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Displaying results 1 to 5 of 5.

  1. Romanticism and the Gothic
    genre, reception, and canon formation
    Author: Gamer, Michael
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [England] [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511010087; 9780511010088; 0511034636; 9780511034633; 0511118481; 9780511118487; 9780521773287; 0521773288; 9780511484216; 0511484216; 9780511049880; 0511049889; 0511151047; 9780511151040; 1280154713; 9781280154713
    Series: Cambridge studies in Romanticism ; 40
    Scope: 1 Online-Ressource (xiii, 255 pages)
    Notes:

    Includes bibliographical references (pages 201-245) and index
  2. Romanticism and the Gothic
    genre, reception, and canon formation
    Author: Gamer, Michael
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [England]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511010087; 0511034636; 0511118481; 0511484216; 0521773288; 9780511010088; 9780511034633; 9780511118487; 9780511484216; 9780521773287
    Series: Cambridge studies in Romanticism ; 40
    Subjects: Littérature anglaise / 18e siècle / Histoire et critique; Littérature frénétique / Grande Bretagne; Littérature anglaise / 19e siècle / Histoire et critique; Romantisme / Grande-Bretagne; Chefs-d'œuvre (Littérature); Genres littéraires; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Lyrical ballads (Wordsworth, William); Canon (Literature); English literature; Gothic revival (Literature); Literary form; Romanticism; Gothic novel; Romantiek; Engels; Letterkunde; Gothic; Romanticism / Gothic revival; English literature / 18th-19th century; Littérature anglaise / 18e siècle / Histoire et critique; Littérature anglaise / 19e siècle / Histoire et critique; Roman gothique / Grande-Bretagne; Romantisme (littérature) / Grande-Bretagne; Romantik; Gothic novel; Englisch; Geschichte; Literatur; English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Other subjects: Baillie, Joanna / Criticism and interpretation; Wordsworth, William / 1770-1850; Wordsworth, William / 1770-1850 / Lyrical ballads; Baillie, Joanna / 1762-1851 / Critique et interprétation; Scott, Walter / Sir / 1771-1832 / Critique et interprétation; Baillie, Joanna / 1762-1851; Scott, Walter / 1771-1832; Wordsworth, William / 1770-1850 / Lyrical ballads; Baillie, Joanna / 1762-1851; Scott, Walter Sir / 1771-1832; Wordsworth, William (1770-1850) / Lyrical ballads; Baillie, Joanna / (1762-1851) / Critique et interprétation; Scott, Walter / (1771-1832) / Critique et interprétation; Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna (1762-1851); Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851)
    Scope: 1 Online-Ressource (xiii, 255 pages)
    Notes:

    Includes bibliographical references (pages 201-245) and index

    Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket
  3. Romanticism and the gothic
    genre, reception, and canon formation
    Author: Gamer, Michael
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--BOOK JACKET.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521773288; 9780511484216; 9780521026932; 9780521773287
    Other identifier:
    RVK Categories: HL 1131
    Edition: 1. publ.
    Series: Cambridge studies in romanticism ; 40
    Subjects: Chefs-d'œuvre (Littérature); Engels; Genres littéraires; Gothic novel; Letterkunde; Littérature anglaise - 18e siècle - Histoire et critique; Littérature anglaise - 19e siècle - Histoire et critique; Littérature frénétique - Grande Bretagne; Romantiek; Romantisme - Grande-Bretagne; Englisch; Geschichte; Literatur; English literature -- 18th century -- History and criticism; Gothic revival (Literature) -- Great Britain; English literature -- 19th century -- History and criticism; Literary form -- History -- 18th century; Literary form -- History -- 19th century; Romanticism -- Great Britain; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Other subjects: Baillie, Joanna - Criticism and interpretation; Baillie, Joanna <1762-1851> - Critique et interprétation; Scott, Walter <Sir, 1771-1832> - Criticism and interpretation; Scott, Walter <Sir, 1771-1832> - Critique et interprétation; Wordsworth, William <1770-1850>; Wordsworth, William <1770-1850> / Lyrical ballads; Wordsworth, William, 1770-1850; Baillie, Joanna, 1762-1851 -- Criticism and interpretation; Scott, Walter, Sir, 1771-1832 -- Criticism and interpretation; Wordsworth, William <1770-1850>: Lyrical ballads; Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna (1762-1851)
    Scope: 1 Online-Ressource (XIII, 255 S.)
  4. Romanticism and the Gothic
    genre, reception, and canon formation
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [England]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780521773287; 0521773288; 0511010087; 0511484216; 9780511010088; 0511034636; 9780511034633; 0511118481; 9780511118487; 9780511484216
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 40
    Subjects: English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Littérature anglaise; Littérature frénétique; Littérature anglaise; Romantisme; Chefs-d'œuvre (Littérature); Genres littéraires; Canon (Literature); Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; English literature; English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Canon (Literature); LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Canon (Literature); English literature; Gothic revival (Literature); Literary form; Romanticism; Romantik; Gothic novel; Gothic novel; Romantiek; Engels; Letterkunde; Gothic; Romanticism ; Gothic revival; English literature ; 18th-19th century; Littérature anglaise ; 18e siècle ; Histoire et critique; Littérature anglaise ; 19e siècle ; Histoire et critique; Roman gothique ; Grande-Bretagne; Romantisme (littérature) ; Grande-Bretagne; Criticism, interpretation, etc; History
    Other subjects: Wordsworth, William 1770-1850; Baillie, Joanna 1762-1851; Scott, Walter 1771-1832; Wordsworth, William 1770-1850; Baillie, Joanna 1762-1851; Scott, Walter 1771-1832; Baillie, Joanna (1762-1851); Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851); Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna; Wordsworth, William 1770-1850; Baillie, Joanna ; Critique et interprétation; Scott, Walter ; Critique et interprétation; Baillie, Joanna; Scott, Walter; Wordsworth, William; Baillie, Joanna; Scott, Walter Sir
    Scope: Online Ressource (xiii, 255 p.)
    Notes:

    Includes bibliographical references (p. 201-245) and index. - Description based on print version record

    Introduction: Romanticism's "pageantry of fear"Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
  5. Romanticism and the Gothic
    genre, reception, and canon formation
    Author: Gamer, Michael
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521026932; 0521026938; 9780521773287; 0521773288
    RVK Categories: HL 1131
    Edition: Digitally printed 1. paperback version
    Series: Cambridge studies in Romanticism ; 40
    Subjects: Array; Array; Array; Array; Array; Array; Canon (Literature); English literature; Gothic revival (Literature); English literature; Romanticism
    Scope: XIII, 255 S.