Narrow Search
Last searches

Results for *

Displaying results 1 to 5 of 5.

  1. Women in Chinese Martial Arts Films of the New Millennium
    Narrative Analyses and Gender Politics
    Published: 2012
    Publisher:  Lexington Books, Lanham

    Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, examines underexposed gender issues in more recent films, focusing on the contradictory feminism in the film narratives. Through the lens of Chinese martial arts... more

    Universität Frankfurt, Elektronische Ressourcen
    /
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan

     

    Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, examines underexposed gender issues in more recent films, focusing on the contradictory feminism in the film narratives. Through the lens of Chinese martial arts films, Chen delves into ""Chinese cinematic martial arts feminism,"" highlighting the glass ceiling which marks the maximal exercise of feminism which the patriarchal order is willing to accept.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780739139080; 9780739139103 (Sekundärausgabe)
    Subjects: Film; Martial-Arts-Film; Frau <Motiv>; Geschlechterrolle <Motiv>; Filmschaffender
    Scope: 313 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:

  2. Women in Chinese martial arts films of the new millennium
    narrative analyses and gender politics
    Published: 2012
    Publisher:  Lexington Books, Lanham [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    89.807.22
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780739139080; 0739139088
    Subjects: Film; Martial-Arts-Film; Frau <Motiv>; Geschlechterrolle <Motiv>; Filmschaffender
    Scope: XVII, 295 S., Ill., 24x16x3 cm
    Notes:

    Literaturverz. S. 277 - 289

  3. Women in Chinese martial arts films of the new millennium
    narrative analyses and gender politics
    Published: 2012
    Publisher:  Lexington Books, Lanham [u.a.]

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780739139080
    Subjects: Martial arts films; Feminism and motion pictures; Motion picture producers and directors; Screenwriters; Women in motion pictures; Frau <Motiv>; Kung-Fu-Film
    Scope: XVII, 295 S., Ill.
    Notes:

    Includes bibliographical references and index

  4. Women in Chinese martial arts films of the new millennium
    narrative analyses and gender politics
    Published: 2012
    Publisher:  Lexington Books, Lanham [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780739139080
    Subjects: Martial arts films; Feminism and motion pictures; Motion picture producers and directors; Screenwriters; Women in motion pictures
    Scope: XVII, 295 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival.

  5. Women in Chinese martial arts films of the new millennium
    narrative analyses and gender politics
    Published: 2012
    Publisher:  Lexington Books, Lanham [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 855038
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780739139080
    Subjects: Martial arts films; Feminism and motion pictures; Motion picture producers and directors; Screenwriters; Women in motion pictures
    Scope: XVII, 295 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival.