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  1. Themes and conventions of Elizabethan tragedy
    Author: Bradbrook, Muriel C.
    Published: 1980
    Publisher:  Cambridge University Press, Cambridge

    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been... more

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    Universität Frankfurt, Elektronische Ressourcen
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    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511620362
    RVK Categories: HI 1251 ; HI 1250
    Edition: Second edition.
    Scope: 1 Online-Ressource (viii, 270 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Themes and conventions of Elizabethan tragedy
    Author: Bradbrook, Muriel Clara
    Published: 1980
    Publisher:  Cambridge University Press, Cambridge

    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511620362
    Other identifier:
    Edition: Second edition
    Subjects: English drama (Tragedy); Theater; English drama; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; English drama ; 17th century ; History and criticism; English drama (Tragedy) ; History and criticism; Theater ; England ; History ; 16th century
    Scope: 1 Online-Ressource (viii, 270 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    pt. 1. The theatre: Introduction -- Conventions of presentation and acting -- Conventions of action -- Elizabethan habits of reading, writing and listening -- Conventions of speech -- pt. 2. The dramatists: Christopher Marlowe -- Cyril Tourneur -- John Webster -- Thomas Middleton -- Character, identity and the performer's art in Elizabethan drama.
  3. Themes and conventions of Elizabethan tragedy
    Author: Bradbrook, M. C.
    Published: 1980
    Publisher:  Cambridge University Press, Cambridge

    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511620362
    Other identifier:
    RVK Categories: HI 1250 ; HI 1251 ; HI 1269
    Edition: Second edition
    Subjects: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / 17th century / History and criticism; English drama (Tragedy) / History and criticism; Theater / England / History / 16th century; Geschichte <Motiv>; Thema; Tragödie; Englisch; Konvention
    Scope: 1 online resource (viii, 270 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Themes and conventions of Elizabethan tragedy
    Author: Bradbrook, Muriel Clara
    Published: 1980
    Publisher:  Cambridge University Press, Cambridge

    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been... more

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    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511620362
    Other identifier:
    Edition: Second edition
    Subjects: English drama (Tragedy); Theater; English drama; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; English drama ; 17th century ; History and criticism; English drama (Tragedy) ; History and criticism; Theater ; England ; History ; 16th century
    Scope: 1 Online-Ressource (viii, 270 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    pt. 1. The theatre: Introduction -- Conventions of presentation and acting -- Conventions of action -- Elizabethan habits of reading, writing and listening -- Conventions of speech -- pt. 2. The dramatists: Christopher Marlowe -- Cyril Tourneur -- John Webster -- Thomas Middleton -- Character, identity and the performer's art in Elizabethan drama.