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  1. The invention of evening
    perception and time in Romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this... more

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    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Series: Cambridge studies in Romanticism ; 66
    Subjects: Englisch; Lyrik; Romantik; Zeit <Motiv>; Abend <Motiv>; Zeitwahrnehmung <Motiv>
    Scope: 1 Online-Ressource (ix, 262 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. The invention of evening
    perception and time in romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Bamberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1131 ; HL 1191
    Edition: 1. publ., Repr. 2008, digitally printed version 2009
    Series: Cambridge studies in romanticism ; 66
    Subjects: Gedichten; Romantiek; Lyrik; English poetry; Time in literature; Perception in literature; Romanticism; Lyrik; Abend <Motiv>; Romantik; Englisch; Zeitwahrnehmung <Motiv>
    Other subjects: Coleridge, Samuel Taylor (1772-1834); Wordsworth, William (1770-1850); Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821)
    Scope: 1 Online-Ressource (IX, 262 S.), Ill.
  3. The invention of evening
    perception and time in romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1131 ; HL 1191
    Edition: 1. publ., Repr. 2008, digitally printed version 2009
    Series: Cambridge studies in romanticism ; 66
    Subjects: Gedichten; Romantiek; Lyrik; English poetry; Time in literature; Perception in literature; Romanticism; Lyrik; Abend <Motiv>; Romantik; Englisch; Zeitwahrnehmung <Motiv>
    Other subjects: Coleridge, Samuel Taylor (1772-1834); Wordsworth, William (1770-1850); Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821)
    Scope: 1 Online-Ressource (IX, 262 S.), Ill.
  4. The invention of evening
    perception and time in Romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1160 ; HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism ; 66
    Subjects: English poetry; Time in literature; Perception in literature; Romanticism; Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Shelley, Percy Bysshe ; 1792-1822 ; Criticism and interpretation; Keats, John ; 1795-1821 ; Criticism and interpretation; English poetry ; 19th century ; History and criticism; Time in literature; Perception in literature; Romanticism ; England
    Other subjects: Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821); Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (ix, 262 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. The pre-history of romantic time -- 2. Coleridge's lyric "moment" -- 3. Wordsworth's evening voluntaries -- 4. Shelley's "woven hymns of night and day" -- 5. Keats and the "Luxury of twilight" -- 6. Later inventions.
  5. The invention of evening
    perception and time in Romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this... more

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    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1160 ; HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism ; 66
    Subjects: English poetry; Time in literature; Perception in literature; Romanticism; Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Shelley, Percy Bysshe ; 1792-1822 ; Criticism and interpretation; Keats, John ; 1795-1821 ; Criticism and interpretation; English poetry ; 19th century ; History and criticism; Time in literature; Perception in literature; Romanticism ; England
    Other subjects: Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821); Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (ix, 262 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. The pre-history of romantic time -- 2. Coleridge's lyric "moment" -- 3. Wordsworth's evening voluntaries -- 4. Shelley's "woven hymns of night and day" -- 5. Keats and the "Luxury of twilight" -- 6. Later inventions.