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Displaying results 1 to 6 of 6.

  1. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
    Signature:
    16S YEE Z00003
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521781305; 0521781302; 9780521787352; 0521787351
    Edition: Digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Literaturproduktion; Drama; Aufführungspraxis
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
  2. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.

     
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    Source: Union catalogues
    Contributor: Higbee, Helen; West, William
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511013086; 9780511013089; 0521781302; 9780521781305; 0521787351; 9780521787352; 051111866X; 9780511118661; 9780511484070; 0511484070; 9780511046001; 0511046006; 0511153651; 9780511153655; 1280162171; 9781280162176
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Includes bibliographical references (pages 269-288) and index
  3. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511013086; 051111866X; 0511484070; 0521781302; 0521787351; 9780511013089; 9780511118661; 9780511484070; 9780521781305; 9780521787352
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Acting in literature; Drama / Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama; Aufführung; Drama; Textproduktion
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Includes bibliographical references (pages 269-288) and index

    Introduction: conjunctures and concepts -- - Performance and authority in Hamlet (1603) -- - A new agenda for authority -- - The "low and ignorant" crust of corruption -- - Towards a circulation of authority in the theatre -- - Players, printers, preachers: distraction in authority -- - Pen and voice: versions of doubleness -- - "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- - Bifold authority in Troilus and Cressida -- - "Unworthy scaffold" for "so great an object" (Henry V) -- - Playing with a difference -- - To "disfigure, or to present" (A Midsummer Night's Dream) -- - To "descant" on difference and deformity (Richard III) -- - The "self-resembled show" -- - Presentation, or the performant function -- - Histories in Elizabethan performance -- - Disparity in mid-Elizabethan theatre history -- - Reforming "a whole theatre of others" (Hamlet) -- - From common player to excellent actor -- - Differentiation, exclusion, withdrawal -- - Hamlet and the purposes of playing -- - Renaissance writing and common playing -- - Unworthy antics in the glass of fashion -- - "When in one line two crafts directly meet" -- - (Word)play and the mirror of representation -- - Space (in)dividable: locus and platea revisited -- - Space as symbolic form: the locus -- - The open space: provenance and function -- - Locus and platea in Macbeth -- - Banqueting in Timon of Athens -- - Shakespeare's endings: commodious thresholds -- - Epilogues vs. closure -- - Ends of postponement: holiday into workaday -- - Thresholds to memory and commodity -- - Liminality: cultural authority 'betwixt-and-between'
  4. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521781305; 0521781302; 9780521787352; 0521787351
    Edition: Digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Shakespeare, William; Drama; Literaturproduktion; Aufführungspraxis; Geschichte 1590-1616
    Scope: XIII, 298 S.
  5. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers:... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers: distraction in authority --Pen and voice: versions of doubleness --"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) --Bifold authority in Troilus and Cressida --"Unworthy scaffold" for "so great an object" (Henry V) --Playing with a difference --To "disfigure, or to present" (A Midsummer Night's Dream) --To "descant" on difference and deformity (Richard III) --The "self-resembled show" --Presentation, or the performant function --Histories in Elizabethan performance --Disparity in mid-Elizabethan theatre history --Reforming "a whole theatre of others" (Hamlet) --From common player to excellent actor --Differentiation, exclusion, withdrawal --Hamlet and the purposes of playing --Renaissance writing and common playing --Unworthy antics in the glass of fashion --"When in one line two crafts directly meet" --(Word)play and the mirror of representation --Space (in)dividable: locus and platea revisited --Space as symbolic form: the locus --The open space: provenance and function --Locus and platea in Macbeth --Banqueting in Timon of Athens --Shakespeare's endings: commodious thresholds --Epilogues vs. closure --Ends of postponement: holiday into workaday --Thresholds to memory and commodity --Liminality: cultural authority 'betwixt-and-between'. Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521781302; 9780521781305; 0521787351; 9780521787352; 0511013086; 0511484070; 9780511013089; 051111866X; 9780511118661; 9780511484070
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater in literature; Acting in literature; Drama; Theater in literature; Acting in literature; Drama; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Acting in literature; Drama ; Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Criticism, interpretation, etc
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William; Shakespeare, William
    Scope: Online Ressource (xiii, 298 p.)
    Notes:

    Includes bibliographical references (p. 269-288) and index. - Description based on print version record

    Introduction: conjunctures and conceptsPerformance and authority in Hamlet (1603)A new agenda for authorityThe "low and ignorant" crust of corruptionTowards a circulation of authority in the theatrePlayers, printers, preachers: distraction in authorityPen and voice: versions of doubleness"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine)Bifold authority in Troilus and Cressida"Unworthy scaffold" for "so great an object" (Henry V)Playing with a differenceTo "disfigure, or to present" (A Midsummer Night's Dream)To "descant" on difference and deformity (Richard III)The "self-resembled show"Presentation, or the performant functionHistories in Elizabethan performanceDisparity in mid-Elizabethan theatre historyReforming "a whole theatre of others" (Hamlet)From common player to excellent actorDifferentiation, exclusion, withdrawalHamlet and the purposes of playingRenaissance writing and common playingUnworthy antics in the glass of fashion"When in one line two crafts directly meet"(Word)play and the mirror of representationSpace (in)dividable: locus and platea revisitedSpace as symbolic form: the locusThe open space: provenance and functionLocus and platea in MacbethBanqueting in Timon of AthensShakespeare's endings: commodious thresholdsEpilogues vs. closureEnds of postponement: holiday into workadayThresholds to memory and commodityLiminality: cultural authority 'betwixt-and-between'.
  6. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek Gießen
    Signature:
    FH Angl KS WEI V 2
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Higbee, Helen
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521787351; 9780521787352; 0521781302; 9780521781305
    RVK Categories: EC 5146 ; HI 3390
    Edition: digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
    Notes:

    Literaturverz. S. 269 - 288