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  1. Film front Weimar
    representations of the First World War in German films of the Weimar period (1919-1933)
    Author: Kester, Bernadette
    Published: ©2003
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: Dutch; English
    Media type: Ebook
    Format: Online
    ISBN: 0585498830; 9053565981; 9780585498836; 9789053565988
    RVK Categories: AP 44910 ; AP 49700 ; AP 52700
    Series: Film culture in transition
    Subjects: PERFORMING ARTS / Film & Video / Reference; Film; Weltkrieg; Films; Eerste Wereldoorlog; Weimar-republiek; Weimarer Republik; Weltkrieg (1914-1918, Motiv); Film; Geschichte; Weltkrieg (1914-1918); World War, 1914-1918; Motion pictures; Propaganda, German; Weimarer Republik; Erster Weltkrieg <Motiv>
    Scope: 1 Online-Ressource (329 pages)
    Notes:

    Originally presented as the author's thesis (doctoral)--Erasmus Universiteit Rotterdam, 1998. - Filmography: p. [291]-301

    Includes bibliographical references (pages 305-317) and indexes

    'Lehrreich und amüsant' -- Historical films in the period 1896-1933 -- 'Die Legende von der Unschuld' -- Films about the run-up to the war, especially 1914. Die letzten Tage vor dem Weltbrand -- 'Das Dokumentarische gewinnt die Oberhand' -- Archival footage and constructions in war films -- 'Wenn wir Helden wären, wären wir schon längst daheim' -- Realism and anti-war tendencies in four films -- 'Auf dem Meere, da ist der Mann noch etwas wert' -- Films about the German navy during the First World War -- 'Neid, Leid, Tränen -- das ist der Krieg' -- Gender and war films
  2. Film front Weimar
    representations of the First World War in German films of the Weimar period (1919-1933)
    Author: Kester, Bernadette
    Published: 2003
    Publisher:  Amsterdam University Press, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    "The Weimar Republic is widely regarded as a precursor to the Nazi era and as a period in which jazz, architecture and expressionist films all contributed to a cultural flourishing. the so-called Golden Twenties however was also a decade in which... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    "The Weimar Republic is widely regarded as a precursor to the Nazi era and as a period in which jazz, architecture and expressionist films all contributed to a cultural flourishing. the so-called Golden Twenties however was also a decade in which Germany had to deal with the aftermath of the First World War. Film Front Weimar shows how Germany tried to reconcile the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Germany chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship reports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films." "The chapters are ordered thematically: war documentaries, films on the causes of the war, the front life, the war at sea and the home front." --Book Jacket.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: Dutch; English
    Media type: Ebook
    Format: Online
    ISBN: 0585498830; 9780585498836; 9789053565988; 9053565981; 9789053565971; 9053565973
    RVK Categories: AP 52700
    Series: Film culture in transition
    Subjects: Film; Kriegsfilm; Weimarer Republik <Motiv>; Erster Weltkrieg <Motiv>
    Scope: 1 Online-Ressource (329 pages), Illustrations
    Notes:

    Originally presented as the author's thesis (doctoral)--Erasmus Universiteit Rotterdam, 1998

    Filmography: p. [291]-301

    Includes bibliographical references (pages 305-317) and indexes