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  1. Rhythm and will in Victorian poetry
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge, U.K. [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate."--Jacket.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511004818; 9780511004810; 0511036612; 9780511036613; 0511149263; 9780511149269; 0511117426; 9780511117428; 0521604222; 9780521604222; 9780521642958; 0521642957; 9780511484117; 0511484119
    RVK Categories: HL 1191
    Series: Cambridge studies in nineteenth-century literature and culture ; 22
    Subjects: Lyrik; Metrik; Rhythmik; Willensfreiheit
    Other subjects: Tennyson, Alfred (1809-1892); Browning, Robert (1812-1889); Hopkins, Gerard Manley (1844-1889); Hardy, Thomas (1840-1928)
    Scope: 1 Online-Ressource (xiv, 272 pages)
    Notes:

    Includes bibliographical references (pages 259-268) and index

  2. Rhythm and will in Victorian poetry
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511004818; 0511036612; 0511117426; 0511149263; 0511484119; 0521604222; 0521642957; 9780511004810; 9780511036613; 9780511117428; 9780511149269; 9780511484117; 9780521604222; 9780521642958
    Series: Cambridge studies in nineteenth-century literature and culture ; 22
    Subjects: Poésie anglaise / 19e siècle / Histoire et critique; Volonté dans la littérature; Littérature et société / Grande-Bretagne / Histoire / 19e siècle; Anglais (Langue) / 19e siècle / Versification; Anglais (Langue) / 19e siècle / Rythme; POETRY / English, Irish, Scottish, Welsh; Criticism and interpretation; English language / Rhythm; English language / Versification; English poetry; Literature and society; Will in literature; Ritme; Vrije wil; Anglais (langue) / 19e siècle / Rythme; Poésie anglaise / 19e siècle / Histoire et critique; Volonté / Dans la littérature; Rhythmik; Willensfreiheit; Lyrik; Metrik; Englisch; Geschichte; English poetry; Will in literature; Literature and society; English language; English language; Willensfreiheit; Metrum; Wille <Motiv>; Englisch; Lyrik
    Other subjects: Tennyson, Alfred Tennyson / Baron / 1809-1892; Browning, Robert / 1812-1889; Hopkins, Gerard Manley / 1844-1889; Hardy, Thomas / 1840-1928; Tennyson, Alfred Tennyson / Baron / 1809-1892 / Critique et interprétation; Browning, Robert / 1812-1889 / Critique et interprétation; Hopkins, Gerard Manley / 1844-1889 / Critique et interprétation; Hardy, Thomas / 1840-1928 / Œuvres poétiques; Browning, Robert / 1812-1889; Hardy, Thomas / 1840-1928; Hopkins, Gerard Manley / 1844-1889; Tennyson, Alfred Tennyson / Baron / 1809-1892; Tennyson, Alfred / (1809-1892) / Critique et interprétation; Browning, Robert / (1812-1889) / Critique et interprétation; Hopkins, Gerard Manley / (1844-1889) / Critique et interprétation; Hardy, Thomas / (1840-1928) / Critique et interprétation; Hopkins, Gerard Manley; Hardy, Thomas; Tennyson, Alfred; Browning, Robert; Tennyson, Alfred Tennyson Baron (1809-1892); Browning, Robert (1812-1889); Hopkins, Gerard Manley (1844-1889); Hardy, Thomas (1840-1928); Browning, Robert (1812-1889); Tennyson, Alfred (1809-1892); Hopkins, Gerard Manley (1844-1889); Hardy, Thomas (1840-1928)
    Scope: 1 Online-Ressource (xiv, 272 pages)
    Notes:

    Includes bibliographical references (pages 259-268) and index

    Introduction: two decisions -- Rhythms of will -- Tennyson, Browning and the absorbing soul -- Browning and the element of action -- ''Tis well that I should bluster': Tennyson's monologues -- The drift of In memoriam -- Incarnating elegy in The wreck of the Deutschland -- The mere continuator: Thomas Hardy and the end of elegy

    "In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate."--Jacket

  3. Rhythm and will in Victorian poetry
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge, U.K

    "In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate."--Jacket

     

    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780521604222; 9780521642958; 0521642957; 0511149263; 9780511149269; 0521604222; 0511004818; 9780511484117; 0511484119; 9780511004810; 0511036612; 9780511036613; 0511117426; 9780511117428
    Series: Cambridge studies in nineteenth-century literature and culture ; 22
    Subjects: English poetry; Literature and society; English language; English language; Poésie anglaise; Volonté dans la littérature; Littérature et société; Anglais (Langue); Anglais (Langue); Will in literature; Literature and society; English language; English language; English poetry; English poetry; Will in literature; Literature and society; English language; English language; Criticism and interpretation; English language ; Rhythm; English language ; Versification; English poetry; Literature and society; Will in literature; Rhythmik; Willensfreiheit; Lyrik; Metrik; Ritme; Vrije wil; Anglais (langue) ; 19e siècle ; Rythme; Poésie anglaise ; 19e siècle ; Histoire et critique; Volonté ; Dans la littérature; POETRY ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; History
    Other subjects: Tennyson, Alfred Tennyson 1809-1892; Browning, Robert 1812-1889; Hopkins, Gerard Manley 1844-1889; Hardy, Thomas 1840-1928; Tennyson, Alfred Tennyson 1809-1892; Browning, Robert 1812-1889; Hopkins, Gerard Manley 1844-1889; Hardy, Thomas 1840-1928; Browning, Robert (1812-1889); Tennyson, Alfred Tennyson Baron (1809-1892); Hopkins, Gerard Manley (1844-1889); Hardy, Thomas (1840-1928); Hopkins, Gerard Manley (1844-1889); Hardy, Thomas (1840-1928); Browning, Robert (1812-1889); Tennyson, Alfred Tennyson Baron (1809-1892); Tennyson, Alfred Tennyson 1809-1892; Browning, Robert 1812-1889; Hopkins, Gerard Manley 1844-1889; Hardy, Thomas 1840-1928; Browning, Robert ; Critique et interprétation; Hopkins, Gerard Manley ; Critique et interprétation; Hardy, Thomas ; Critique et interprétation; Hopkins, Gerard Manley; Hardy, Thomas; Tennyson, Alfred; Browning, Robert; Browning, Robert; Hardy, Thomas; Hopkins, Gerard Manley; Tennyson, Alfred ; Critique et interprétation; Tennyson, Alfred Tennyson
    Scope: Online Ressource (xiv, 272 pages)
    Notes:

    Includes bibliographical references (pages 259-268) and index. - Description based on print version record

    Introduction: two decisionsRhythms of will -- Tennyson, Browning and the absorbing soul -- Browning and the element of action -- ''Tis well that I should bluster': Tennyson's monologues -- The drift of In memoriam -- Incarnating elegy in The wreck of the Deutschland -- The mere continuator: Thomas Hardy and the end of elegy.