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  1. Shakespeare, the Queen's Men, and the Elizabethan performance of history
    Author: Walsh, Brian
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology;... more

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    "The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, Walsh looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through innovative readings of their plays including The Famous Victories of Henry V before moving on to Shakespeare's 1 Henry VI, Richard III, and Henry V, this book investigates how the Queen's Men's self-consciousness about performance helped to shape Shakespeare's dramatic and historical imagination"--Provided by publisher "Longing on a large scale is what makes history." Don DeLillo, Underworld In his 1589 treatise The Arte of English Poesie, George Puttenham diagnosed the limited ability of humans to perceive history. The past, according to Puttenham, is that which "we are not able [ . . . ] to attaine to the knowledge of, by any of our ences." History is defined by its inalienable absence. It exists only in forms of textual or pictorial representation, such as prose works, poetry, and illustrations, or in embodied acts such as storytelling and theatrical playing. In sixteenth-century England, these forms flourished as varying responses to a heightened awareness of the absence of history, an awareness that the intellectual ambitions of the Renaissance precipitated. Of all the forms of history, performance alone supplies a pretense of sensual contact with the vanished past through the bodies that move and speak on stage. The history plays that I consider in this book, from the repertory of the Queen's Men and by Shakespeare, grew out of a vibrant Elizabethan historical culture, and they in turn helped to shape a new historical outlook"--Provided by publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521766920
    RVK Categories: HI 3451
    Edition: 1. publ.
    Subjects: Geschichte; Wissen; Historical drama, English; Literature and history; English drama; Theater; Historisches Drama
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: VI, 239 S.
  2. Shakespeare, the Queen's Men, and the Elizabethan performance of history
    Author: Walsh, Brian
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology;... more

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, Walsh looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through innovative readings of their plays including The Famous Victories of Henry V before moving on to Shakespeare's 1 Henry VI, Richard III, and Henry V, this book investigates how the Queen's Men's self-consciousness about performance helped to shape Shakespeare's dramatic and historical imagination"--Provided by publisher "Longing on a large scale is what makes history." Don DeLillo, Underworld In his 1589 treatise The Arte of English Poesie, George Puttenham diagnosed the limited ability of humans to perceive history. The past, according to Puttenham, is that which "we are not able [ . . . ] to attaine to the knowledge of, by any of our ences." History is defined by its inalienable absence. It exists only in forms of textual or pictorial representation, such as prose works, poetry, and illustrations, or in embodied acts such as storytelling and theatrical playing. In sixteenth-century England, these forms flourished as varying responses to a heightened awareness of the absence of history, an awareness that the intellectual ambitions of the Renaissance precipitated. Of all the forms of history, performance alone supplies a pretense of sensual contact with the vanished past through the bodies that move and speak on stage. The history plays that I consider in this book, from the repertory of the Queen's Men and by Shakespeare, grew out of a vibrant Elizabethan historical culture, and they in turn helped to shape a new historical outlook"--Provided by publisher

     

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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780521766920
    RVK Categories: HI 3451
    Edition: 1. publ.
    Subjects: Geschichte; Wissen; Historical drama, English; Literature and history; English drama; Theater; Historisches Drama
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: VI, 239 S.
  3. Shakespeare, the Queen's Men, and the Elizabethan performance of history
    Author: Walsh, Brian
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521766920; 0521766923
    RVK Categories: HI 3451
    Edition: 1. publ.
    Subjects: Shakespeare, William, 1564-1616--Knowledge--History.; Queen's Men (Theater company)--History.; Historical drama, English--History and criticism.; Literature and history--Great Britain--History--16th century.; English drama--Early modern and Elizabethan, 1500-1600--History and criticism.; Theater--England--History--16th century.
    Scope: VI, 239 S., 23 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references and index

    Literaturverz. S. 221 - 234

  4. Shakespeare, the Queen's Men, and the Elizabethan performance of history
    Author: Walsh, Brian
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology;... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 768999
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    Universitätsbibliothek Freiburg
    GE 2013/686
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2010 A 2842
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2010/4299
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    Universitätsbibliothek Heidelberg
    2010 A 620
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Bk 4507
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    2014.03495:1
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    Herzog August Bibliothek Wolfenbüttel
    63.3755
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    "The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, Walsh looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through innovative readings of their plays including The Famous Victories of Henry V before moving on to Shakespeare's 1 Henry VI, Richard III, and Henry V, this book investigates how the Queen's Men's self-consciousness about performance helped to shape Shakespeare's dramatic and historical imagination"--Provided by publisher "Longing on a large scale is what makes history." Don DeLillo, Underworld-- In his 1589 treatise The Arte of English Poesie, George Puttenham diagnosed the limited ability of humans to perceive history. The past, according to Puttenham, is that which "we are not able [ . . . ] to attaine to the knowledge of, by any of our ences." History is defined by its inalienable absence. It exists only in forms of textual or pictorial representation, such as prose works, poetry, and illustrations, or in embodied acts such as storytelling and theatrical playing. In sixteenth-century England, these forms flourished as varying responses to a heightened awareness of the absence of history, an awareness that the intellectual ambitions of the Renaissance precipitated. Of all the forms of history, performance alone supplies a pretense of sensual contact with the vanished past through the bodies that move and speak on stage. The history plays that I consider in this book, from the repertory of the Queen's Men and by Shakespeare, grew out of a vibrant Elizabethan historical culture, and they in turn helped to shape a new historical outlook"--Provided by publisher

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107629066; 9780521766920; 0521766923
    Other identifier:
    9780521766920
    RVK Categories: HI 3451
    Edition: 1. publ.
    Subjects: English drama; Historical drama, English; Literature and history; Theater
    Other subjects: Shakespeare, William (1564-1616); Array; Array; Array; Array; Array; Array
    Scope: VI, 239 S., 23 cm
    Notes:

    Literaturverz. S. 221 - 234

    Hier auch später erschienene, unveränderte Nachdrucke

  5. Shakespeare, the Queen's Men, and the Elizabethan performance of history
    Author: Walsh, Brian
    Published: c2009
    Publisher:  Cambridge University Press, Cambridge

    A fresh perspective on the Shakespearean history play, examining the work of the Queen's Men and their influence on Shakespeare more

    Hochschulbibliothek Friedensau
    Online-Ressource
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    A fresh perspective on the Shakespearean history play, examining the work of the Queen's Men and their influence on Shakespeare

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780521766920; 1282402560; 9781282402560; 9780511657856
    Subjects: English drama; Theater; Historical drama, English; Literature and history
    Other subjects: Shakespeare, William (1564-1616)
    Scope: Online-Ressource (vi, 239 p)
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Contents; Acknowledgments; Introduction; Notes; Chapter 1 Dialogues with the dead: history, performance, and Elizabethan theater; History, historical culture, historical consciousness; Petrarch and the Elizabethans; Ideas of history; Reformation, rupture, and the stage; "Lively Bodies": Perspectives on performance, now and then; The Queen's Men: The company and their repertory; Shakespeare and the concept of history; Conclusion; Notes; Chapter 2 Theatrical time and historical time: the temporality of the past in The Famous Victories of Henry V

    Historical time and theatrical time in sixteenth-century EnglandClowning with history in Shakespeare and the Queen's Men; Much "Ado" about history in The Famous Victories of Henry V; The world of the living and the world of the dead; Notes; Chapter 3 Figuring history: Truth, Poetry, and Report in The True Tragedy of Richard III; Induction to history; Forms of address, forms of history; The figure of Report; Two truths; Coda: Repetition and textual history; Notes; Chapter 4 "Unkind division": the double absence of performing history in 1 Henry VI; Succeeding Henry

    Factionalism and the rhetoric of genealogy"Dead march"; Transfusing history; Notes; Chapter 5 Richard III and Theatrum Historiae; Retailing, registering, performing; Citing up the (theatrical) past; Richard, Richmond, and revenants; Providence and playing; Theatrum historiae; Notes; Chapter 6 Henry V and the extra-theatrical historical imagination; "Like" theater, "like" history: The past as fantasy; Imagining the past from the "scaffold" to "Blackheath" to the "tomb"; Henry's hobbyhorse: Chantries and the tomb of Richard II; Acceptance take; Notes

    Conclusion: traces of Henry/traces of historyBibliography; Index