 1 online resource (288 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)