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  1. The politics of performance in early Renaissance drama
    Author: Walker, Greg
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication. Through a detailed analysis of one central dramatic form, the interlude or great hall play, and close study of key texts, Walker examines drama produced and adapted for varying conditions of performance: indoor and outdoor, private and public. He examines what happened when the play script was printed and sold commercially as a literary commodity. This interdisciplinary analysis will find a market among Tudor historians as well as students of medieval and Renaissance drama.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511583155
    RVK Categories: AP 64930 ; HI 1269 ; HI 1254 ; HI 1250
    Subjects: Englisch; Drama; Politik; Politisches Theater; Renaissance
    Scope: 1 Online-Ressource (xi, 245 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Politics of Performance in Early Renaissance Drama
    Author: Walker, Greg
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge, GBR

    Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Abbreviations -- Introduction -- 1 Playing by the book: early Tudor drama and the printed text -- The printer s role -- The printing of play books in the pre-playhouse... more

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    Hochschulbibliothek Friedensau
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    Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Abbreviations -- Introduction -- 1 Playing by the book: early Tudor drama and the printed text -- The printer s role -- The printing of play books in the pre-playhouse period -- Printing history -- Print runs -- Play book prices -- The role of the market! the sale of printed playbooks -- Who bought playbooks? The internal evidence -- The playing companies and the market for printed texts -- Who brought printed playbooks? The external evidence -- Some conclusions and further questions -- Books in (and out of) print -- The dramatic consequences of printing -- 2 Household drama and the art of good counsel -- Authority and negotiation in the tudor interlude -- Drama in the great hall -- Gentrality and liberty! locating the stage -- Drama and the household! good counsel and artistic licence -- Negotiating royal authority! statecraft and stagecraft -- 3 John Heywood and the politics of contentment -- The playwright -- The plays -- Witty and Witless -- The Pardoner and The Friar -- The Play of Love -- The Play of the Weather -- The Four PP -- The politics of contentment -- Heywood and more! the politics of publication -- 4 Acting government: Sir David Lindsay's Ane Satyre of the Thrie Estaitis -- Sir david lindsay of the mount -- Lindsay the courtier -- Lindsay the reformer -- The 1540 interlude -- The evidence -- The politics of Reformation at the Court of James -- The interlude of 1540: the politics of performance -- The open-air drama of 1552 and 1554 -- The plot -- The 1552-4 play: the politics of performance -- 'The Thrie Estaitis' and the politics of social reform -- 5 Dramatic justice at the Marian court: Nicholas Udall's Respublica -- The author -- Udall's religious position -- Respublica: the plot -- Auspices Complaint and satire: the political context of 'Respublica' -- The religious politics of 'Respublica' -- The state's two bodies: gender and Respublica'spolitical anatomy -- 6 Strategies of courtship: the marital politics of Gorboduc -- The creation of gorboduc -- The occasion -- The authors -- The political context -- The plot -- Gorboduc and the Elizabethan succession debates -- Gorboduc in performance: the eye-witness evidence -- Epilogue -- Appendix 1 -- The regulation and censorship of printed drama -- Appendix 2 -- Printed plays and the great hall tradition, 1510-1580 -- A ' Closet' plays -- B Fragements -- C plays of uncertain origin -- D outdoor plays -- E oreat hall plays -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511583155
    Subjects: English drama--Early modern and Elizabethan, 1500-1600--History and criticism
    Scope: 1 Online-Ressource (259 pages)
  3. The politics of performance in early Renaissance drama
    Author: Walker, Greg
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication. Through a detailed analysis of one central dramatic form, the interlude or great hall play, and close study of key texts, Walker examines drama produced and adapted for varying conditions of performance: indoor and outdoor, private and public. He examines what happened when the play script was printed and sold commercially as a literary commodity. This interdisciplinary analysis will find a market among Tudor historians as well as students of medieval and Renaissance drama Playing by the book : early Tudor drama and the printed text -- Household drama and the art of good counsel -- John Heywood and the politics of contentment -- Acting government : Sir David Lindsay's Ane satyre of the thrie estaitis -- Dramatic justice at the Marian court : Nicholas Udall's Respublica -- Strategies of courtship : the marital politics of Gorboduc

     
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  4. The politics of performance in early Renaissance drama
    Author: Walker, Greg
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on... more

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication. Through a detailed analysis of one central dramatic form, the interlude or great hall play, and close study of key texts, Walker examines drama produced and adapted for varying conditions of performance: indoor and outdoor, private and public. He examines what happened when the play script was printed and sold commercially as a literary commodity. This interdisciplinary analysis will find a market among Tudor historians as well as students of medieval and Renaissance drama

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511583155
    Other identifier:
    RVK Categories: AP 64700 ; AP 64930 ; HI 1250 ; HI 1254 ; HI 1269
    Subjects: Geschichte; Politik; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater / Political aspects / Great Britain / History / 16th century; Politics and literature / Great Britain / History / 16th century; Political plays, English / History and criticism; Renaissance / Scotland; Renaissance / England; Drama; Englisch; Höfische Kultur; Interlude; Politik; Politisches Theater; Renaissance
    Other subjects: Lindsay, David / active 1490-1555 / Pleasant satyre of the thrie estaitis; Heywood, John / 1497?-1580? / Political and social views; Udall, Nicholas / 1505-1556 / Respublica; Norton, Thomas / 1532-1584 / Gorboduc
    Scope: 1 online resource (xi, 245 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Playing by the book : early Tudor drama and the printed text -- Household drama and the art of good counsel -- John Heywood and the politics of contentment -- Acting government : Sir David Lindsay's Ane satyre of the thrie estaitis -- Dramatic justice at the Marian court : Nicholas Udall's Respublica -- Strategies of courtship : the marital politics of Gorboduc
  5. The politics of performance in early Renaissance drama
    Author: Walker, Greg
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication. Through a detailed analysis of one central dramatic form, the interlude or great hall play, and close study of key texts, Walker examines drama produced and adapted for varying conditions of performance: indoor and outdoor, private and public. He examines what happened when the play script was printed and sold commercially as a literary commodity. This interdisciplinary analysis will find a market among Tudor historians as well as students of medieval and Renaissance drama Playing by the book : early Tudor drama and the printed text -- Household drama and the art of good counsel -- John Heywood and the politics of contentment -- Acting government : Sir David Lindsay's Ane satyre of the thrie estaitis -- Dramatic justice at the Marian court : Nicholas Udall's Respublica -- Strategies of courtship : the marital politics of Gorboduc

     
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