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  1. A companion to art theory
    Contributor: Smith, Paul (Hrsg.)
    Published: 2002
    Publisher:  Blackwell, Oxford [u.a.]

    A survey of art theory in the context of Western visual art. It is organized chronologically so that readers can trace developments of visual art theory, from Classical and Medieval sources and modern conceptions of art, through to some contemporary... more

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    A survey of art theory in the context of Western visual art. It is organized chronologically so that readers can trace developments of visual art theory, from Classical and Medieval sources and modern conceptions of art, through to some contemporary theoretical preoccupations Part. 1.Tradition and the academy.Introduction: Alberti and the formation of modern art theory /Carolyn Wilde --Classical concept of minesis /Göran Sörbom ;Medieval art theory /Hugh Bredin ;Neoplatonist aesthetics /Suzanne Stern-Gillet ;Renaissance art theories /Francois Quiviger ;Touch, tactility, and the reception of sculpture in early modern Italy /Geraldine A. Johnson ;Spiritual exercises of Leonardo da Vinci /Robert Williams ;Academic theory,1550-1800 /Paul Duro ;Rhetorical categories in the academy /Caroline van Eck ;Picturesque and its development /Andrew Ballantyne --pt. 2.Around modernism.Aesthetics of Kant and Hegel /Jason Gaiger ;E.H. Gombrich and the tradition of Hegel /David Summers ;German romanticism and French aesthetic theory /Wendy S. Mercer ;Expression : natural, personal, pictorial /Richard Shiff ;Reading artists' words /Richard Hobbs ;Nietzsche and the artist /Michael White ;Wittgenstein, description, and Adrian Stokes (on Cézanne) /Paul Smith ;Modernism and the idea of the avant-garde /Paul Wood ;On the intention of modern(ist) art /Fred Orton ;Anti-art and the concept of art /Paul N. Humble ;Marcel Duchamp's readymades and anti-aesthetic reflex /David Hopkins --pt. 3.Critical theory and postmodernism.Marxism and critical art history /David Craven ;Walter Benjamin and art theory /Howard Caygill ;Bakhtin and the visual arts /Deborah J. Haynes ;Peirce's visuality and the semiotics of art /Michael Leja ;Conceptual art /Charles Harrison ;Barthes on art /Margaret Iversen ;Foucault and art /Roy Boyne ;Derrida and the Parergon /Robin Marriner ;What consciousness forgets : Lyotard's concept of the sublime /Renée van de Vall ;Deleuze on Francis Bacon /Ian Heywood ;Feminisms and art theory /Marsha Meskimmon ;Psycho-phallus (qu'est-ce que c'est?) /Mignon Nixon --pt. 4.Interpretation and the institution of art.Rules of representation /John Willats ;Gombrich and psychology /Richard Woodfield ;Hermeneutics and art theory /Nicholas Davey ;Reciprocity and reception theory /Michael Ann Holly ;Paradox of creative interpretation in art /Carl Hausman ;Interdisciplinarity and visual culture /Charlotte Klonk ;Against curatorial imperialism : Merleau-Ponty and the historicity of art /Paul Crowther ;Institutional theory of art : theory and antitheory /Garry L. Hagberg.

     
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    Content information
    Source: Union catalogues
    Contributor: Smith, Paul (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780631207627
    Other identifier:
    9780631207627
    RVK Categories: LH 61000
    Series: Blackwell companions in cultural studies ; 5
    Subjects: Art; Aesthetics; Art criticism; ART ; Criticism & Theory; Aesthetics; Art criticism; Art ; Philosophy; Kunstsoziologie; Ästhetik; Kunsttheorie; History; Electronic books
    Scope: Online-Ressource, Ill.
  2. A companion to art theory
    Contributor: Smith, Paul (Hrsg.)
    Published: 2002
    Publisher:  Blackwell, Oxford [u.a.]

    A survey of art theory in the context of Western visual art. It is organized chronologically so that readers can trace developments of visual art theory, from Classical and Medieval sources and modern conceptions of art, through to some contemporary... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    eBook Wiley
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Greifswald
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan
    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Rostock
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    A survey of art theory in the context of Western visual art. It is organized chronologically so that readers can trace developments of visual art theory, from Classical and Medieval sources and modern conceptions of art, through to some contemporary theoretical preoccupations Part. 1.Tradition and the academy.Introduction: Alberti and the formation of modern art theory /Carolyn Wilde --Classical concept of minesis /Göran Sörbom ;Medieval art theory /Hugh Bredin ;Neoplatonist aesthetics /Suzanne Stern-Gillet ;Renaissance art theories /Francois Quiviger ;Touch, tactility, and the reception of sculpture in early modern Italy /Geraldine A. Johnson ;Spiritual exercises of Leonardo da Vinci /Robert Williams ;Academic theory,1550-1800 /Paul Duro ;Rhetorical categories in the academy /Caroline van Eck ;Picturesque and its development /Andrew Ballantyne --pt. 2.Around modernism.Aesthetics of Kant and Hegel /Jason Gaiger ;E.H. Gombrich and the tradition of Hegel /David Summers ;German romanticism and French aesthetic theory /Wendy S. Mercer ;Expression : natural, personal, pictorial /Richard Shiff ;Reading artists' words /Richard Hobbs ;Nietzsche and the artist /Michael White ;Wittgenstein, description, and Adrian Stokes (on Cézanne) /Paul Smith ;Modernism and the idea of the avant-garde /Paul Wood ;On the intention of modern(ist) art /Fred Orton ;Anti-art and the concept of art /Paul N. Humble ;Marcel Duchamp's readymades and anti-aesthetic reflex /David Hopkins --pt. 3.Critical theory and postmodernism.Marxism and critical art history /David Craven ;Walter Benjamin and art theory /Howard Caygill ;Bakhtin and the visual arts /Deborah J. Haynes ;Peirce's visuality and the semiotics of art /Michael Leja ;Conceptual art /Charles Harrison ;Barthes on art /Margaret Iversen ;Foucault and art /Roy Boyne ;Derrida and the Parergon /Robin Marriner ;What consciousness forgets : Lyotard's concept of the sublime /Renée van de Vall ;Deleuze on Francis Bacon /Ian Heywood ;Feminisms and art theory /Marsha Meskimmon ;Psycho-phallus (qu'est-ce que c'est?) /Mignon Nixon --pt. 4.Interpretation and the institution of art.Rules of representation /John Willats ;Gombrich and psychology /Richard Woodfield ;Hermeneutics and art theory /Nicholas Davey ;Reciprocity and reception theory /Michael Ann Holly ;Paradox of creative interpretation in art /Carl Hausman ;Interdisciplinarity and visual culture /Charlotte Klonk ;Against curatorial imperialism : Merleau-Ponty and the historicity of art /Paul Crowther ;Institutional theory of art : theory and antitheory /Garry L. Hagberg.

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Smith, Paul (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780631207627
    Other identifier:
    9780631207627
    RVK Categories: LH 61000
    Series: Blackwell companions in cultural studies ; 5
    Subjects: Art; Aesthetics; Art criticism; Electronic books; Kunstsoziologie; Ästhetik; ART ; Criticism & Theory; Aesthetics; Art criticism; Art ; Philosophy; Kunsttheorie; History; Critique d'art - Histoire; Critique d'art - Histoire; Art - Philosophie; Art - Philosophie
    Scope: Online-Ressource, Ill.
  3. A companion to art theory
    Contributor: Smith, Paul (Hrsg.)
    Published: 2002
    Publisher:  Blackwell, Oxford [u.a.]

    A survey of art theory in the context of Western visual art. It is organized chronologically so that readers can trace developments of visual art theory, from Classical and Medieval sources and modern conceptions of art, through to some contemporary... more

    Location:
    Universitätsbibliothek Osnabrück
    Inter-library loan:
    No inter-library loan

     

    A survey of art theory in the context of Western visual art. It is organized chronologically so that readers can trace developments of visual art theory, from Classical and Medieval sources and modern conceptions of art, through to some contemporary theoretical preoccupations

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (An electronic book accessible through the World Wide Web; click for information)
    Source: Union catalogues
    Contributor: Smith, Paul (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0631207627; 0470998431; 1405165456; 9780631207627; 9780470998434; 9781405165457
    Other identifier:
    9780631207627
    RVK Categories: LH 61000
    Series: Blackwell companions in cultural studies ; 5
    Subjects: Art criticism; Aesthetics; Art
    Scope: Online-Ressource, Ill.
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Carolyn Wilde: Part. 1.Tradition and the academy.Introduction: Alberti and the formation of modern art theory

    Göran Sörbom ;Medieval art theory: Classical concept of minesis

    Jason Gaiger ;E.H. Gombrich and the tradition of Hegel: pt. 2.Around modernism.Aesthetics of Kant and Hegel

    David Craven ;Walter Benjamin and art theory: pt. 3.Critical theory and postmodernism.Marxism and critical art history

    John Willats ;Gombrich and psychology: pt. 4.Interpretation and the institution of art.Rules of representation