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Displaying results 1 to 3 of 3.

  1. Apocalyptic geographies
    religion, media, and the American landscape
    Author: Tharaud, Jerome
    Published: [2020]
    Publisher:  Princeton University Press, Princeton ; Oxford

    "This monograph argues that Protestant evangelicals used the rise of mass print culture in the nineteenth century to produce a modern form of "sacred space" that moved beyond devotional literature to profoundly shape popular literature, art, and... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This monograph argues that Protestant evangelicals used the rise of mass print culture in the nineteenth century to produce a modern form of "sacred space" that moved beyond devotional literature to profoundly shape popular literature, art, and politics. The author places well-known works of literature and visual art-Thomas Cole's 1836 painting The Oxbow, Harriet Beecher Stowe's Uncle Tom's Cabin, Henry David Thoreau's Walden, among others-into new contexts, showing the revelatory nature they contained for religious audiences. As the author demonstrates, the antebellum landscape meant more than physical territory to be conquered or new markets to be exploited: the land itself represented intense spiritual longing and struggle, a spiritual medium through which many Americans looked to see the state of their souls and the fate of the world unveiled."

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9780691200101; 9780691200095
    Subjects: Literatur; Malerei; Spiritualität; Evangelikale Bewegung; Landschaft <Motiv>
    Other subjects: American literature / 19th century / History and criticism; Apocalypse in literature; Landscapes in literature; Evangelicalism in literature; Landscape painting, American / 19th century; Apocalypse in art; Spirituality in art; American literature; Apocalypse in art; Apocalypse in literature; Evangelicalism in literature; Landscape painting, American; Landscapes in literature; Spirituality in art; 1800-1899; Criticism, interpretation, etc
    Scope: xix, 334 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen, 24 cm
    Notes:

    Titel der Hochschulausgabe der Dissertation: "Evangelical space: art, experience, and the ethical landscape in America, 1820-1860"

    Dissertation, University of Chicago, 2011

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue
  2. Apocalyptic geographies
    religion, media, and the American landscape
    Author: Tharaud, Jerome
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist --... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 125325
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2020 A 1915
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Fakultätsbibliothek Theologie
    Signature:
    KG Pmg 115
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue. "This monograph argues that Protestant evangelicals used the rise of mass print culture in the nineteenth century to produce a modern form of "sacred space" that moved beyond devotional literature to profoundly shape popular literature, art, and politics. The author places well-known works of literature and visual art-Thomas Cole's 1836 painting The Oxbow, Harriet Beecher Stowe's Uncle Tom's Cabin, Henry David Thoreau's Walden, among others-into new contexts, showing the revelatory nature they contained for religious audiences. As the author demonstrates, the antebellum landscape meant more than physical territory to be conquered or new markets to be exploited: the land itself represented intense spiritual longing and struggle, a spiritual medium through which many Americans looked to see the state of their souls and the fate of the world unveiled"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691200095; 9780691200101
    RVK Categories: HL 1101
    Subjects: American literature; Apocalypse in literature; Landscapes in literature; Evangelicalism in literature; Landscape painting, American; Apocalypse in art; Spirituality in art
    Scope: xix, 334 Seiten, 8 ungezählte Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  3. Apocalyptic geographies
    religion, media, and the American landscape
    Author: Tharaud, Jerome
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist --... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue. "This monograph argues that Protestant evangelicals used the rise of mass print culture in the nineteenth century to produce a modern form of "sacred space" that moved beyond devotional literature to profoundly shape popular literature, art, and politics. The author places well-known works of literature and visual art-Thomas Cole's 1836 painting The Oxbow, Harriet Beecher Stowe's Uncle Tom's Cabin, Henry David Thoreau's Walden, among others-into new contexts, showing the revelatory nature they contained for religious audiences. As the author demonstrates, the antebellum landscape meant more than physical territory to be conquered or new markets to be exploited: the land itself represented intense spiritual longing and struggle, a spiritual medium through which many Americans looked to see the state of their souls and the fate of the world unveiled"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691200095; 9780691200101
    RVK Categories: HL 1101
    Subjects: American literature; Apocalypse in literature; Landscapes in literature; Evangelicalism in literature; Landscape painting, American; Apocalypse in art; Spirituality in art
    Scope: xix, 334 Seiten, 8 ungezählte Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index