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  1. Western art and Jewish presence in the work of Paul Celan
    roots and ramifications of the "Meridian" speech
    Published: 2014
    Publisher:  Lexington Books, Lanham, Md.

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.400.86
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0739184121; 9780739184127
    Series: Graven images
    Other subjects: Celan, Paul (1920-1970): Der Meridian
    Scope: XV, 305 Seiten
    Notes:

    "Western Art and Jewish Presence in the Work of Paul Celan examines "The Meridian" as a base from which to explore the poet's work as a whole, following the speech's connections to its sources and to poems written before and after. The discussion focuses on the complex dialogue between Celan's Jewishness and his vocation as a Western writer"--

    Literaturverzeichnis Seite 283-291

  2. Western art and Jewish presence in the work of Paul Celan
    roots and ramifications of the "Meridian" speech
    Published: [2014]
    Publisher:  Lexington Books, Lanham

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780739184127
    Series: Graven Images
    Subjects: Celan, Paul; ; ; Celan, Paul; Judentum; ;
    Other subjects: Celan, Paul; Celan, Paul / Criticism and interpretation
    Scope: xv, 307 Seiten, 23 cm
    Notes:

    Literaturverzeichnis: Seite 283-291

  3. Western art and Jewish presence in the work of Paul Celan
    roots and ramifications of the "Meridian" speech
    Published: [2014]
    Publisher:  Lexington Books, Lanham, Md. [u.a.]

    "Western Art and Jewish Presence in the Work of Paul Celan examines "The Meridian" as a base from which to explore the poet's work as a whole, following the speech's connections to its sources and to poems written before and after. The discussion... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Western Art and Jewish Presence in the Work of Paul Celan examines "The Meridian" as a base from which to explore the poet's work as a whole, following the speech's connections to its sources and to poems written before and after. The discussion focuses on the complex dialogue between Celan's Jewishness and his vocation as a Western writer"-- Western Art and Jewish Presence in the Work of Paul Celan: Roots and Ramifications of the “Meridian” Speech addresses a central problem in the work of a poet who holds a unique position in the intellectual history of the twentieth century. On the one hand, he was perhaps the last great figure of the Western poetic tradition, one who took up the dialogue with its classics and who responded to the questions of his day from a “global” concern, if often cryptically. And on the other hand, Paul Celan was a witness to and interim survivor of the Holocaust. These two identities raise questions that were evidently present for Celan in the very act of poetry. This study takes the form of a commentary on Celan’s most important statement of his poetics and beliefs, “The Meridian,” which is an extraordinarily condensed text, packed with allusions and multiple meanings. It reflects his early work and anticipates later developments, so that the discussion of “The Meridian” becomes a consideration of his oeuvre as a whole. The commentary is an act of listening—an attempt to hear what these words meant to the poet, to see the landscapes from which they come and the reality they are trying to project; and in the light of this, to arrive at a clear picture of the relation between Celan’s Jewishness and his vocation as a Western writer.

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780739184134; 9780739184127
    Series: Graven images
    Subjects: Celan, Paul;
    Other subjects: Celan, Paul: Meridian; Celan, Paul; Celan, Paul; Celan, Paul
    Scope: XV, 307 S, 24 cm
    Notes:

    Includes bibliographical references and index

  4. Western art and Jewish presence in the work of Paul Celan
    roots and ramifications of the "Meridian" speech
    Published: 2014
    Publisher:  Lexington Books, Lanham, Md. [u.a.]

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780739184127
    Series: Graven images
    Subjects: Celan, Paul;
    Other subjects: Celan, Paul; Celan, Paul / Criticism and interpretation; Celan, Paul (1920-1970): Der Meridian
    Scope: XV, 307 S., 23 cm
    Notes:

    Includes bibliographical references and index

  5. Western Art and Jewish Presence in the Work of Paul Celan
    Roots and Ramifications of the Meridian Speech
    Published: 2014
    Publisher:  Lexington Books, Lanham

    <span><span style=""font-style:italic;"">Western Art and Jewish Presence in the Work of Paul Celan <span>examines "The Meridian" as a base from which to explore the poet's work as a whole, following the speech's connections to its sources and to... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Western Art and Jewish Presence in the Work of Paul Celan examines "The Meridian" as a base from which to explore the poet's work as a whole, following the speech's connections to its sources and to poems written before and after. The discussion focuses on the complex dialogue between Celan's Jewishness and his vocation as a Western writer.

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780739184127
    Series: Graven Images
    Subjects: Celan, Paul -- Criticism and interpretation; Celan, Paul. -- Meridian
    Scope: Online-Ressource (325 p)
    Notes:

    Description based upon print version of record

    Contents; Introduction; Notes; I: Idolatry, Determinism, and Freedom; Section (1): Ladies, Gentlemen, and Puppets; Section (2): The Creature with Nothing On; Section (3) Robots in Paradise; Section (4) Art as a Problem; Section (5) The Presence of Lucile; Section (6) The Fatalism of History; Section (7) An Act of Freedom; Section (8): The Majesty of the Absurd; Section (9): The (De-)Definition of Poetry; Section (10): Setting the Acute Accent; Notes; II: Lenz, the Exodic Moment, and the Pathway of Art; Section (11): Modulating to Lenz; Sections (12) and (13): Lenz on Art

    Sections (14)-(15): Lenz on Art, ContinuedSection (16): The Medusa's Head: Art as a Means of Control; Section (17): The Uncanny Realm; Section (18): Uncanniness, Ancient and Acute; Section (19): The "Calling-Into-Question" of Art; Section (20): Lenz's "Self-forgetfulness"; Section (21): Poetry and the Pathway of Art; Section (22): The (Non-)Search for a Way Out; Section (23): The "Place" of Poetry; Section (24): The Death of Lenz and the Speech of the Stone; Section (25): Lenz's "Step"; Section (26): The Abyss; Section (27): The Obscurity of Poetry

    Section (28): The Two Kinds of Strangeness: "Speech-Grille"Notes; III: The Poem's Quest for the (Wholly) Other; Section (29): The Breath-Turn; Section (30): The "Date" of the Poem; Section (31): The Poem as Speech; Section (32): The Poem at the Edge of Itself; Section (33): Actualized Language; Section (34): Solitude and Encounter; Section (35): The Natural Prayer of the Soul; Section (36): The Poem as Dialogue; Notes; IV: Toward Circumference; Section (37): Images and Tropes; Section (38): The Absolute Poem; Section (39): Perception, Once and Always; Section (40): Topos Research

    Section (41) Turning BackSection (42): Persistence of Art; Section (43): Recapitulation; Section (44): Infinite and Useless; Section (45): From Another (Jewish) Direction; Section (46): Dialogue and Self-Encounter; Section (47): The close of Leonce and Lena; Section (48): The Last Two Words; Section (49): The Finger on the Map; Sections (50) and (51): A "Happy" Ending; Notes; V: Post Meridian; Sections (52) and (53): Closing Formalities; Epilogue (1): The Road from Darmstadt; Epilogue (2): After the Seventh Day; Notes; Bibliography; 1. Works by Paul Celan; 2. Works about Paul Celan

    3. Other SourcesIndex; About the Author

  6. Western art and Jewish presence in the work of Paul Celan
    roots and ramifications of the "Meridian" speech
    Published: [2014]
    Publisher:  Lexington Books, Lanham, Md. [u.a.]

    "Western Art and Jewish Presence in the Work of Paul Celan examines "The Meridian" as a base from which to explore the poet's work as a whole, following the speech's connections to its sources and to poems written before and after. The discussion... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 934189
    Unlimited inter-library loan, copies and loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    GT/900/cel 7/2534
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2014 A 12959
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    55 A 3419
    Unlimited inter-library loan, copies and loan

     

    "Western Art and Jewish Presence in the Work of Paul Celan examines "The Meridian" as a base from which to explore the poet's work as a whole, following the speech's connections to its sources and to poems written before and after. The discussion focuses on the complex dialogue between Celan's Jewishness and his vocation as a Western writer"-- Western Art and Jewish Presence in the Work of Paul Celan: Roots and Ramifications of the “Meridian” Speech addresses a central problem in the work of a poet who holds a unique position in the intellectual history of the twentieth century. On the one hand, he was perhaps the last great figure of the Western poetic tradition, one who took up the dialogue with its classics and who responded to the questions of his day from a “global” concern, if often cryptically. And on the other hand, Paul Celan was a witness to and interim survivor of the Holocaust. These two identities raise questions that were evidently present for Celan in the very act of poetry. This study takes the form of a commentary on Celan’s most important statement of his poetics and beliefs, “The Meridian,” which is an extraordinarily condensed text, packed with allusions and multiple meanings. It reflects his early work and anticipates later developments, so that the discussion of “The Meridian” becomes a consideration of his oeuvre as a whole. The commentary is an act of listening—an attempt to hear what these words meant to the poet, to see the landscapes from which they come and the reality they are trying to project; and in the light of this, to arrive at a clear picture of the relation between Celan’s Jewishness and his vocation as a Western writer.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780739184134; 9780739184127
    Series: Graven images
    Subjects: Celan, Paul;
    Other subjects: Celan, Paul: Meridian; Celan, Paul; Celan, Paul; Celan, Paul
    Scope: XV, 307 S, 24 cm
    Notes:

    Includes bibliographical references and index