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  1. Re-imagining the 'Dark Continent' in fin de siècle Literature
    Published: [2022]; © 2012
    Publisher:  Edinburgh University Press, Edinburgh

    Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the... more

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    Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena.Key Features: Opens up the 'dark continent' and its literary, historical and theoretical manifestationsArgues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de siècle sensation literature, in particular mesmeric fiction, and psychoanalysisDiverges from established colonial histories by drawing on an archive of special and neglected material

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748647163
    Other identifier:
    Series: Edinburgh Critical Studies in Victorian Culture : ECSVC
    Subjects: Literary Studies; LITERARY CRITICISM / General; Adventure and adventurers in literature; African literature; English literature; Popular culture
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022)

  2. Re-imagining the 'dark continent' in fin de siècle literature
    Published: ©2012
    Publisher:  Edinburgh University Press, Edinburgh

    "Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study... more

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    "Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena."--Publisher's website

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748647163; 0748647163
    Series: Edinburgh critical studies in Victorian culture
    Subjects: English literature; Popular culture; Adventure and adventurers in literature; Popular culture; English literature; Africa; Africa; English literature; Popular culture; Adventure and adventurers in literature; Discoveries in geography; English literature; Literature; Popular culture; LITERARY CRITICISM ; General; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; History
    Scope: Online Ressource (viii, 237 pages)
    Notes:

    Includes bibliographical references and index. - Print version record

  3. Re-imagining the 'Dark Continent' in fin de siècle Literature
    Published: [2022]
    Publisher:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Acknowledgements -- Series Editor's Preface -- Introduction -- I. Militibus Christi -- 1. Imperial Agents -- 2. Missionary Literature -- 3. The Fetish -- 4. Hegel, Freud and The Double -- 5. The Witchdoctor -- 6. Rider... more

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    Frontmatter -- Contents -- Acknowledgements -- Series Editor's Preface -- Introduction -- I. Militibus Christi -- 1. Imperial Agents -- 2. Missionary Literature -- 3. The Fetish -- 4. Hegel, Freud and The Double -- 5. The Witchdoctor -- 6. Rider Haggard -- II. Behind the Black Velvet Curtain -- 7. Maps -- 8. Olive Schreiner -- 9. Haggard and Freud -- III. Preaching to the Nerves -- 10. Victorian Mesmerism -- 11. Imperial Invisibility -- 12. Olive Skins -- 13. Dark Spaces -- 14. Filthy Places -- Conclusion -- Index Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena.Key Features: Opens up the 'dark continent' and its literary, historical and theoretical manifestationsArgues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de siècle sensation literature, in particular mesmeric fiction, and psychoanalysisDiverges from established colonial histories by drawing on an archive of special and neglected material

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748647163
    Other identifier:
    Series: Array
    Subjects: Adventure and adventurers in literature; African literature; English literature; Popular culture; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (256 p)
  4. Re-imagining the 'Dark Continent' in fin de siècle Literature
    Published: [2012]; ©2012
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the... more

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    Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena.Key Features: Opens up the 'dark continent' and its literary, historical and theoretical manifestationsArgues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de siècle sensation literature, in particular mesmeric fiction, and psychoanalysisDiverges from established colonial histories by drawing on an archive of special and neglected material...

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748647163
    Other identifier:
    Series: Edinburgh Critical Studies in Victorian Culture : ECSVC
    Scope: 1 Online-Ressource (256 p.)
  5. Re-imagining the 'dark continent' in fin de siècle literature
    Published: ©2012
    Publisher:  Edinburgh University Press, Edinburgh

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748647163; 0748647163; 9780748647156; 0748647155; 9780748672318
    Series: Edinburgh critical studies in Victorian culture
    Subjects: Adventure and adventurers in literature; Africa / Discovery and exploration; Africa / In literature; English literature / 19th century / History and criticism; Popular culture / History / 19th century; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / General; Adventure and adventurers in literature; Discoveries in geography; English literature; Literature; Popular culture; Geschichte; Literatur; English literature; Adventure and adventurers in literature; Popular culture; Englisch; Literatur; Afrika <Motiv>
    Scope: viii, 237 pages
    Notes:

    Includes bibliographical references and index

    Militibus Christi -- Behind the Black Velvet curtain -- Preaching to the nerves

    "Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena."--Publisher's website