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  1. Representing Sylvia Plath
    Contributor: Bayley, Sally (Herausgeber); Brain, Tracy (Herausgeber)
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations... more

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers.

     
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    Source: Union catalogues
    Contributor: Bayley, Sally (Herausgeber); Brain, Tracy (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511902697
    RVK Categories: HU 4731
    Other subjects: Plath, Sylvia (1932-1963)
    Scope: 1 Online-Ressource (xiv, 249 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Representing Sylvia Plath
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

    "Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers"-- Introduction: 'Purdah' and the enigma of representation /Sally Bayley and Tracy Brain --Part I.Contexts:1.'Mailed into space': on Sylvia Plath's letters /Jonathan Ellis;2.'The photographic chamber of the eye': Plath photography, and the post-confessional muse /Anita Helle;3.'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel /Lynda K. Bundtzen;4.Plath and torture: cultural contexts for Plath's imagery of the Holocaust /Steven Gould Axelrod --Part II.Poetics and Composition:5.'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems /Sally Bayley;6.Coming to terms with colour: Plath's visual aesthetic /Laure de Nervaux-Gavoty;7.'Madonna (of the refrigerator)': mapping Sylvia Plath's double in 'The Babysitters' drafts /Kathleen Connors;8.'Procrustean identity': Sylvia Plath's women's magazine fiction /Luke Ferretter --Part III.Representation:9.Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' /Lynda K. Bundtzen;10.Fictionalising Sylvia Plath /Tracy Brain;11.Primary representations: three artists respond to Sylvia Plath;Adolescent Plath -- 'the girl who would be God' /Suzie Hanna;Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems /Kate Flatt (with Sally Bayley);Stella Vine's peanut crunching Plath /Sally Bayley.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511902697; 1139101722; 1139099728; 9781139101721; 9781139099721; 9780511902697
    Subjects: POETRY ; American ; General; Criticism, interpretation, etc; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh
    Other subjects: Plath, Sylvia; Plath, Sylvia
    Scope: 1 Online-Ressource (xiv, 249 pages), illustrations
    Notes:

    Includes bibliographical references (pages 235-243) and index
  3. Representing Sylvia Plath
    Contributor: Bayley, Sally (Publisher); Brain, Tracy (Publisher)
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Bayley, Sally (Publisher); Brain, Tracy (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511902697
    Other identifier:
    RVK Categories: HU 4731
    Subjects: Plath, Sylvia;
    Other subjects: Plath, Sylvia / Criticism and interpretation; Plath, Sylvia (1932-1963)
    Scope: 1 Online-Ressource (xiv, 249 Seiten), Illustrationen
    Notes:

    Machine generated contents note: Introduction: 'Purdah' and the enigma of representation Sally Bayley and Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath photography, and the post-confessional muse Anita Helle; 3. 'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and Composition: 5. 'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7. Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia Plath's women's magazine fiction Luke Ferretter; Part III. Representation: 9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath Tracy Brain; 11. Primary representations: three artists respond to Sylvia Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt (with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley; Bibliography; Index
  4. Representing Sylvia Plath
    Contributor: Bayley, Sally (Publisher); Brain, Tracy (Publisher)
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Bayley, Sally (Publisher); Brain, Tracy (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511902697
    Other identifier:
    RVK Categories: HU 4731
    Subjects: Plath, Sylvia;
    Other subjects: Plath, Sylvia / Criticism and interpretation; Plath, Sylvia (1932-1963)
    Scope: 1 Online-Ressource (xiv, 249 Seiten), Illustrationen
    Notes:

    Machine generated contents note: Introduction: 'Purdah' and the enigma of representation Sally Bayley and Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath photography, and the post-confessional muse Anita Helle; 3. 'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and Composition: 5. 'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7. Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia Plath's women's magazine fiction Luke Ferretter; Part III. Representation: 9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath Tracy Brain; 11. Primary representations: three artists respond to Sylvia Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt (with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley; Bibliography; Index
  5. Representing Sylvia Plath
    Contributor: Bayley, Sally (HerausgeberIn); Brain, Tracy (HerausgeberIn)
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    No loan of volumes, only paper copies will be sent

     

    Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers Machine generated contents note: Introduction: 'Purdah' and the enigma of representation Sally Bayley and Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath photography, and the post-confessional muse Anita Helle; 3. 'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and Composition: 5. 'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7. Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia Plath's women's magazine fiction Luke Ferretter; Part III. Representation: 9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath Tracy Brain; 11. Primary representations: three artists respond to Sylvia Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt (with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley; Bibliography; Index

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Bayley, Sally (HerausgeberIn); Brain, Tracy (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511902697
    Other identifier:
    RVK Categories: HU 4731
    Subjects: Plath, Sylvia ; Criticism and interpretation
    Other subjects: Plath, Sylvia
    Scope: 1 Online-Ressource (xiv, 249 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)