Narrow Search
Last searches

Results for *

Displaying results 1 to 6 of 6.

  1. Animation, plasticity, and music in Italy, 1770-1830
    Published: [2017]; © 2017
    Publisher:  University of California Press, Oakland, California

    "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart... more

    Hochschule für Musik Detmold, Bibliothek
    MLi 82
    Loan of volumes, no copies
    Universitäts- und Landesbibliothek Münster
    3K 78163
    Unlimited inter-library loan, copies and loan

     

    "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."...Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520284432
    Subjects: Dramatic music; Dramatic music; Operas; Enlightenment; Musiktheater; Statue <Motiv>; Oper; Bewegung; Dramaturgie; Ästhetik
    Scope: xi, 218 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  2. Animation, plasticity, and music in Italy, 1770-1830
    Published: [2017]; © 2017
    Publisher:  University of California Press, Oakland, California

    "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."...Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520284432
    Subjects: Dramatic music; Dramatic music; Operas; Enlightenment; Musiktheater; Ästhetik; Oper; Bewegung; Statue <Motiv>; Dramaturgie
    Scope: xi, 218 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  3. Animation, plasticity, and music in Italy, 1770-1830
    Published: [2017]; © 2017
    Publisher:  University of California Press, Oakland, California

    "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart... more

    Hochschule für Musik Detmold, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."...Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520284432
    Subjects: Dramatic music; Dramatic music; Operas; Enlightenment
    Scope: xi, 218 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  4. Animation, plasticity, and music in Italy, 1770-1830
    Published: [2017]
    Publisher:  University of California Press, Oakland, California

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520284432; 9780520960060
    Series: Simpson imprint in humanities
    Subjects: Italien; Musiktheater; Oper; Statue <Motiv>; Bewegung; Dramaturgie; Ästhetik; Geschichte 1770-1830;
    Scope: xi, 218 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Literaturverzeichnis: Seite 195-212

  5. Animation, plasticity, and music in Italy
    1770-1830
    Published: [2017]; © 2017
    Publisher:  University of California Press, Oakland, California

    Introduction -- Dancing statues -- Pimmalione -- Defining Italy in haunted Rome -- Partial animacy and blind listening in Napoleonic Italy -- Giuditta pasta and the history of musical electrification -- Conclusion "This pathbreaking study of Italian... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Introduction -- Dancing statues -- Pimmalione -- Defining Italy in haunted Rome -- Partial animacy and blind listening in Napoleonic Italy -- Giuditta pasta and the history of musical electrification -- Conclusion "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."--Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520284432; 0520284437
    RVK Categories: LQ 81604
    Subjects: Dramatic music; Dramatic music; Operas; Enlightenment; Dramatic music; Dramatic music; Operas; Enlightenment; Dramatic music; Enlightenment; Operas
    Scope: xi, 218 Seiten, Illustrationen, Notenbeispiele, Faksimiles
    Notes:

    Includes bibliographical references and index

  6. Animation, plasticity, and music in Italy
    1770-1830
    Published: [2017]; © 2017
    Publisher:  University of California Press, Oakland, California

    Introduction -- Dancing statues -- Pimmalione -- Defining Italy in haunted Rome -- Partial animacy and blind listening in Napoleonic Italy -- Giuditta pasta and the history of musical electrification -- Conclusion "This pathbreaking study of Italian... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    8 A 5254
    Unlimited inter-library loan, copies and loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    Deutsches Historisches Institut in Rom, Bibliothek
    Df 12
    No inter-library loan
    Württembergische Landesbibliothek
    67/16304
    Unlimited inter-library loan, copies and loan
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    LR 54140 L816
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    68.899
    Unlimited inter-library loan, copies and loan

     

    Introduction -- Dancing statues -- Pimmalione -- Defining Italy in haunted Rome -- Partial animacy and blind listening in Napoleonic Italy -- Giuditta pasta and the history of musical electrification -- Conclusion "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."--Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520284432; 0520284437
    RVK Categories: LQ 81604
    Subjects: Dramatic music; Dramatic music; Operas; Enlightenment; Dramatic music; Dramatic music; Operas; Enlightenment; Dramatic music; Enlightenment; Operas
    Scope: xi, 218 Seiten, Illustrationen, Notenbeispiele, Faksimiles
    Notes:

    Includes bibliographical references and index